He turned about with elaborate sang-froid and met the gaze of a tall, strikingly handsome woman, who stood quizzically regarding him. She wore a black sheath gown with crimson accessories that included the oval nails of tapering fingers and the clear-cut lips of a willful mouth. The crimson handkerchief tied to her garnet bracelets floated lightly up and back at every slightest movement of her arm. The cigarette case of scarlet enamel which she opened with a deft flick of one hand to help herself with the other, gleamed like smoldering coal.
He had met Nadia Mdevani several times with Whittaker; and he had vaguely realized the relationship between them, but had given it little consideration; except that once he had instinctively withdrawn from a case in which her name had figured more or less conspicuously. The sense of her guilt had been conveyed to him on the wings of one of what he called his wild guesses, and he paid Whittaker the courtesy of letting well enough alone. As it happened, she had cleared herself easily.
Looking at her now he realized that she was inwardly disturbed at sight of him. Perhaps she saw in his mere presence a confirmation of the faint doubts she might be entertaining with respect to the week-end. But her poise held perfectly—in fact it was by a shade of its over-emphasis that he caught the inner tremor at all.
“Ah, Mr. Belknap!” she exclaimed, in her slow, husky contralto. “How ni-ice to see you here. Or should I call you Judge Belknap—or Detective Ordway Belknap? I am never sure of the term to your face. Behind your back I call you Belknap for short.”
“Let’s discard them, all four, and make it simply Ordway, to my face, as you put it, and behind my back. And may I make it Nadia? Remember Bertrand is an equally dear friend to us both. You are looking divinely, Miss Nadia. Black is your color. Although I have seen you when I should have said the same of red, or white for the matter of that. Red and white are your contrasts. Tonight you are fused into a single vivid figure of black. Whistler would have liked you. You have a way, which most women have not, of lending distinction to a color instead of letting it create you. You have a like faculty with situations I am told.”
“I am not quite certain what you may mean by that, or whether it should entirely please me. But I have sufficient vanity to be flattered by your recollection of my gowns in view of how little attention you seemed to give them. Will you have one?”
She proffered her exquisite box and on his “Thank you, no,” crossed to the hearth where she lifted a crimson-slippered foot to the side bar of the fender, and for graceful balance (pose, Belknap thought it) laid a hand against the tapestried wall. It yielded enough to mar her picture.
“I had forgotten these tapestries are but the semblance of walls,” she murmured. “What a cosy place for rats. Although I suppose it was for the very purpose of perpetrating the Hamlet act against rats that the space was originally reserved.”
Belknap was pouring himself a thimbleful of Scotch at the tray standing in readiness on the divan table. He tossed it off, and turned over the after flavor on his tongue, as his mind turned over the possible subtleties of Nadia’s remark. She had made it piquant by a twist of inflection. A Polonius as well as a rat—or so the tone implied.
“We were speaking of Bertrand,” she continued abruptly. “Do you not consider him a little secretive about the week-end, conveying that there is a reason why we are here? Why should there need be a reason?”