"Viviane and Merlin in the forest of Brocéliande. Love scene.
"Trumpet calls. Messengers of King Arthur scour the forest in search of the enchanter.
"Merlin remembers his errand. He fain would fly the embraces of Viviane.
"Scene of the bewitchment. To detain him, Viviane puts Merlin to sleep, and binds him with blooming hawthorns."
CONVERSE
(Frederick Shepherd Converse: born in Newton, Mass., January 5, 1877; now living in Westwood, Mass.)
"THE FESTIVAL OF PAN," ROMANCE FOR ORCHESTRA: Op. 9
This symphonic poem, composed in 1899, is the first of a series of "romances" suggested to the composer by scenes in Keats's "Endymion." What portions of the poem inspired this particular work Mr. Converse has not avowed; yet the statement is responsibly made that "emphasis is thrown upon the contrast between Endymion's melancholy and the joyous pomp of the festival of Pan"; it may not, therefore, be inapt to quote those portions of Keats' poem which set forth this situation:
"Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who, gathering round the altar, seem'd to pry
Earnestly round as wishing to espy
Some folk of holiday; nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which even then
Fill'd out its voice and died away again.
"Leading the way, young damsels danced along,
Bearing the burden of a shepherd's song;
Each having a white wicker, overbrimm'd
With April's tender younglings; next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'erflowing die
In music, through the vales of Thessaly.