"Ah, that's why I'm here—as a duty I owe myself. I'm bound to say my suspicions were unjust—to Miss Blake, at least. I'll even go beyond that——"
"Careful, Gertrude! Evil communications corrupt good manners."
"Yes," she responded quickly, rising, "they do—always; that's why I'm not here to stay. But all I have left for you, Ambrose, is this: I'm convinced now that in one respect I've been quite wrong. Miss Blake convinced me this morning that her astounding telegram had at least one merit. It happened to be true. I should either live with you or set you free. I've felt this myself, from time to time, but divorce, for many reasons. . . ." She paused, then added: "However, it seems inevitable. If you wish to divorce me, you have legal grounds—desertion; I even advise it, and I shall make no defense. As for your amazing ward—make your mind quite easy about her. If any rumors should annoy you, they'll not come from me. And I shall speak to Lucette." She moved to the door, opening it slowly. "That's all, I think, Ambrose?"
"It's not even a beginning," I cried.
"Think of it, rather, as an ending."
"Impossible! I—I'm abashed, Gertrude! What you propose is out of the question. Why not think better of returning here? The heydey's past for both of us. My dream—always a wild dream—is passing; and I can promise sincere understanding and respect."
"I could not promise so easily," said Gertrude; "nor so much. No; don't come with me," she added. "I know my way perfectly well alone."
Nevertheless, I went with her to the front door, as I ought, in no perfunctory spirit. It was more than a courteous habit; it was a genuine tribute of admiration. I admired her beauty, her impeccable bearing, her frock, her furs, her intellect, the ease and distinction of her triumph. She left me crushed; yet it was a privilege to have known her—to have wooed her, won her, lost her; and now to have received my coup de grâce from her competent, disdainful hands. I wished her well, knowing the wish superfluous. In this, if nothing else, she resembled Susan—she did not need me; she could stand alone. It was her tragedy, in the French classic manner, that she must. Would it also in another manner, in a deeper and—I can think of no homelier word—more cosmic sense, prove to be Susan's?
But my own stuffy problem drama, whether tragic or absurd, had now reached a crisis and developed its final question: How in the absence of Susan to stand at all?