Tony drank it. From the expression on her face, it seemed to be an action of extraordinary importance. He was tempted to make a flourish, but made a face instead. It was not wholly bad. It had a faintly reminiscent flavor, as of something he had drunk before. It tasted a little like some of the herb teas his maiden aunt had dosed him with as a child. From experience he knew that the flavor would last. He would keep tasting it all day, and it ought to be good for something or other, but he could not guess what.
He handed back the goblet.
“I wouldn’t say,” he remarked, “that it would be a popular soft drink back home, but I have tasted some almost as bad.”
Chapter 5
The girl Ghail stared at him in seeming stupefaction. Then, as he regarded her expectantly, she suddenly began to flush. The red came into her cheeks and spread to her temples, and then ran down her throat. He followed its further spread with interest. When it had reached her legs she abruptly ran to the gate and hammered on it, crying out fiercely. Soldiers with whiskers and flintlock muskets appeared instantly, as if they had been kept posted out of sight for an emergency which could only be created by Tony Gregg. They let her out, scowling at him.
He sat down and breathed deeply, staring at the stone wall of his dungeon-courtyard. She’d believed him a djinn, eh? Djinns were creatures of Arabian mythology. They were able to take any form, and sometimes were doomed to obey the commands of anybody possessing a talisman such as a magic ring or lamp. At other times they could scare the pants off of even a True Believer not so equipped. They kidnapped princesses, whom the heroes of the Arabian Nights unfailingly rescued, and they fought wars among themselves, and they were not quite the same as efreets, who were always repulsive, while djinns might take the form of very personable humans. They were also not quite so dreadful as ghuls —from which the English word “ghoul” is derived—who lived on human flesh.
There was a wooden bench against the wall, at which Tony stared abstractedly. He became aware that it was oscillating vaguely. It thumped this way, and that, and just as the oddity of its behavior really caught his attention, the bench fell over. It tumbled sidewise with a heavy “bump” to the hard-baked clay floor.
Tony looked startled. Then he got up and went over to the bench. At a moment when djinns were recently made plausible, erratic behavior of furniture suggesting ghosts was practically prosaic. He examined the overturned object. There was a minor quivering of the wood as he touched it. It felt almost alive.
He heaved it up, so completely off base mentally that he acted in a perfectly normal manner. He was actually too dazed to do anything else. The quivering of the bench stopped. He saw a bug on the hard-baked clay—a beetle, lying on its back and wriggling its legs frantically. It was pressed solidly into the clay, as if the full weight of the bench had thrust it down without crushing it. It was a trivial matter. An absurd matter. It was insane to bother about a bug on the ground.
But as he looked down at the wriggling black thing, its outlines misted. A little dustiness appeared in mid-air, down by the floor. Then Tony Gregg’s hair stood up straight on end, so abruptly that it seemed that each separate hair should have cracked like a whiplash. He backed away, goggling.