With his father's hand in his, cautiously feeling his way, Ephraim led him into the room. In the room adjoining lay Viola, sleeping peacefully....
Time was when “Wild” Ascher's welcome home had been far otherwise. Eighteen years before, upon that very threshold which he now crossed with halting, stealthy steps, as of a thief in the night, stood a fair and loving wife, holding a sturdy lad aloft in her arms, so that the father might at once see, as he turned the street corner, that wife and child were well and happy. Not another Ghetto in all Bohemia could show a handsomer and happier couple than Ascher and his wife. “Wild” Ascher was one of those intrepid, venturesome spirits, to whom no obstacle is so great that it cannot be surmounted. And the success which crowned his long, persistent wooing was often cited as striking testimony to his indomitable will. Gudule was famous throughout the Ghetto as “the girl with the wonderful eyes,” eyes—so the saying ran—into which no man could look and think of evil. During the earlier years of their married life those unfathomable brown eyes exercised on Ascher the full power of their fascination. A time came, however, when he alleged that those very eyes had been the cause of all his ruin.
Gudule's birthplace was far removed from the Ghetto, where Ascher had first seen the light. Her father was a wealthy farmer in a secluded village in Lower Bohemia. But distant though it was from the nearest town of any importance, the solitary grange became the centre of attraction to all the young swains far and near. But there was none who found favor in Gudule's eyes save “Wild Ascher,” in spite of many a friendly warning to beware of him. One day, just before the betrothal of the young people, an anonymous letter was delivered at the grange. The writer, who called himself an old friend, entreated the farmer to prevent his dear child from becoming the wife of one who was suspected of being a gambler. The farmer was of an easy-going, indulgent nature, shunning care and anxiety as a very plague. Accordingly, no sooner had he read the anonymous missive than he handed it to his daughter, as though its contents were no concern of his.
When Gudule had read the letter to the end, she merely remarked: “Father, this concerns me, and nobody else.”
And so the matter dropped.
Not until the wedding-day, half an hour before the ceremony, when the marriage canopy had already been erected in the courtyard, did the farmer sum up courage to revert to the warning of the unknown letter-writer. Taking his future son-in-law aside, he said:
“Ascher, is it true that you gamble?”
“Father,” Ascher answered with equal firmness, “Gudule's eyes will save me!” Ascher had uttered no untruth when he gave his father-in-law this assurance. He spoke in all earnestness, for like every one else he knew the magnetic power of Gudule's eyes.
Nowhere, probably, does the grim, consuming pestilence of gaming claim more victims than in the Ghetto. The ravages of drink and debauchery are slight indeed; but the tortuous streets can show too many a humble home haunted by the spectres of ruin and misery which stalked across the threshold when the first card game was played.
It was with almost feverish anxiety that the eyes of the Ghetto were fixed upon the development of a character like Ascher's; they followed his every step with the closest attention. Long experience had taught the Ghetto that no gambler could be trusted.