February 17. “Again in the swamp. It seems to me I have never before heard the song-sparrows sing so gleefully. Every concert goes ahead of its predecessor. Here is a sparrow hopping about on the green grass among the bushes like a brown mouse; now he chirps sharply as if to attract my attention, and then bursts into a melody that almost makes me turn a somersault for very joy; and now, having sung his intermittent trills for a few minutes, he begins to warble a sweet, continuous lay, with an andante movement, as if he could not stop.
“A little farther on, another songster, with a voice of excellent timbre, is descanting on a small oak sapling. Note, he runs over several trills, rising higher at every effort, until at last he strikes a note far up in the scale, holds it firmly a moment, and then drops to a lower note. Then he repeats the process, the summit of his ambition being attained whenever he reaches that high note, which is bewitchingly sweet. How clear and true his voice rings!
“Sometimes a silence falls upon the marsh; not a note is to be heard for a minute or two; and then, as if by a preconcerted signal, a dozen sparrows throw the air into musical tumult, their combined rush of notes seeming almost like a salvo. Often, too, when I approach the marsh, no music is heard, but no sooner have I climbed the fence into the enclosure than the choral begins; so that I believe I am justified in saying that the song-sparrow appreciates a human auditor. This is not said by way of disparagement,—by no means; for almost all musicians, whether human or avian, sing to be heard.”
On the same day I saw a song-sparrow whose central tail-feather was pure white from quill to tip, and the bird remained in the marsh until the twenty-fourth of the month, his odd adornment visible from afar. I was also surprised to find two male chewinks in the bushes. A cardinal grossbeak was also seen, and a robin’s song and the loud call of a flicker were heard.
My next outing occurred on the nineteenth, when the weather had turned colder, and snow was falling, mingled with sleet; yet several song-sparrows trilled softly in the marsh. On the twenty-third crow blackbirds were seen, and on the twenty-fourth a turtle-dove was cooing meditatively, and the song-sparrows were holding another opera festival. The last days of February became cold again, and March brought several severe storms; but I think none of the hardy, adventurous birds named, retreated to a warmer clime, even if they did regret having left their winter quarters a little prematurely.
V.
ARRIVAL OF THE BIRDS.
Have any of my readers kept a record of the arrival of the birds during the spring? The northward procession of the battalions in feathers is an interesting study. Why do some birds begin their pilgrimage from the south so much earlier than others? What is there in their physical and mental make-up that gives them the northward impulse even before fair weather has come? Do they become homesick for their summer haunts sooner than their fellows? These are questions that are much more easily asked than answered. The size of the bird furnishes no clew to the solution, for some small birds are better able to resist the cold than many larger ones. There is the little black-capped titmouse—a mere mite of a bird—which generally remains in my neighborhood all winter, cheerfully braving the stormiest weather; while the brown thrasher, fully five times as large, is carefully warming his shins in the sunny south, and will not venture north until the spring has come to stay. Here, too, is Bewick’s wren on the first day of April,—with no thought of making an April fool of any one,—while the Baltimore orioles, rose-breasted grossbeaks, and scarlet tanagers, all larger than he, are tarrying in Georgia and Alabama. There is nothing in the size or color or form of the birds that makes this difference; it is doubtless in the blood.
I have kept a careful memorandum of the arrival of these feathered voyagers (this was during the spring of 1892), and know almost to a certainty the day, and sometimes the hour, when they cast anchor in this port. The winter had been unusually severe, and yet the migration began as early as the twenty-second of February, when the first meadow-larks put in appearance, and sent their wavering shafts of song across the frost-bound fields. They had left only on the last day of December, but had apparently remained away as long as they could. On the same day the killdeer plovers also arrived, making their presence known by their wailing cry. On the twenty-third I heard the Q-q-o-o-ka-l-e-e-e of the red-winged blackbirds, and on the morning of the twenty-fourth the first robins dropped from the sky after a “flying trip” in the night from some more southern stopping-place; but the weather was too cold for them to sing. Yet the song-sparrows and meadow-larks defied the cold with their cheerful melody. While the robin is a very gay and lavish songster, he wants favorable weather for his vocal rehearsals, and a “cold snap” will easily discourage him. He is evidently somewhat of a fair-weather minstrel. It was on February twenty-eighth, a pleasant day, that I caught the first strain of robin melody.
The towhee buntings dropped anchor on the seventh of March, filling the woods with their fine, explosive trills. It was a pleasant day, a sort of oasis in the midst of the stormy weather, and it did not seem inapt to speculate a little as to the thoughts of these birds on their arrival at their old summer haunts, after an absence of four or five months. Was the old brush-heap, where they had built their nest the previous spring, still there? Had the winter storms spared the twig on the sapling where Cock Bunting had sung erstwhile his sweetest trills to his dusky mate? “What if the woodman has cleared away our pleasant corner of the woods?” whispers Mrs. Towhee to her lord as they approach the sequestered spot. How their hearts must bound with joy when they find sapling and brush-heap and winding woodway all as they had left them in the autumn! No wonder they are so tuneful! Even the snow-storms that moan and howl through the woods a few days later cannot wholly repress their exuberant feelings.
On the same date a whole colony of young song-sparrows stopped at this station on their journey northward, although you must remember that quite a number of their elders remained here through the winter. What a twittering these year-old sparrows made in the bushes fringing the woods! I actually laughed aloud at their crude, tuneless, quasi-musical efforts. They were not in good voice, and, besides, had not yet fully learned the tunes that are sung in sparrowdom, and could not control their vocal chords. They made many sorry and amusing attempts to chant and trill, but their voices would break and catch in the most remarkable ways, now sliding up too high in the scale, now sliding down too low, and now veering too much to one side, so to speak. One tyro, I observed, sang the first part of a run very well, almost as well, in fact, as an adult musician could have sung it; but when he tried to finish, his voice seemed to fly all to flinders. He made the attempt again and again, but to no purpose. It was a day for which I have cut a notch in the tally-stick of memory. Leaving the company of young vocalists at their rehearsals at the border of the woods, I made my way to a swamp not far off, where a pleasant surprise lay in ambush. Here were no longer found young song-sparrows, but adults, and you should have heard them sing. What a contrast between the crude songs of the young birds and the loud, clear, splendidly intoned and executed trills of these trained musicians!