OLD THEATRE IN PORTUGAL STREET.
On the southern side of Lincoln's Inn Fields, at the back of Portugal Row, is Portugal Street, formerly containing a theatre, as celebrated as Covent Garden or Drury Lane is now. This was the Duke's Theatre, so called from the Duke of York, afterwards James II., who, at the Restoration, patronised one of the principal companies of players, as his brother Charles did the other. The latter was the Drury Lane company. Readers of theatrical history are generally led to conclude that there was only one theatre in the Lincoln's Inn quarter; but this is a mistake. There were at least two successive houses in two different places, though usually confounded under the title of "the theatre in Lincoln's Inn Fields." The first was in Gibbon's tennis-court, in Vere Street, Clare Market, where the actors who had played at the Red Bull opened their performances in the year of the Restoration, under the direction of Killigrew, and with the title of King's Company. These in 1663 removed to Drury Lane. The Duke's, or Sir William Davenant's company, removed in 1662 from Salisbury Court (see Fleet Street) to a new theatre "in Portugal Row," says Malone, "near Lincoln's Inn Fields."[222] Malone is a correct inquirer: so that he makes us doubt whether the name of Portugal Row did not formerly belong to Portugal Street. The latter is certainly meant, or he would describe it as in and not near the Fields. Davenant's company performed here till 1671, when they quitted it to return to the renovated theatre in Salisbury Court, under the management of his son, Charles Davenant (the father being dead), and the famous Betterton, who had been Sir William's first actor. The two companies afterwards came together at Drury Lane, but again fell apart; and in 1695 the Duke's company (if its altered composition could still warrant the name), with Betterton remaining at its head, and Congreve for a partner, again opened "the theatre in Lincoln's Inn Fields," which was rebuilt for the purpose, and is described as being in "the Tennis-court." Was this the tennis-court theatre in Vere Street? or were there two tennis-courts, one in Vere Street, and one in Lincoln's Inn Fields? We confess ourselves, after a diligent examination, unable to determine. At all events, the latest theatre of which we hear in Lincoln's Inn Fields, was not in Vere Street. It stood in Portugal Street, on the east end of the present burial ground, just at the back of Surgeons' College, and was subsequently the china warehouse of Messrs. Spode and Copeland.[223] This theatre, which was built of red brick, and had a front facing the market, is the one generally meant by the theatre in Lincoln's Inn Fields. It finally became celebrated for the harlequinades of Rich; but, on his removal to Covent Garden, was deserted, and, after a short re-opening by Gifford from Goodman's Fields, finally ceased to be a theatre about the year 1737. Since that period Covent Garden and Drury Lane playhouses have had this part of the town to themselves.
It is conjectured, that the first appearance of an actress on the English stage, to the scandal of the Puritans, and with many apologies for the "indecorum" of giving up the performances of female characters by boys, took place in the theatre in Vere Street, on Saturday, Dec. 8, 1660. The part first performed was certainly that of Desdemona; a very fit one to introduce the claims of the sex.[224]
Mr. Malone has given us the prologue written for this occasion by Thomas Jordan; which, as it shows the "sensation" that was made, sets us in a lively manner in the situation of the spectators, and gives a curious account of some of the male actors of gentle womanhood, we shall here repeat. It is entitled "A Prologue, to introduce the first Woman that came to act on the Stage, in the Tragedy called the Moor of Venice:"
"I came unknown to any of the rest,
To tell the news; I saw the lady drest:
The woman plays to-day; mistake me not,
No man in gown, or page in petticoat: