“But that means HELL!” cried the priest. “Dost thou grasp it: HELL?”
“God is merciful,” mumbled the beggar, with a sullen and injured tone. But from his wicked and frightened eyes it was plainly seen that he expected to go to hell and had become accustomed to that thought even as to his queer tale of the strangled little girl.
“Hell on earth, hell beyond. Where is thy paradise? Wert thou a worm, I would crush thee with my foot, but thou art a man. A man? Or art thou truly a worm? What art thou, speak?” cried the priest and his hair shook as though fanned by a breeze. “And where is thy God? Why has He left thee?”
“I made him believe it,” gleefully thought the beggar, feeling the words of the priest strike his head like a hail of molten metal.
Father Vassily sat down on his haunches and drawing from the degradingly unusual pose a strange and an agonizing store of pride, he passionately whispered:
“Listen. Don’t be afraid. There will be no hell. I am telling thee truly. I too have killed a human being. A little girl. Her name is Nastya. And there will be no hell. Thou wilt be in paradise. Understand? With the saints, with the righteous! Higher than all.... Higher than all, I tell thee.”
That evening Father Vassily returned home very late, after his family had finished supper. He was very tired and haggard, wet to his knees and covered with dirt, as though he had tramped for a long time over pathless and rainsodden fields. In the household preparations were being made for the Easter festival. Though very busy, the Popadya from time to time ran in for a moment out of the kitchen, anxiously scanning her husband’s features. And she tried to appear gay and to conceal her anxiety.
But at night, when according to her custom she came into his bedroom on tiptoe and having made a threefold sign of the cross over his head, was about to depart, she was stopped by a gentle and timid voice—so unlike the voice of the austere Father Vassily:
“Nastya, I cannot go to church.”
There was terror in that voice, and also something pleading and childlike. As though unhappiness was so immense that it was no longer any use to put on the mask of pride and of slippery, lying words behind which people are wont to conceal their feelings. The Popadya fell to her knees by the bedside of her husband and peered into his face: in the faint bluish light of the oil lamp it seemed as pale as the face of a corpse and as immobile, and only his black eyes were open and squinted in her direction. He lay still and flat on his back like a man stricken with a painful disease, or like a child frightened by an evil dream and afraid to move.