Another well-known London character was Dirty Dick, otherwise Nathaniel Bentley, the miser, who never washed himself. This extraordinary individual died in the odour of dirt in the year 1809, leaving an ample fortune to console his heirs for his loss (?). The house which he inhabited in Bishopsgate Street Without has now been converted into a modern wine and spirit establishment, under the style of The D.D. Cellars. Laurence Brown, the English landscape gardener (born 1715, died 1783) was nicknamed Capability Brown owing to his habitual use of the word capability. At the present day the Duke of Cambridge (born 1819) is usually denominated George Ranger in allusion to his appointment as Ranger of the Royal Parks. Ernest Benzon, author of “How I Lost £250,000 in Two Years,” rejoiced in the title of The Jubilee Plunger because he entered upon his gambling career in 1887, the Jubilee year of Queen Victoria [see [Plunger]].
A few of the more celebrated painters may now detain us. Peter Aartsen, the Flemish painter (born 1507, died 1573), bore the name of Long Peter on account of his extraordinary height; while Gaspar Smitz, the Dutch portrait painter (died 1689), was styled Magdalen Smith because his pictures comprised mostly “Magdalens.” The real name of the French landscape painter, Claude Lorraine (born 1600, died 1682), was Claude Gelée of Lorraine; that of Paolo Veronese, or Paul Veronese (born 1528, died 1588), was Paolo Cagliari, his birth having taken place in Verona; and that of Jacopa da Bassano, called Il Bassano (born 1510, died 1592), was Jacopa da Ponte, whose native place was Bassano, in the Venetian State. Pietro Vanucci (born 1446, died 1524), though recognizing Città della Pieve as his birthplace, was all his life established in the neighbouring city of Perugia, where he claimed the right of citizenship; hence the origin of his more common name Il Perugino. Francesco Rossi (born 1510, died 1563), adopted the name of Del Salviati, in honour of his patron, Cardinal Salviati, who was his own age exactly, and, strangely enough, died in the same year as himself. Giuseppe Ribera (born 1588, died 1656), was popularly surnamed Lo Spagnoletto (“the Little Spaniard”), from the shortness of his stature and his birth at Xativa, in Spain; while Tommaso Guidi (born 1402, died 1428), merited his better-known name of Masaccio, owing to the slovenliness of his habits, the direct consequence of an all-absorbing attention to his studies. Jacopo Robusti (born 1512, died 1594) received his now far more popular name of Tintoretto because his father followed the occupation of a tintore, or dyer. During his lifetime, this celebrated Italian painter merited the additional sobriquet of Il Furioso owing to the rapidity with which he produced his work. Quintin Matsys (born 1466, died 1530), whose masterpiece, “The Taking Down from the Cross,” has achieved a world-wide reputation, is equally known to fame by the name of The Smith of Antwerp, owing to the circumstance of having followed for a time, and with great distinction, his father’s occupation of a blacksmith. His attachment to the pretty daughter of a painter, however, caused him eventually to forsake the anvil for the palette. Nearer home the historical portrait painter, David Allan (born 1744, died 1796) was surnamed The Scottish Hogarth in compliment to his excellence; and William Huggins (born 1821, died 1884), The Liverpool Landseer, in favourable comparison with the celebrated English animal painter of that name.
Simon Bolivar, the South American hero (born 1783, died 1830), justly merited the dignified title of The Liberator; while General John Charles Fremont (born 1813, died 1890) won the surname of The Pathfinder after his fourth successful exploring expedition across the Rocky Mountains in 1842. Lastly, Jonathan Hastings, a farmer of Cambridge, Massachusetts, U.S., was styled Yankee Jonathan in consequence of his addiction to the word Yankee in the place of “excellent.” Thus he would say, “A Yankee good horse,” “A Yankee good cider,” &c. This individual, however, must not be confounded with “Brother Jonathan,” the nickname of the typical American, to which reference is made in another portion of this work.
THE INNS OF COURT.
As by reference to our article on [Tavern Signs] it will be seen how the word Inn originally denoted a private mansion, it will suffice to state here that the various colleges of the law students in London are styled Inns because the chief of them were at one time the residences of the nobility whose family names they still bear. Thus, Lincoln’s Inn was the town mansion of the Earls of Lincoln, Gray’s Inn, of the Earls Gray, Furnival’s Inn, of the Lords Furnival, and Clifford’s Inn, of the Lords Clifford. The two first-named, together with the Inner and Middle Temple, are the principal Inns of Court, so called because the earliest seminaries for the study of the law were established in one of the courts of the King’s palace. The Inns of lesser import are:—Serjeants’ Inn, originally the establishment of the “Frères Serjens,” or Serving Brothers to the Knights Templars who occupied The Temple close by; Barnard’s Inn—sold and abolished in 1881—named after its ancient owner; Staple Inn, formerly the Hall of the Merchants of the Staple, i.e., wool; Clement’s Inn and Dane’s Inn, so designated from their proximity to the Church of St. Clement-Danes; and New Inn, the latest of all the Inns erected in the early part of the last century. Thavie’s Inn no longer exists, but the title still adheres to a range of modern buildings erected upon its site. No person of the name of Thavie ever owned or occupied the original premises; nevertheless, when the Inn was established as an appendage to Lincoln’s Inn, about the middle of the fourteenth century, the Benchers unanimously agreed to perpetuate the memory of one John Thavie, an armourer who, dying in the year 1348, bequeathed a number of houses in Holborn, representing considerable rentals, to the neighbouring church of St. Andrew, and named it “Thavie’s Inn” accordingly.
The senior members of the Inns of Court are styled Benchers by reason of the benches on which they formerly sat.