“Make him dress and cook breakfast,” laughed Peg.

It was a dandy warm summer’s morning. We had slept later than we had intended. But we figured that there was still plenty of time for us to get to Ashton before noon.

“We probably won’t be able to get an ad in to-night’s paper,” said Scoop. “But we can have some handbills printed, telling about the show. Three-four hundred won’t cost much. We can distribute them this afternoon, a light job. For Ashton’s a small town.”

Breakfast over, Scoop and I and Peg gave the dishes a hurried bath in the canal while Red greased the engine, getting it ready for the day’s pull.

But when we came to crank the engine it wouldn’t respond. Ready to give up, after twenty minutes of steady winding, we finally got a faint explosion, then another and another. Once in motion the motor quickly gained speed. But, oh, boy, how it smoked!

Just before we came within sight of Ashton, two men appeared in the tow path, at a lonely spot in the canal, signaling to us to stop and put them on the opposite shore.

Red promptly stopped the propeller. As soon [[76]]as the scow brushed the bank the men jumped aboard. The leader was white-haired, a man of probably sixty years of age, with a thin hard face and peculiar beady black eyes. As I looked at him I was instinctively turned against him. He was the direct opposite to the kind of a man that I liked. His face held hidden stories; even his guarded movements suggested hidden unworthy things.

The most noticeable thing about the other man, outside of his thin tallness and his preacher-like coat, which came to his knees, was his nose. It was a big nose. And what tended to make it seem still bigger was a wart on the end of it. I had to smile as I looked at him. He made me think of pictures I had seen of the schoolmaster in the Sleepy Hollow story.

“Well, well,” he said, stepping around sort of jaunty-like and taking in everything with a lit-up face. “What have we here? A stage! Upon my word, a genuine stage. And seats! Ah-ha! I have, I believe, penetrated the secret. I am aboard a theatrical craft. A theatrical craft, I should add, in charge of four young showmen. A juvenile venture into the realms of the dramatic art. How interesting. How very, very interesting. In this familiar atmosphere of the—aw—[[77]]spoken play, I am stirred to memories of past golden days.” He got on the stage and sort of posed like an actor. I guess he would have given us an exhibition of his acting if his blazing-eyed companion hadn’t turned on him in a sudden fury.

“You fool!” the beady-eyed one cried. And at the cutting words, which were a sort of indirect command, the actor stopped stone-like, a look of fear rushing into his face.