People are flocking in from the dancing-room. With a gesture of farewell, “Sunlight” flits out through the door just beside the screen, and a moment later, the Goddess of Liberty is sailing through the long drawing-rooms on the arm of a personage in the guise of Uncle Sam.
“What success, my friend?”
“It’s all right,” replies the Goddess of Liberty; “I have seen the lady.”
A moment more and her satin skirts trail across the toes of a tall fellow in the dress of a British officer, who is leaning against a vine-wreathed pillar, intently watching the crowd through his yellow mask. At sight of the Goddess of Liberty, he starts forward and a sharp exclamation crosses his lips.
“Shades of Moses,” he mutters to himself, “I can’t be mistaken; that is Dick Stanhope’s Vienna costume! Is that Dick inside it? It is! it must be! What is he doing? On a lay, or on a lark? Dick Stanhope is not given to this sort of frolic; I must find out what it means!”
And Van Vernet leaves his post of observation and follows slowly, keeping the unconscious Goddess of Liberty always in sight.
“Dear lady, trust me! Your secret shall be safe; your enemy shall become mine!”—[page 75].
Passing through a net-work of vines, the British officer comes upon two people in earnest conversation. The one wears a scarlet and black domino, the other a coquettish Carmen costume.