But, of course, she was more flattered by his bondage than she showed. Every night he planted himself in the prompt-entrance to watch her dance and clap his powerful hands in adulation. She could not be insensible to the compliment, though her smiles were oftenest for Flouflou, who planted himself, adulating, on the opposite side. Adagio! Allegretto! Vivace! Unperceived by the audience, the gaze of the two men would meet across the stage with misgiving. Each feared the other's attentions to her, each wished with all his heart that the other would get the sack; they glared at each other horribly. And, meanwhile, the orchestra played its sweetest, and Clairette pirouetted her best, and the Public, approving the obvious, saw nothing of the intensity of the situation.
Imagine the emotions of the little juggler, jealous by temperament, jealous even without cause, now that he beheld a giant laying siege to her affections!
And then, on a certain evening, Clairette threw but two smiles to
Flouflou, and three to Hercule.
The truth is that she did not attach so much significance to the smiles as did the opponents who counted them. But that accident was momentous. The Strong Man made her a burning offer of marriage within half an hour; and next, the juggler made her furious reproaches.
Now she had rejected the Strong Man—and, coming when they did, the juggler's reproaches had a totally different effect from the one that he had intended. So far from exciting her sympathy towards him, they accentuated her compassion for Hercule. How stricken he had been by her refusal! She could not help remembering his despair as he sat huddled on a hamper, a giant that she had crushed. Flouflou was a thankless little pig, she reflected, for, as a matter of fact, he had had a good deal to do with her decision. She had deserved a better reward than to be abused by him!
Yes, her sentiments towards Hercule were newly tender, and an event of the next night intensified them. It was Hercule's custom, in every town that the Constellation visited, to issue a challenge. He pledged himself to present a "Purse of Gold"—it contained a ten-franc piece— to any eight men who vanquished him in a tug-of-war. The spectacle was always an immense success—the eight yokels straining, and tumbling over one another, while Hercule, wearing a masterful smile, kept his ten francs intact. A tug-of-war had been arranged for the night following, and by every law of prudence, Hercule should have abstained from the bottle during the day.
But he did not. His misery sent discretion headlong to the winds. Every time that he groaned for the danseuse he took another drink, and when the time came for him to go to the show, the giant was as drunk as a lord. The force of habit enabled him to fulfil some of his stereotyped performance, he emerged from that without disgrace; but when the eight brawny competitors lumbered on to the boards, his heart sank. The other artists winked at one another appreciatively, and the manager hopped with apprehension.
Sure enough, the hero's legs made strange trips to-night. The sixteen arms pulled him, not only over the chalk line, but all over the stage. They played havoc with him. And then the manager had to go on and make a speech, besides, because the "Purse of Gold" aroused dissatisfaction. The fiasco was hideous.
"Ah, Clairette," moaned the Strong Man, pitifully, "it was all through you!"
Elsewhere a Strong Man had put forth that plea, and the other lady had been inexorable. But Clairette faltered.