“Oho!” cried Gudule's brother, with big staring eyes, as he clutched his legs with both hands, “how have you managed in so short a time to save so much? D' ye know that that 's a great deal of money?”
“I 've had good luck, uncle,” said Ephraim, modestly.
“You 've been... playing, perhaps?”
The words fell bluntly from the rough countryman, but hardly had they been uttered, when Viola sprang from her chair, as though an adder had stung her. “Uncle,” she cried, and a small fist hovered before Gabriel's eyes in such a threatening manner that he involuntarily closed them. But the child, whose features reminded him so strongly of his dead sister, could not make him angry.
“Ephraim,” he exclaimed, in a jocund tone, warding off Viola with his hands, “you take my advice. Take this little spit-fire with you into the village one day... they may want a young she-wolf there.” Then he pocketed the money.
“Well, Ephraim,” said he, “may God bless you, and grant you further luck. But you won't blame me if I take the money,—I can do with it, and in oats, as you know, there's some chance of good business just now. But I am glad to see that you 're so prompt at paying. Never give too much credit! That 's always my motto; trust means ruin, and eats up a man's business, as rats devour the contents of a corn-barn.”
There was but one thing that constantly threw its dark shadow across these two budding lives,—it was the dark figure in a distant prison. This it was that saddened the souls of the two children with a gloom which no sunshine could dispel. When on Fridays Ephraim returned, fatigued and weary from his work, to the home over which Viola presided with such pathetic housewifely care, no smile of welcome was on her face, no greeting on his. Ephraim, 't is true, told his sister where he had been, and what he had done, but in the simplest words there vibrated that tone of unutterable sadness which has its constant dwelling-place in such sorely-tried hearts.
Meanwhile, a great change had come over Viola. Nature continues her processes of growth and development 'mid the tempests of human grief, and often the fiercer the storm the more beautiful the after effects. Viola was no longer the pale child, “the little spit-fire,” by whom her Uncle Gabriel's arm had been seized in such a violent grip. A womanly gentleness had come over her whole being, and already voices were heard in the Ghetto praising her grace and beauty, which surpassed even the loveliness of her dead mother in her happiest days. Many an admiring eye dwelt upon the beautiful girl, many a longing glance was cast in the direction of the little house, where she dwelt with her brother. But the daughter of a “gambler,” the child of a man who was undergoing imprisonment for the indulgence of his shameful vice! That was a picture from which many an admirer shrank with horror!
One day Ephraim brought home a young canary for his sister. When he handed her the bird in its little gilt cage, her joy knew no bounds, and showering kisses by turns upon her brother, and on the wire-work of the cage, her eyes sparkling with animation:
“You shall see, Ephraim, how I 'll teach the little bird to speak,” she cried.