“Ugh! What a fright you have become! Hateful, mean, clammy like a frog. Ugh! Am I to blame that he was born like that? Tell me. What are you thinking about? Why are you forever thinking, thinking, thinking?”
Father Vassily maintained silence, and with an attentive, irritating gaze studied the bloodless and distorted features of his wife. And when the last sounds of her incoherent speech died away, gruesome, unbroken stillness gripped her head and breast as though with iron clamps and seemed to squeeze from her occasional hurried and unexpected gasps:
“And I know ... I know ... I know, priest....”
“What do you know?”
“I know what are you thinking about.” The Popadya paused and shrunk from her husband in terror. “You—don’t believe ... in God. That’s what!”
And having uttered this she realized how dreadful was what she had said, and a pitiful pleading smile parted her lips that were swollen and scarred with biting, burnt with liquor and red as blood. And she looked up gladly, when the priest, with blanching cheeks, sharply and didactically replied:
“That is not true. I believe in God. Think before you speak.”
And silence once more, stillness once more, but now there was in this silence something soothing, something that seemed to envelop her like a wave of warm water. And lowering her eyes, she shyly pleaded:
“May I have a little drink, Vassya? It will help me to go to sleep, it’s getting late,” and she poured out a quarter of a glassful of liquor, adding irresolutely more and more to it, and draining the glass to the bottom with little, continuous gulps, with which women drink liquor. And the glow of warmth returned to her breast, she now longed for gaiety, noise, lights and for the sound of loud, human voices.
“Do you know what we’ll do, Vassya? Let’s play cards, let’s play ‘Fools’[7]. Call Nastya. That will be nice. I love to play ‘Fools’. Call her, Vassya, dear. I’ll give you a kiss for it.”