"It is a masterpiece, yes. But I was not thinking of the sculptor and his art any more—I was thinking of the face, without remembering how it had come about. It was as if a beautiful mind were really pondering behind that brow. The character of the mouth and chin impressed me as if the marble had been flesh and blood; the abstracted eyes couldn't have stirred me to more reverence if they had had sight. And while I looked at them, they seemed, by an optical illusion, to meet my own. Not with interest; with an unconsciousness that mortified me—they seemed to gaze through my insignificance into the greatness of Richardière. I blinked, I suppose, for the next instant they had been averted. I wanted them to come back, to realise my presence. I concentrated all my will upon the effort to trick myself once more—and I could have sworn they turned. Now, too, they seemed to notice me; there was a smile in them, an ironical smile—they smiled at the presumption of my linking an immortal poet's work with mine! Insane? But I felt it, I shrank from the derision. Again I raised my head to Richardière, and for the first time I remarked that his expression was a poor acknowledgment of the figure's homage. It was consequential and impertinent. A tinge of cruelty in it, even. He had an air of sensualism, of one who held women very light. I could imagine his having said horrible things to women. He was not worthy of the look in the statue's eyes....
"I went there the next day, after vowing that I would not go. The eyes discerned me sooner this time, and I contrived to fancy that their gaze was gentler. I was happy in the fancy that their gaze was gentler. When the eyes wandered from me I was humbled, and when they looked in mine I held my breath. I persuaded myself—no, I did not 'persuade myself,' the thought was born—that there was comprehension in the gaze, that my worship, though undesired, was understood. In the afternoon I had a business appointment that I had been thinking about for weeks, but instead of being excited by its nearness, I regretted that it obliged me to leave the Square d'Iéna. When I kept the appointment, the bad news that there had been a delay in the arrangements hardly troubled me—I was impatient only to be outside. Originally my plan had been to see the Louvre as soon as the business was over—now my one desire was to return to the statue. It was a delight to hasten to it; people must have thought me bound for a rendezvous, as I strode smiling through the streets. Not once did I regard the arrogance of Richardière on the pedestal, but it was only in moments that the musing figure ceased to remind me that her god was there. Though I never looked at it, an intense repugnance to the face of Richardière was in my blood—a jealousy, if you will! It possessed me while I was away—while I was reiterating that I had made my last visit to the square, knowing nevertheless that on the morrow I should yield again. The jealousy persisted when I turned the pages of my opera now, and the magic of the master's poetry was gone. I could not forget his domination of the figure—I wanted to think of the beautiful statue freed, aloof from him!"
He had left the window, and was moving restlessly about the room. Intent, her face propped by her hands, the model for the statue sat and watched him. The cigarette between her lips was out.
"The fact that there must have been a model for it was borne upon me quite suddenly. It had the thrill of a revelation, and nearly dazed me. This woman lived! Somewhere in the world she was walking, speaking! It was as if a miracle had happened, as if the statue had come to life. I repeated breathlessly that it was true, but it appeared fabulous. I had attributed emotions to the marble figure with ease—to grasp the simple truth of the woman's existence was inconceivably difficult. I trembled with the marvel of it; Pygmalion was not more stupefied than I. When my heart left off pounding so hard, I began to question how long it would take me to discover who she was. I did not even know the way to set about it. But I knew that if she was in France I meant to find her.... I need not talk about the rest."
After a silence Gaby stirred and spoke:
"It was a triumph to pose for the statue—your story makes me very proud."
"I could not avoid telling it to you," answered the young man drearily.
"But how you say it—as if you had done wrong! Shall I tell you what would have been wrong? Not to let me know. That would have been pathetic. Mon Dieu! it would be atrocious for a woman to have done all that and never to hear. And to think that at the beginning I fancied you were——You were so quiet while we dined."
"I was listening to you," he sighed.
"That's true. You were entitled to it by then—you had done much to get the chance!"