“Why doesn’t he ring the bell?[9] What if some one is lost in the fields?”
The night is sobbing. In the field—in the field—in the field.
“Wait, Vassily. I’ll walk over to Nicon’s. I’ll return at once.”
“Pa-pa!”
The door rattles, letting in a flood of new sounds. They first timidly edge their way near the door—no one is there. It is bright and empty. One by one they steal towards the idiot, groping along the ceiling, along the floor, along the walls. They peer into his brutish eyes, they whisper, they laugh, they commence to play with growing glee, with growing abandon. They chase one another, leaping and stumbling. They are doing something in the adjoining room, fighting and screaming. No one there. Light and emptiness. No one there.
“Boom!” somewhere overhead falls the first heavy note of the church bell scattering the myriad of frightened sounds into flight. “Boom!” goes the bell once more, with a second, muffled, viscid, scattered sound, as though an onrush of wind had caught the broad maw of the bell, and it choked and groaned. And the tiny sounds flee precipitously.
“And here am I again,” says Father Vassily. He is all white and shivering. The stiff, red fingers cannot turn the page. He blows on them, rubs them together, and once more the pages rustle and all disappears, the bare rough walls, the repulsive mask of the idiot and the measured knell of the church bell. Once more his face is ablaze with joyous madness. “Glory, glory!”
“Boom!”
The night is playing with the bell. Catching its thickly reverberating notes, weaving about them a network of whizzing and whistling sounds, tearing them to pieces, scattering them abroad, rolling them ponderously over the fields, burying them in the snow, and listening with the head askew. And once more it rushes to meet the new clangor, tireless, spiteful and cunning like Satan.
“Pa-pa!” cried the idiot throwing to the ground the shears with a bang.