The origin of the word Ball, in its application to a dancing-party, is somewhat singular. Centuries ago there was in vogue on the Continent a three-fold game, in which the players danced to the sound of their own voices while they threw to one another a ball. In all probability this arose out of the curious “Ball-Play in Church” by the Neapolitans during the Saturnalia, or “Feast of Fools,” corresponding to our Easter-tide. There is even now a statute in existence which regulated the size and character of the ball to be used on such occasions. In opening the ceremony, the Dean took the ball in his left hand, and commenced an antiphon, which the organ took up; whereupon he tossed the ball to first one and then another of the choir-boys, as they joined hands, sang, and danced around him. When, therefore, the three-fold game alluded to above divided and its three sets of dancers became independent of each other, the dance itself took the name of the article that was, as if by common consent, discarded—to wit, the ball; and the song was styled the Ballata, or, according to the modern English, a Ballad indicative of a dancing-song; while the verb ballare, to dance, gave existence to the French Ballet, signifying a dance tune. Apropos of the Ballet, the term Coryphée, as applied to a ballet-dancer, traces its origin from the Greek coryphœus, the designation of one who danced to the lute in the theatres of the ancients. En passant, the famous war dance of the Greeks, executed in very quick time and known as the Phyrric Dance, was so denominated after Pyrrichos, a celebrated Dorian flautist.
The Hornpipe is an inversion of pib-gorn, the name of the old Welsh instrument consisting of a pib, or pipe, with a gorn, or horn, at each end, to which this dance was originally stepped; the Reel has reference to the whirling evolutions performed by the dancer, as of winding cotton on a reel; whereas the Jig comes from the French gigue, a lively dance, and gige, a stringed instrument, the usual accompaniment to this rough-and-ready style of pedal exhilaration. The term Breakdown is an Americanism, denoting the last boisterous dance before the breaking up of a dancing-party towards early morning. Appropriately enough, such a dance invariably constitutes the final item of a negro-minstrel entertainment.
PIGMENTS AND DYES.
The word Pigment is a contraction of the Latin pigmentum, based upon the verb pingere, to paint. Dye traces its origin to the Anglo-Saxon deag, a colour, remotely derived from the Latin tingere, to stain. Several of the pigments most generally used owe their names to the places whence they are, or were originally, brought. As examples: Umber was first obtained in the district of Umbria, in Italy, and Sienna, properly called Terra di Sienna, or Sienna Earth, from Sienna; Gamboge comes from Cambodia, formerly known as Gambogia, in Siam; Indigo, from Indicus, the ancient description of India; and Krems White, from the city of Krems, in Austria, where it is exclusively manufactured. Prussian Red, Brunswick Green, Brunswick Black, Frankfort Black, Hamburg Lake, Venetian Red, and Chinese Yellow, speak for themselves. Prussian Blue, also called Berlin Blue, was first made by a native colourman of Berlin in the year 1710; whereas Saunders Blue is merely a corruption of cendres-bleus, the French for blue ashes, this pigment being obtained from calcined bluestone. Another name for the latter is Ultramarine, because it was originally brought from ultra, beyond, and marinus, the sea.
The deep blue known as Mazarine was named after Cardinal Mazarin, the Prime Minister of France (born 1602, died 1661), in whose time it was first prepared; while the puce colour known as Pompadour received its designation from Madame le Pompadour, the mistress of Louis XV. (born 1721, died 1764), who popularized it. Cardinal is so called because it expresses the exact shade of the red habit worn by the cardinals of the Church; the term Carmine owes its origin to the Italian carminio, purple; while Carnation denotes a flesh tint, in accordance with the Latin caro, flesh. The colour which results from the combination of a vivid red with more or less white is styled Pink, owing to its resemblance to the flower so designated.
The origin of the word Purple must be sought in connection with the circumstance in which this dye, or colour, was discovered. It appears that one day a favourite dog belonging to Hercules of Tyre chanced to eat a species of fish known to the ancients as the purpura; and upon returning to his master, the latter found the lips of the animal tinged with the colour that was shortly afterwards imitated and denominated purple. The term Scarlet is a modification of sakarlat, the Persian description of a bright red colour; while Crimson traces its existence through the Old English crimosyn to garmaz, the Arabic term for the cochineal insect, from whose dried body, found upon a species of cactus, this vivid dye-stuff is obtained. The beautiful purple obtained from chloride of gold bears the name of Cassius after its inventor.
Magenta was named in commemoration of the Battle of Magenta, fought in 1859; and Vandyke Brown, from its having been so frequently used by Vandyk (born 1599, died 1641) that it forms a characteristic colour in all his portraits. Sepia is the Greek designation of the cuttle-fish, and the pigment so called is obtained from the dark juice secreted by the glands of the Indian species of this fish. Sap-Green is prepared from the juice of the ripe berries of the buckthorn; whereas Emerald Green denotes the particular shade of green that characterizes the emerald. Lamp Black is so called because it was originally obtained from the burning of resinous matter over a lamp. Ivory Black is a pigment formerly obtained from charred ivory, but nowadays from bones. The origin of Isabel, a dull brownish-yellow, with a mixture of red and grey, is as follows:—When the Duke of Austria was besieging Ostend in 1601, Isabella, his wife, the daughter of Philip II. of Spain, vowed that she would not change her linen until the town had been taken. Unfortunately for her personal comfort, the town held out for two years, at the end of which period her linen assumed the characteristic hue that was afterwards imitated by the ingenious colourman who sought to honour her by perpetuating the incident.