THE FIFTH CHAPTER

I

I AM an essayist, if anything, trying to tell Susan's story, and telling it badly, I fear, for lack of narrative skill. So it is with no desire to prolong cheaply a possible point of suspense that I must double back now before I can go forward. My personal interest centers so entirely in Susan herself, in the special qualities of her mind and heart, that I have failed to bring in certain stiff facts—essential, alas, to all further progress. A practiced novelist, handling this purely biographic material—such a man as Clifton Young—would quietly have "planted" these facts in their due order, thus escaping my present embarrassment. But indeed I am approaching a cruel crisis in Susan's life and in the lives of those dearest to her; a period of sheer circumstantial fatality; one of those incursions of mad coincidence, of crass melodrama, which—with a brutal, ironic, improbability, as if stage-managed by an anarchistic fiend of the pit—bursts through some fine-spun, geometrical web of days, leaving chaos behind; and I am ill-equipped to deal with this chance destruction, this haphazard wantonness.

Even could I merely have observed it from the outside, with æsthetic detachment, it would baffle me now; I should find it too crude for art, too arbitrary. It is not in my line. But God knows the victim of what seems an insane break in Nature is in no mood for art; he can do little more than cry out or foolishly rail!


Jimmy returned from his excursion to New York on the Sunday evening preceding Miss Goucher's letter. She must have been at work on it the next evening when Phil brought him to dine with me. It was our deliberate purpose to draw him out, track his shy impressions of Susan and of her new life in her new world. But it was hard going at first; for ten minutes or so we bagged little but the ordinary Jimmyesque clichés. He had had a great time, etc., etc. . . .

Matters improved with the roast. It then appeared that he had lightly explored with Susan the two-thirds of Gaul omitted from her letter. He had called with her on Heywood Sampson, and fathomed Susan's allusion to the shy bluebird. Mr. Sampson, he assured us, was a fine old boy—strong for Susan too! He'd read a lot of her poems and things and was going to bring out the poems for her right away. But the bluebird in the bush had to do with a pet scheme of his for a weekly critical review of a different stamp from Hadow Bury's Whim. Solider, Jimmy imagined; safe and sane—the real thing! If Mr. Sampson should decide to launch it—he was still hesitating over the business outlook—Susan was to find a place on his staff.

Mr. Sampson, Jimmy opined, had the right idea about things in general. He didn't like Susan's quick stuff in Whim; thought it would cheapen her if she kept at it too long. And Mr. Sampson didn't approve of Susan's remaining third of Gaul, either—her Greenwich Village friends. Not much wonder, Jimmy added; Susan had trotted him round to three or four studios and places, and they were a funny job lot. Too many foreigners among them for him; they talked too much; and they pawed. But some nice young people, too. Most of them were young—and not stuck up. Friendly. Sort of alive—interested in everything—except, maybe, being respectable. Their jokes, come to think of it, were all about being respectable—kidding everyday people who weren't up to the latest ideas. There was a lot of jabber one place about the "Œdipus Complex," for example, but he didn't connect at all. He had his own idea—surely, not of the latest—that a lot of the villagers might feel differently when they began to make good and started their bank accounts. But Susan was on to them, anyway, far more than they were on to her! She liked them, though—in spite of Mr. Sampson; didn't fall for their craziest ways or notions of course, but was keen about their happy-go-lucky side—their pep! Besides, they weren't all alike, naturally. Take the pick of them, the ones that did things instead of posing round and dressing the part, and Jimmy could see they might be there. At least, they were on their way—like Susan.