CHAPTER VII.
HOW A MASQUERADE BEGAN.
A crush of carriages about a stately doorway; a flitting of gorgeous, mysterious, grotesque and dainty figures through the broad, open portal; a glow of lights; a gleaming of vivid color; a glory of rich blossoms; a crash of music; a bubble of joyous voices; beauty, hilarity, luxury everywhere.
It is the night of the great Warburton masquerade, the event of events in the social world. Archibald Warburton, the invalid millionaire, has opened his splendid doors, for the pleasure of his young and lovely wife, to receive the friendly five hundred who adore her, and have crowned her queen of society.
He will neither receive, nor mingle with his wife’s guests; he is too much an invalid, too confirmed a recluse for that. But his brother, Alan Warburton, younger by ten years, handsomer by all that constitutes manly beauty, will play the host in his stead—and do it royally, too, for Alan is a man of the world, a man of society, a refined, talented, aristocratic young man of leisure. Quite a Lion as well, for he has but recently returned from an extended European tour and is the “newest man” in town. And society dearly loves that which is new, especially when, with the newness, there is combined manly beauty—and wealth.
With such a host as handsome Alan Warburton, such a hostess as his brother’s beautiful wife, and such an assistant as her sparkling, piquant little companion, Winnifred French, who could predict for this masquerade anything but the most joyous ending, the most pronounced success? Ah! our social riddles are hard to read.
Into this scene of revelry, while it is yet early, before the music has reached its wildest strains, and the dancing its giddiest whirl, comes a smart servant girl, leading by the hand a child of four or five summers, a dainty fair-haired creature. In her fairy costume of white satin with its silvery frost work and gleaming pearls; with her gossamer wings and glittering aureole of spun gold; her dainty wand and childish grace, she is the loveliest sight in the midst of all that loveliness, for no disfiguring mask hides the beautiful, eager face that gazes down the long vista of decorated drawing rooms, library, music room, boudoir, in wondering, half frightened expectation.
“They’re beginning to dance down there,” says the maid, drawing the child toward a lofty archway, through which they can watch the swiftly whirling figures of the dancers. “Why, do come along, Miss Daisy; one would think your Pa’s house was full of bears and wild-cats, to see your actions.”
But the child draws back and grasps fearfully at the skirts of her attendant.