[189] The name of this councillor of the Opera still exists in Lucca, where are more than one family of Pagni.
[190] Tolomei, Guida di Pistoja per gli amanti delle belle arti, 1821.—Pistoja, p. 38 (note).
[191] S. Paolo was destroyed by fire in 1896, only the outer walls having escaped.
[192] Symonds, The Renaissance, etc. Fine Arts, chap. iii. p. 77.
[193] Ciampi, Notizie inedite della Sagrestia Pistojese. Firenze.
[194] Merzario, I Maestri Comacini, Vol. I. chap. v. p. 177.
[195] Ruskin, Val d'Arno, p. 17.
[196] This must have been another scion of the Buoni family, probably a small man, and therefore called "Little Buono."
[197] This rustic style is carried to an eccentric excess in some buildings of the seventeenth century, such as the Parliament House (Palazzo Monte Citorio) at Rome, and Zucchari's house in Florence. In Monte Citorio the window-sills are hewn and shaped smoothly for half their length, the other half being left in the rough. Zucchari has done the same with his door-lintels and window-panels. The effect is an incongruity, not pleasing to the eye.
[198] Merzario, I Maestri Comacini, Vol. II. ch. xxxviii. p. 420.