“How great will the modifications be?” I punch.
“Microscopically slight. Changes in dimensions,” says the screen. “Even modern precision gauges are not exact enough to check them, however. They can only come about under present manufacturing methods by an extremely improbable accident, which has only happened once.”
“How can one get hold of that one accident which can do this highly necessary work?” I punch.
The screen sputters. Sweat broke out on me. I ain’t got it figured out close, yet, but what I’m scared of is that whatever is Joe will be suspicious. But what I’m askin’ is strictly logical. And logics can’t lie. They gotta be accurate. They can’t help it.
“A complete logic capable of the work required,” says the screen, “is now in ordinary family use in—”
And it gives me the Korlanovitch address and do I go over there! Do I go over there fast! I pull up the Maintenance car in front of the place, and I take the extra logic outta the back, and I stagger up the Korlanovitch fiat and I ring the bell. A kid answers the door.
“I’m from Logics Maintenance,” I tell the kid. “An inspection record has shown that your logic is apt to break down any minute. I come to put in a new one before it does.”
The kid says “O.K.!” real bright and runs back to the livin’-room where Joe—I got the habit of callin’ him Joe later, through just meditatin’ about him—is runnin’ somethin’ the kids wanna look at. I hook in the other logic an’ turn it on, conscientious making sure it works. Then I say:
“Now kiddies, you punch this one for what you want. I’m gonna take the old one away before it breaks down.”
And I glance at the screen. The kiddies have apparently said they wanna look at some real cannibals. So the screen is presenting a anthropological expedition scientific record film of the fertility dance of the Huba-Jouba tribe of West Africa. It is supposed to be restricted to anthropological professors an’ post-graduate medical students. But there ain’t any censor blocks workin’ any more and it’s on. The kids are much interested. Me, bein’ a old married man, I blush.