“I say unto thee, Arise!”
But still is the corpse and its tightly locked lips are dispassionately guarding the secret of Eternity. And silence. Not a sound is heard in the deserted church. But now the resonant clatter of scattered frightened footsteps over the flagstones of the church: the widow and the orphans are going. In their wake flees the verger, stopping for an instant in the doorway he wrings his hands, and silence once more.
“It is better so. How can he rise in this state before his wife and children?” swiftly flits through Father Vassily’s mind, and for the third and last time he commands, softly and sternly:
“Simeon, I say unto thee: Arise!”
Slowly sinks his hand, he is waiting. Someone’s footsteps rustle in the sand just outside of the window and the sound seems so near as though it came from the coffin. He is waiting. The footsteps come nearer and nearer, pass the window and die away. And stillness, and a protracted agonized sigh. Who is sighing? He is bending over the coffin, seeking a movement of life in the puffed up and formless face; he commands to the eyes: “But open ye, I say,” bends still lower, closer and closer, clutches the edges of the coffin with his hands, almost touching the livid lips and trying to breathe the breath of life into them, and the shaken corpse replies with the coldly ferocious fetid exhalation of death.
He reels back in silence and for an instant sees and comprehends all. He smells the terrible odor; he realizes that the people had fled in terror, that in the church there are only he and the corpse; he sees the darkness beyond the window, but does not comprehend its nature. A memory of something horribly distant flashes through his mind, of some vernal laughter that had been ringing in a dim past and then died away. He remembers the snowstorm. The church bell and the snowstorm. And the immobile mask of the idiot. Two of them.... Two of them.... Two of them....
And once more all is gone. The lacklustre eyes are once again ablaze with cold and leaping fires, the sinewy body is bursting once more with a sense of power and of iron firmness. Hiding his eyes beneath the stony arch of his brows, he says calmly, calmly, softly, softly as though fearing to wake a sleeper:
“Wouldst thou cheat me?”
And he lapses into silence, with downcast eyes, as though waiting for an answer. And once more he speaks softly, softly, with that ominous distinctness of a storm when all nature has bowed to its power and it is dillydallying, tenderly, regally rocking a tiny flake in the air.
“Then why did I believe?”