"Mr. Wycherly accordingly went to France, and returned to England the latter end of the spring following, with his health entirely restored. The King received him with the utmost marks of esteem, and shortly after told him he had a son, who he resolved should be educated like the son of a king, and that he could make choice of no man so proper to be his governor as Mr. Wycherly; and that, for this service, he should have fifteen hundred pounds a-year allotted to him; the King also added, that when the time came that his office should cease, he would take care to make such a provision for him as should set him above the malice of the world and fortune. These were golden prospects for Mr. Wycherly, but they were soon by a cross accident dashed to pieces.
"Soon after this promise of his Majesty's, Mr. Dennis tells us that Mr. Wycherly went down to Tunbridge, to take either the benefit of the waters or the diversions of the place, when, walking one day upon the Wells-walk with his friend, Mr. Fairbeard, of Gray's Inn, just as he came up to the bookseller's, the Countess of Drogheda, a young widow, rich, noble, and beautiful, came up to the bookseller and inquired for the 'Plain Dealer.' 'Madam,' says Mr. Fairbeard, 'since you are for the "Plain Dealer," there he is for you,' pushing Mr. Wycherly towards her. 'Yes,' says Mr. Wycherly, 'this lady can bear plain-dealing, for she appears to be so accomplished, that what would be a compliment to others, when said to her would be plain-dealing.' 'No, truly, sir,' said the lady, 'I am not without my faults more than the rest of my sex: and yet, notwithstanding all my faults, I love plain-dealing, and am never more fond of it than when it tells me of a fault.' 'Then, Madam,' says Mr. Fairbeard, 'you and the plain dealer seem designed by heaven for each other.' In short, Mr. Wycherly accompanied her upon the walks, waited upon her home, visited her daily at her lodgings whilst she stayed at Tunbridge; and after she went to London, at her lodgings in Hatton Garden: where, in a little time, he obtained her consent to marry her. This he did, by his father's command, without acquainting the King; for it was reasonably supposed, that the lady's having a great independent estate, and noble and powerful relations, the acquainting the King with the intended match would be the likeliest way to prevent it. As soon as the news was known at court, it was looked upon as an affront to the King, and a contempt of his Majesty's orders; and Mr. Wycherly's conduct after marrying made the resentment fall heavier upon him: for being conscious he had given offence, and seldom going near the court, his absence was construed into ingratitude.
"The Countess, though a splendid wife, was not formed to make a husband happy; she was in her nature extremely jealous; and indulged in it to such a degree, that she could not endure her husband should be one moment out of her sight. Their lodgings were in Bow Street, Covent Garden, over against the Cock Tavern, whither, if Mr. Wycherly at any time went, he was obliged to leave the windows open, that his lady might see there was no woman in the company."[277]
"The Countess," says another writer, "made him some amends by dying in a reasonable time." His title to her fortune, however, was disputed, and his circumstances, though he had property, were always constrained. He was rich enough however to marry a young woman a few days before he died, in order to disappoint a troublesome heir. In his old age he became acquainted with Pope, then a youth, who vexed him by taking him at his word, when asked to correct his poetry. Wycherly showed a candid horror at growing old, natural enough to a man who had been one of the gayest of the gay, very handsome, and a "Captain." He was captain in the regiment of which Buckingham was colonel. We have mentioned the Duchess of Cleveland's visits to him when a student in the Temple. Wycherly is the greatest of all our comic dramatists for truth of detection in what is ill, as Congreve is the greatest painter of artificial life, and Farquhar and Hoadley the best discoverers of what is pleasant and good-humoured. When the profligacy of writers like Wycherly is spoken of, we should not forget that much of it is not only confined to certain characters, but that the detection of these characters leaves an impression on the mind highly favourable to genuine morals. A modern critic, as excellent in his remarks on the drama as the one quoted at the conclusion of our last chapter is upon the stage, says on this point, speaking of the comedy of the "Plain Dealer,"—"The character of Manly is violent, repulsive, and uncouth, which is a fault, though one that seems to have been intended for the sake of contrast; for the portrait of consummate, artful hypocrisy in Olivia, is, perhaps, rendered more striking by it. The indignation excited against this odious and pernicious quality by the masterly exposure to which it is here subjected, is 'a discipline of humanity.' No one can read this play attentively without being the better for it as long as he lives. It penetrates to the core; it shows the immorality and hateful effects of duplicity, by showing it fixing its harpy fangs in the heart of an honest and worthy man. It is worth ten volumes of sermons. The scenes between Manly, after his return, Olivia, Plausible, and Norel, are instructive examples of unblushing impudence, of shallow pretensions to principle, and of the most mortifying reflections on his own situation, and bitter sense of female injustice and ingratitude on the part of Manly. The devil of hypocrisy and hardened assurance seems worked up to the highest pitch of conceivable effrontery in Olivia, when, after confiding to her cousin the story of her infamy, she, in a moment, turns round upon her for some sudden purpose, and affecting not to know the meaning of the other's allusions to what she had just told her, reproaches her with forging insinuations to the prejudice of her character, and in violation of their friendship. 'Go! you're a censorious woman.' This is more trying to the patience than anything in the Tartuffe."
Tonson, the great bookseller of his time, had a private house in Bow Street. Rowe, in an amusing parody of Horace's dialogue with Lydia, has left an account of old Jacob's visitors here, and of his style of language.
Tonson got rich, but he was penurious; and his want of generosity towards Dryden (to say the least of it) has done him no honour with posterity. It may be said that he cared little for posterity or for anything else, provided he got his money; but a man who cares for money (unless he is a pure miser) only cares for power and consideration in another shape; and no man chooses to be disliked by his fellow-creatures, living, or to come. In the correspondence between Tonson and Dryden, we see the usual painful picture (when the bookseller is of this description) of the tradesman taking all the advantages, and the author made to suffer for being a gentleman and a man of delicacy. This is the common, and, perhaps, the natural order of things, till society see better throughout; though there have been, and still are, some handsome exceptions, as in the instances of Dodsley, the late Mr. Johnson, and others. The bookseller generally behaves well, in proportion to his intelligence; nothing being so eager to catch all petty advantages as the consciousness of having no other ground to go upon. It may be answered that Dryden's patience with Tonson sometimes got exhausted, and he became "captious and irritable:" and it is always to be remembered that the bookseller need not pretend to be anything more than a tradesman seeking his allowed profits; but he should not on every occasion retreat into the strongholds of trade, and yet claim the merit of acting otherwise; and Tonson, who undertook to be the familiar friend of Rowe and Congreve, ought not to have been able to insult the man whom they both respected, because he was not so well off as they. The following passage of mingled amusement and painfulness is out of Sir Walter Scott:—
"Dryden," says Sir Walter, in his life of the poet, "seems to have been particularly affronted at a presumptuous plan of that publisher (a keen whig, and Secretary to the Kit-Cat Club) to drive him into inscribing the translation of 'Virgil' to King William. With this view Tonson had an especial care to make the engraver aggravate the nose of Eneas in the plates into a sufficient resemblance of the hooked promontory of the Deliverer's countenance, and foreseeing Dryden's repugnance to his favourite plan, he had recourse, it would seem, to more unjustifiable means to further it; for the poet expresses himself as convinced that, through Tonson's means, his correspondence with his sons, then at Rome, was intercepted. I suppose Jacob, having fairly laid siege to his author's conscience, had no scruple to intercept all foreign supplies, which might have confirmed him in his pertinacity. But Dryden, although thus closely beleagured, held fast his integrity; and no prospect of personal advantage, or importunity on the part of Tonson, could induce him to take a step inconsistent with his religious and political sentiments. It was probably during the course of these bickerings with his publisher, that Dryden, incensed at some refusal of accommodation on the part of Tonson, sent him three well-known coarse and forcible satirical lines descriptive of his personal appearance:—
'With leering looks, bull-faced, and freckled fair,
With two left legs, and Judas-coloured hair,
And frouzy pores, that taint the ambient air.'