They found Olive and dinner waiting. As they took their places about the luxury-laden board, three lovelier women or three sadder hearts could not have been found in a day's journey.
Of the three, Claire Keith was the calmest, the most self-possessed. All that was to be related by Madeline, all that Olive was waiting in anxious expectation to hear, she knew already. The best and the worst had been revealed to her; her own course was clear before her. So she ate her dinner with composure, and bore a large share in the table talk that, but for her, would have been rather vague and spasmodic.
Dinner was an ordeal for Olive, at least, on that day, for her mind was filled with thoughts of Philip, and wonderment as to how the picture of the man who had been his ruin came into the possession of Madeline, who was making herself more and more of a mystery.
Madeline, too, was restless. She wished the revelation were made and done with. She wondered if she could control the future so far as Olive was concerned, for she had made her plans, and did not propose to let the work be taken out of her hands.
When Madeline had related to Olive the events that had been transpiring at Oakley, she had narrated faithfully the scenes between Cora and Percy, but she had withheld the name of the latter, a fact which was not even noticed by Olive, who had not been especially interested in this last actor upon the scene.
Now, when dinner was over, and they had grouped themselves about the grate, its ruddy glow illuminating the twilight that was fast giving place to evening shadows, Madeline retold the story of Percy's first interview with Cora on his arrival, and his second, in the summer-house, the overhearing of which had caused that long absence from Miss Arthur's dressing-room, which necessitated her ingenious and highly improbable explanation to the aggrieved spinster, with which the reader is already acquainted.
During this recital the face of Olive Girard was a study. It changed from curiosity to wonder; from wonder to a dawning hopefulness of finding in all this a possible clue, that might help her husband to his freedom. Then despair took the place of hope, as the clue seemed to elude her grasp. At the end, astonishment and incredulity fairly took away her breath. She sank back in her chair without uttering a word.
Madeline waited for comments, but Claire was the first to speak. During the recital she had been able to think, and to some purpose. As the disjointed fragments were joined together by Madeline, Claire was drawing shrewd and close inferences. Now she lifted her head and asked:
"Madeline, have you formed any sort of a theory, as to how all this might affect Olive and Philip?"
Madeline looked up in surprise at the question, and answered it by asking another: "Have you?"