But what he thought about most of all was something very different. What had caused that swift change in Maggie?—from a fury that was both fire and granite, to that pallid, quivering, whispering girl who had so rapidly led him safely out of his danger.
To and fro, back and forth, shuttled these questions. Toward two o'clock he stood up, mind still absorbed, and mechanically started to undress. He then observed the roll of paintings Hunt had given him. Better for them if they were flattened out. Mechanically he removed string and paper. There on top was the Italian mother he had asked for. A great painting—a truly great painting. Mechanically he lifted this aside to see what was the second painting Hunt had included. Larry gave a great start and the Italian mother went flapping to the floor.
The second painting was of Maggie; the one on which Hunt had been working the day Larry had come back: Maggie in her plain working clothes, looking out at the world confidently, conqueringly; the painting in which Hunt, his brain teeming with ideas, had tried to express the Maggie that was, the many Maggies that were in her, and the Maggie that was yet to be.
CHAPTER XVIII
The next morning Larry tried to force his mind to attend strictly to Miss Sherwood's affairs. But in this effort he was less than fifty per cent effective. His experience of the night before had been too exciting, too provocative of speculation, too involved with what he frankly recognized to be the major interest of his life, to allow him to apply himself with perfect and unperturbed concentration to the day's routine. Constantly he was seeing the transformed Maggie in the cerise evening gown with the fan of green plumes—seeing her elaborate setting in her suite at the Grantham—hearing that vaguely familiar but unplaceable voice outside her door—recalling the frenzied effort with which Maggie had so swiftly effected his escape.
This last matter puzzled him greatly. If she were so angered at him as she had declared, if she so distrusted him, why had she not given him up when she had had him at her mercy? Could it be that, despite her words, she had an unacknowledged liking for him? He did not dare let himself believe this.
Again and again he thought of this adventure in whose very middle Maggie now was, and of whose successful issue she had proudly boasted to him. It was indeed something big, as she had said; that establishment at the Grantham was proof of this. Larry could now perceive the adventure's general outlines. There was nothing original in what he perceived; and the plan, so far as he could see it, would not have interested him in the least as a novel creation of the brain were not Maggie its central figure, and were not Barney and Old Jimmie her directing agents. A pretty woman was being used as a lure to some rich man, and his infatuation for her was to cause him to part with a great deal of money: some variation of this ancient idea, which has a thousand variations—that was the plan.
Obviously the enterprise was not directed at some gross victim whose palate might permit his swallowing anything. If any one item essentially proved this, it was the item of the overwhelmingly respectable chaperon. Maggie was being presented as an innocent, respectable, young girl; and the victim, whoever he was, was the type of man for whom only such a type of girl would have a compelling appeal.
And this man—who was he? Ever and again he tried to place the man's voice, with its faintly familiar quality, but it kept dodging away like a dream one cannot quite recall.