From the composition of ordinary commercial black oxide of manganese, as shown by these analyses, it is evident that it is better to use the pure article, and this has been found to be the case by the firm who have adopted it in lieu of commercial black oxide of manganese. I therefore strongly recommend all glass makers to try and experiment with it, for the results obtained will largely counterbalance the extra cost of the pure material; and I also much doubt whether the same injurious effects will be produced on the pots, as is the case where commercial manganese is employed.

Arsenious acid also acts as an oxidizing agent, in that it gives up its oxygen to the protoxide of iron, converting it into the peroxide; but the arsenic itself, which has lost its oxygen, is reduced to the metallic state, and being volatile, does not remain with the glass, but passes off by the flues of the furnace. If too much arsenic is used, it sometimes renders the glass milky or cloudy.

Before describing in detail the method of mixing and founding glass, it will be necessary to mention the composition of the vessels in which the glass is made. They are called glass-pots, and differ in shape according to the different kinds of glass to be made in them. Glass-pots are made of fire-clay (generally the best Stourbridge), which is a silicate of alumina, and here great care is taken to select that which contains least lime or iron. It is ground, then moistened and well kneaded together, and left to ripen, while a certain quantity of old glass-pot is ground fine and mixed with the fresh fire-clay. Masses about the size of two hands are kneaded separately, the object being to exclude all air bubbles, and to obtain a perfectly homogeneous lump. The bottom of the glass-pot is then laid, the masses of fire-clay being pressed in with the greatest care, so as to avoid all cracks or places where air might enter during the slow process of drying.

The modern shape is round; though formerly certain glass-pots, called cuvettes, used in the purifying of plate glass, were square. Pots used in the manufacture of common crown and sheet window glass, generally speaking, are larger at the top than at the bottom; but whatever may be the shape of the pot, the method of its building is the same. The sides are carefully made of fire-clay, each piece being laid on by itself and kneaded like the bottom of the pot, so that it is slowly built up until it reaches the desired height. It is then dried very gradually, and the process is finished in artificially warmed chambers. Before putting it in its place in the glass-furnace, it is allowed to remain for some time in what is called a pot-arch, that is, an archway built of fire-clay bricks, along the side of which is a fireplace, by means of which the arch is brought up to a red heat; and after it has been heated sufficiently, is removed while red-hot and put into the furnace. Glass-pots are never allowed to cool, and with care they may last for several months. From this description of their manufacture, it will be clear that it is attended with considerable cost, varying from 5l. to 10l.

There are three different kinds of ordinary pots for crown, plate, and flint glass; and of these the last is decidedly the most expensive, as its top is covered over, and presents the appearance of a dome with an opening in front, through which the materials can be introduced when the pot is charged, and from which, when made, the glass may be drawn, in order to be blown into shape by the workman. In glass-furnaces the pots are sometimes arranged in a circle, with their mouths opening into the glass-house; but now a different construction is sometimes employed, since other methods of heating the furnaces have been introduced. It is hardly within the scope of this article to enter into a description of glass-furnaces; suffice it to state, that they should be of such a construction as to yield the greatest amount of well-regulated heat for the smallest consumption of fuel, and this object seems to be best effected by the adoption of Mr. Siemens' excellent principle of heating furnaces. For some years his process has been in use at the Thames Plate Glass Company's Works, where the saving of fuel has been very considerable, and the glass greatly improved, owing to the fact that impurities from the fuel employed cannot possibly find such easy entrance into the glass-pot. In any case, the construction of the furnace is such, as to be best adapted to the convenience of the workmen, according to the kinds of glass which they have to make. Differently arranged furnaces are used for bottles from those employed for crown and sheet glass.

It has lately come to my knowledge that flint glass, that is to say, the glass used for tumblers, decanters, and such like, is occasionally injured by the appearance in it of little opaque white spots. Some portions of glass of this character have been analyzed by me, when I found that these white spots were owing to the presence of a glass containing alumina. Now alumina raises the melting point of any glass of which it is a constituent. So, then, these white spots were due to the presence in the flint glass, which was perfectly clear, of a much less fusible glass which was only partly made when the flint glass was ready for working. On investigating the matter, it was found that the alumina came from the glass-pots, for when by my advice the faulty pot was withdrawn from the furnace and carefully examined, although it had been in work only six weeks, the bottom was honey-combed to a very considerable extent, showing that portions of the pot had been dissolved; and inasmuch as the fire-clay, of which the pots are made, contains a large quantity of alumina, it was not difficult to trace the source of these white spots which had rendered useless much very valuable glass. On inquiry it was found that the pots had been made entirely of new clay, and on reference to the book of workings, which was kept in the glass-house, it was also found that for some time, the glass-pots used in that establishment had been made of new clay, and that on a previous occasion a similar calamity had before happened.

In the records kept where pots were made, as has already been described, with a portion of old pot as well as new clay, no white spots had ever appeared in the glass. It is therefore manifest, that it is much safer to use a portion of old pot than to trust to pots made entirely of new clay.

Having considered briefly the manufacture of glass-pots, I shall proceed to the treatment of the materials to be employed. In making common window glass, ordinary sand, which does not contain any very large quantity of iron, may be used, the alkali employed being sulphate of soda, while the purifying material is either arsenic or black oxide of manganese. A small quantity of anthracite coal is added to the mixture, in order to assist in the reduction of the sulphate of soda, together with some lime. The materials are carefully mixed and placed in the furnace, where they are heated for some time, a process which is called "fritting." Its object is to perfectly dry the materials, so as to expel carbonic acid gas, which would otherwise cause swelling in the glass; but no combination must take place, to allow of silicates being formed, otherwise the alkali would melt first and attack the substance of the glass-pots, and part of it would be volatilized and lost. When this operation is completed, the fritt is put into the hot glass-pot, and submitted to the action of the heat of the furnace, until the glass is made, or "founded," as it is technically termed. In the case of sheet and crown glass, this process lasts from sixteen to seventeen hours, for it will be remembered that the top of the pot is open to the furnace, so that the flames pass over the surface of its contents. In this way the materials get heated more rapidly than when a covered glass-pot is used.

M. Gehlen gives as a good mixture for window glass:

Sand100parts.
Dry sulphate of soda50"
Quicklime20"
Carbon, as charcoal4"