"Little more than half a mile from the school-house."
"Then—good night, doctor."
Doctor Barnes occupied a six-room cottage with a mansard, and he had fitted up the room originally meant to be a sitting-room, for his own sleeping apartment. It was at the front of the main cottage, and back of it was the inner office where the body lay, the outer office being in a wing built out from this rear room and opening conveniently outward, in view of the front entrance, and very close to a little side gate. A porch fitted snugly into the angle made by the former sitting-room and this outer office, and both of these rooms could be entered from this convenient porch. Robert Brierly occupied the room opposite that assigned the detective with the width of the hall between them, and the doctor, although Ferrars did not know this, had camped down in his outer office.
Half an hour after he had parted from the doctor, Frank Ferrars, as he was called by his nearest and most familiar friends, opened the door upon the corner porch and stepped noiselessly out. When he believed that he had found an unusual case—and he cared for no others—he seldom slept until he had thought out some plan of work, adopted some theory, or evolved a possibility, or, as he whimsically termed it, a "stepping stone" toward clearer knowledge.
He had answered the doctor's summons with little thought of what it might mean, or lead to, and simply because it was from "Walt." Barnes. Then he had heard the doctor's brief story with some surprise, and an inclination to think it might end, after all, in a case of accidental shooting, or self-inflicted death. But when he looked into the woeful eyes of lovely Hilda Grant, and clasped the hand of the dead man's brother, the case took on a new interest. Here was no commonplace village maiden hysterical and forlorn, no youth breathing out dramatic vows of vengeance upon an unknown foe. At once his heart went out to them, his sympathy was theirs, and the sympathy of Francis Ferrars was of a very select nature indeed.
And thus he had looked at the beautiful refined face of the dead man, a face that told of gentleness, sweetness, loyalty, all manifest in the calm dignity of death. Not a strong face, as his brother's face was strong, but manly with the true Christian manliness, and strong with the strength of truth. Looking upon this face, all thought of self-destruction forsook the detective, and he stood, after that first long gaze, vowed to right this deadly wrong in the only way left to a mortal.
But how strange that such a man, in such a place, should be snatched out of life by the hand of an assassin! He must think over it, and he could think best when passing slowly along some quiet by-way or street. So he closed his door softly, and all unconscious that he was observed from the window of the outer office, he vaulted across the low fence, striking noiselessly upon the soft turf on the further side; and, after a moment of hesitation, turned the corner and went down Main Street.
Past the shops, the fine new church, the two hotels, one new and one old. Past the little park and around it to the street, terraced and tree planted, where the more pretentious dwellings and several modish new houses, built for the summer boarder, stood. It was a balmy night. Every star seemed out, and there was a moon, bright, but on the wane.
Ferrars walked slowly upon the soft turf, avoiding the boards and stones of the walks and street crossings. Now and then he paused to look at some fair garden, lovely in the moonlight, or up at the stars, and once, at least, at a window, open to the breezes of night and revealing that which sent Ferrars homeward presently with a question on his lips. He paced the length of the terraced street, and passed by the cottage where Hilda Grant waked and wept perchance, and as he re-entered his room silently and shadow-like, he said to himself—
"Is it fate or Providence that prompts us to these reasonless acts? I may be wrong, I may be mistaken, but I could almost believe that I have found my first clue."