Cynthia / With an Introduction by Maurice Hewlett

by Leonard Merrick

She had no complaint to make when he saw her next. And it was after this that Kent's work for her was uniformly fatuous, while he lavished on his own a wealth of fastidious care for which she would have mocked him had she known. He visited her at much longer intervals now, for a disgust of her caresses was growing in him, a horror of the amorous afternoons, which ended always with a plea for additional tales. But that cowardice prevented him, he would have stayed away altogether. There grew something like horror of the woman herself, insatiable, no matter with how much work he might supply her—coaxing him for "two little stories more; anything will do—I must have a new costume, darling, really!" while a batch of manuscript that he had brought to her lay in her lap. He could remember now, with her arms about him, the many original ideas that she had had from him at the beginning, and he felt with a shudder that her clutch was deadly. First she had had his brains, and now she stole his conscience. He foresaw that, if the strain that she put upon him continued, a day must come when the imagination that she was squeezing like an orange would be sterile, or fruitful of nothing better than the literary abortions with which his mistress was content.

His dismay at his position did not wane. It became so evident that, by degrees, a coldness crept into the woman's manner towards him. He was at no pains to dispel it. That their relations drifted on to a purely business footing inspired him with no other fear than that presently she might make him a scene and entail upon him the disagreeable necessity for declaring, as delicately as he could, that his infidelity to his wife had been a madness that he violently regretted, and would never repeat. The obvious retort would be so superficially true that fervently he trusted that the necessity would not arise.

Meanwhile the short stories submitted in his own name, with silent prayers, had all been refused; but, undeterred by the failure, he wrote more and more. The present tenants of No. 64 were anxious to renew their agreement for another six months, and he was pleased to hear it. The prospect of meeting Cynthia again frightened him; and, closing readily with the off er that afforded him a respite, he remained at his literary forge in Soho, writing for Mrs. Deane-Pitt and for himself—seeing sometimes three of his tales for her published, by different papers, in the same week, and finding the tales submitted in the lowlier name of "Humphrey Kent" returned without exception.

He would once have said that such a state of things couldn't be, but now he discovered that it could be, and was. There was not at this stage: a periodical or magazine in London that Humphrey Kent did not essay in vain, and there were; not more than three or four (of the kind that one sees in a club or an educated woman's room) in which his stuff did not appear, at a substantial rate of payment, when it was supposed to be by Mrs. Deane-Pitt. There were not in London five papers making a feature of fiction, which did not repeatedly reject the man's best work, signed by himself, and accept his worst, signed by somebody else. Not five of the penny or sixpenny; publications—not five among the first or second-class—not five editors appraising fiction in editorial chairs who did not either find or assume a story bearing the unfamiliar name of "Humphrey Kent" to be below their standard, while they paid ten or twelve guineas for a tale scribbled by the same author in a couple of hours when it was falsely represented to be by Mrs. Deane-Pitt. During nine months he was never offered a single guinea by an editor for a tale. Every story that he submitted during nine months was declined, and every story that he gave to Mrs. Deane-Pitt was sold. Raging, he swore that some day he would set the facts forth in a novel; and even as he swore it, he knew that they would be challenged and that, in at least one literary organ of eminence, a critic would write, "We do not find the situation probable."

Once an editor did know his name. He was the Editor of a fashionable magazine, and Kent had called at the office to inquire about a manuscript that had been lying there for a long while. The gentleman was very courteous: he did not remember the title, and, unfortunately, he could not put his hand on the tale at the moment, but he promised to have a search made for it, and to read it as soon as it was found.

A letter from him (and the manuscript) reached Kent the same week. It was as considerate a letter of rejection as any one could dictate. The Editor began by saying that the story "was clever, as all Mr. Kent touched was clever, but——" And then he proceeded to analyse the plot, to demonstrate that the motive was too slight for the purpose. The tone was so kindly that, though Kent could not perceive the justice of the criticism—he was sensible enough to try—he felt a glow of gratitude towards the writer; and his appreciation was deepened when the following post brought him a copy of the current issue of the magazine, "With compliments."

He opened it at once, and the first thing that he saw in it was a story done for Mrs. Deane-Pitt—the story that he had written, tired and insolently careless, about the mercenary girl and the jilted lover and the succession to the dukedom.

And this, too, he swore, should be some day recorded in a novel, though a critic, knowing less about it than the author, would "not find the situation probable."

Now, when he was least expecting it, there came to him the first gleam of encouragement that he had had since he received his last review. Messrs. Kynaston wrote, offering to undertake the publication of The Eye of the Beholder, if he were willing to accept forty pounds for the copyright.

He did not hesitate even for an instant; he said "Thank God!" as devoutly as if he had never expected more for it.