"I am not a sculptor either, mademoiselle," he admitted. "I am a composer."
"A composer?" she echoed. "But—but a composer does not employ models."
"No, mademoiselle, but I beg you not to think my motive impudent," exclaimed the young man, with the first touch of spontaneity that he had shown yet.
"Mysterious merely," she smiled. Her expression offered him encouragement to elucidate the mystery, but nervousness seemed to overcome him again. He was boring her. She exchanged remarks across the room with a lady who wore one of the figured veils then in vogue, under which the victim of fashion appeared to have lost portions of her face.
"Going to feed, Gaby?"
"Yes, my dear, in a minute," she answered.
She saw her correspondent regard the announcement "DINER 3 Fr." His invitation was constrained, and her acceptance listless.
It no doubt surprised the young man to discover that the veiled lady was his guest as well; he must have wondered how it had happened. Also it may have startled him, when he made to fill Gaby's glass from one of the little decanters that stood before them, to learn that she "did not take it" and to see a bottle labelled "Pouilly Fuissé" display itself before he could say "Why?" for he had not heard it ordered. He heard no order given for the second bottle that he beheld, nor for the tarte aux cérises that graced their repast—a delicacy that was not a feature of the other people's. But though these incidents may have caused him disquietude, since he was far from having an air of wealth, he manifested no objection to them. Gaby allowed that that was gentil. A singularly taciturn host, but an amenable one. And, briefly as he spoke, he yielded continuous attention to her prattle to the lady with the veil. It was queer that the more she prattled, the more despondent he grew. She found him piquing her curiosity.
When a bill for twenty-nine francs fifty was presented to him, after the café filtré and Egyptian cigarettes, Gaby put out her hand for it and knocked off four francs without discussion. "I don't let them make their little mistakes with friends of mine," she told him languidly, rising. "I am going home to get my coat—you can come with me." He accepted her invitation with as scant enthusiasm as she had shown for his own; and by way of a hint, forgetful of her earlier statement, she added, "This place is rotten—it's so noisy and one can't talk."
But he proved no more talkative in the street. One might almost have imagined that the task of explaining his petition for the interview was a duty that he sought to escape.