The original altar-front or parament (aurea tabula) was made of solid gold. This altar-front Gelmirez melted down to steal from it some hundred ounces of the precious metal for the Pope, donating in its stead another front of gold and silver mixed, wrought from the remaining treasure of the sanctuary. Aymerich tells us that the primitive frontal bore the figure of the Saviour seated on a throne supported by the four evangelists, blessing with his right hand, and holding in his left the Book of Life. The four-and-twenty elders (called by quaint Morales “gentlemen”) of the apocalypse were also gathered round the throne, with musical instruments in their hands, and golden goblets filled with fragrant essences. At either end of the frontal were six of the apostles, three above and three beneath, separated by “beautiful columns” and surrounded by floral decoration. The upper part was thus inscribed:—
HANC TABULAM DIDACUS PRÆSUL JACOBITA
SECUNDUS
TEMPORE QUINQUENNI FECIT EPISCOPI
MARCAS ARGENTI DE THESAURO JACOBENSI
HIC OCTOGINTA QUINQUE MINUS NUMERA.
And the lower part:—
REX ERAT ANFONSUS GENER EJUS DUX RAIMUNDUS
PRÆSUL PRÆFATUS QUANDO PEREGIT OPUS.
This early altar-front has disappeared like its predecessor; it is not known precisely at what time; but both Morales and Medina saw and wrote about it in the sixteenth century.
THE “VIRGEN DE LA VEGA”
(Salamanca)
Another ornament which Aymerich describes, namely, the baldaquino or cimborius, has likewise faded from the eyes of the profane, together with three bronze caskets covered with enamel, and stated by Morales to have contained the bones of Saints Silvestre, Cucufate, and Fructuoso. One of these caskets was existing in the seventeenth century.
The silver lamps were greatly celebrated. Ambrosio de Morales counted “twenty or more”; but Zepedano made their total mount to fifty-one. The French invasion brought their number down to three. Three of the oldest of these lamps had been of huge dimensions, particularly one, a present from Alfonso of Aragon, which occupied the centre. The shape of it, says Aymerich, was “like a mighty mortar.” Seven was the number of its beaks, symbolic of the seven gifts of the Holy Ghost; and each beak contained a lamplet fed with oil of myrtles, acorns, or olives.