When the storm began to abate, I dismounted and sauntered down through the calming woods. The storm-tones died away, and, turning toward the east, I beheld the countless hosts of the forests hushed and tranquil, towering above one another on the slopes of the hills like a devout audience. The setting sun filled them with amber light, and seemed to say, while they listened, “My peace I give unto you.”
As I gazed on the impressive scene, all the so-called ruin of the storm was forgotten, and never before did these noble woods appear so fresh, so joyous, so immortal.—From “The Mountains of California.” Copyright by The Century Company, New York, and used by their kind permission.
AN UNEXPECTED ADVENTURE
By John Muir
A wild scene, but not a safe one, is made by the moon as it appears through the edge of the Yosemite Fall when one is behind it. Once, after enjoying the night-song of the waters and watching the formation of the colored bow as the moon came round the domes and sent her beams into the wild uproar, I ventured out on the narrow bench that extends back of the fall from Fern Ledge and began to admire the dim-veiled grandeur of the view. I could see the fine, gauzy threads of the fall’s filmy border by having the light in front; and wishing to look at the moon through the meshes of some of the denser portions of the fall, I ventured to creep further behind it while it was gently wind-swayed, without taking sufficient thought about the consequences of its swaying back to its natural position after the wind-pressure should be removed. The effect was enchanting: fine, savage music sounding above, beneath, around me; while the moon, apparently in the very midst of the rushing waters, seemed to be struggling to keep her place, on account of the ever-varying form and density of the water-masses through which she was seen, now darkly veiled or eclipsed by a rush of thick-headed comets, now flashing out through openings between their tails. I was in fairyland between the dark wall and the wild throng of illumined waters, but suffered sudden disenchantment; for, like the witch-scene in Alloway Kirk, “in an instant all was dark.” Down came a dash of spent comets, thin and harmless-looking in the distance, but they felt desperately solid and stony when they struck my shoulders, like a mixture of choking spray and gravel and big hailstones. Instinctively dropping on my knees, I gripped an angle of the rock, curled up like a young fern frond with my face pressed against my breast, and in this attitude submitted as best I could to my thundering bath. The heavier masses seemed to strike like cobblestones, and there was a confused noise of many waters about my ears—hissing, gurgling, clashing sounds that were not heard as music. The situation was quickly realized. How fast one’s thoughts burn in such times of stress! I was weighing chances of escape. Would the column be swayed a few inches away from the wall, or would it come yet closer? The fall was in flood and not so lightly would its ponderous mass be swayed. My fate seemed to depend on a breath of the “idle wind.” It was moved gently forward, the pounding ceased, and I was once more visited by glimpses of the moon. But fearing I might be caught at a disadvantage in making too hasty a retreat, I moved only a few feet along the bench to where a block of ice lay. I wedged myself between the ice and the wall, and lay face downwards, until the steadiness of the light gave encouragement to rise and get away. Somewhat nerve-shaken, drenched, and benumbed, I made out to build a fire, warmed myself, ran home, reached my cabin before daylight, got an hour or two of sleep, and awoke sound and comfortable, better, not worse, for my hard midnight bath.—From “The Yosemite.” Copyright by The Century Co., New York, and used by their kind permission.
THE TORTURE OF THE STRAIT-JACKET
By Jack London
Have you ever seen canvas tarpaulins or rubber blankets with brass eyelets set in along the edges? Then imagine a piece of stout canvas, some four and one-half feet in length, with large and heavy brass eyelets running down both edges. The width of this canvas is never the full girth of the human body it is to surround. The width is also irregular—broadest at the shoulders, next broadest at the hips, and narrowest at the waist.
The jacket is spread on the floor. The man who is to be punished, or who is to be tortured for confession, is told to lie face-downward on the flat canvas. If he refuses, he is man-handled. After that he lays himself down with a will, which is the will of the hang-dogs, which is your will, dear citizen, who feeds and fees the hang-dogs for doing this thing for you.
The man lies face-downward. The edges of the jacket are brought as nearly together as possible along the center of the man’s back. Then a rope, on the principle of a shoe-lace, is run through the eyelets, and on the principle of shoe-lacing the man is laced in the canvas. Only he is laced more severely than any person ever laces his shoe. They call it “cinching” in prison lingo. On occasion, when the guards are cruel and vindictive or when the command has come down from above, in order to insure the severity of the lacing the guards press with their feet into the man’s back as they draw the lacing tight.