If the test of poetry were the power of expressing a theory more closely and pointedly than prose, such writing would take a very high place. Some popular philosophers would make a sounding chapter out of those sixteen lines.
The Essay on Man brought Pope into difficulties. The central thesis, "whatever is is right," might be understood in various senses, and in some sense it would be accepted by every theist. But, in Bolingbroke's teaching, it received a heterodox application, and in Pope's imperfect version of Bolingbroke the taint was not removed. The logical outcome of the rationalistic theory of the time was some form of pantheism, and the tendency is still more marked in a poetical statement, where it was difficult to state the refined distinctions by which the conclusion is averted. When theology is regarded as demonstrable by reason, the need of a revelation ceases to be obvious. The optimistic view which sees the proof of divine order in the vast harmony of the whole visible world, throws into the background the darker side of the universe reflected in the theological doctrines of human corruption, and the consequent need of a future judgment in separation of good from evil. I need not inquire whether any optimistic theory is really tenable; but the popular version of the creed involved the attempt to ignore the evils under which all creation groans, and produced in different minds the powerful retort of Butler's Analogy, and the biting sarcasm of Voltaire's Candide. Pope, accepting the doctrine without any perception of these difficulties, unintentionally fell into sheer pantheism. He was not yielding to the logical instinct which carries out a theory to its legitimate development; but obeying the imaginative impulse which cannot stop to listen to the usual qualifications and safeguards of the orthodox reasoner. The best passages in the essay are those in which he is frankly pantheistic, and is swept, like Shaftesbury, into enthusiastic assertion of the universal harmony of things.
All are but parts of one stupendous whole,
Whose body nature is, and God the soul;
That changed thro' all and yet in all the same,
Great in the earth as in the ethereal frame;
Warms in the sun, refreshes in the breeze,
Glows in the stars, and blossoms in the trees;
Lives thro' all life, extends thro' all extent,
Spreads undivided, operates unspent;
Breathes in our soul, informs our mortal part,
As full, as perfect, in a hair as heart;
As full, as perfect, in vile man that mourns,
As the rapt seraph that adores and burns;
To him, no high, no low, no great, no small,
He fills, he bounds, connects, and equals all.
In spite of some awkward phrases (hair and heart is a vile antithesis!), the passage is eloquent but can hardly be called orthodox. And it was still worse when Pope undertook to show that even evil passions and vices were part of the harmony; that "a Borgia and a Cataline" were as much a part of the divine order as a plague or an earthquake, and that self-love and lust were essential to social welfare.
Pope's own religious position is characteristic and easily definable. If it is not quite defensible on the strictest principles of plain speaking, it is also certain that we could not condemn him without condemning many of the best and most catholic-spirited of men. The dogmatic system in which he had presumably been educated had softened under the influence of the cultivated thought of the day. Pope, as the member of a persecuted sect, had learnt to share that righteous hatred of bigotry which is the honourable characteristic of his best contemporaries. He considered the persecuting spirit of his own church to be its worst fault.[23] In the early Essay on Criticism he offended some of his own sect by a vigorous denunciation of the doctrine which promotes persecution by limiting salvation to a particular creed. His charitable conviction that a divine element is to be found in all creeds, from that of the "poor Indian" upwards, animates the highest passages in his works. But though he sympathizes with a generous toleration, and the specific dogmas of his creed sat very loosely on his mind, he did not consider that an open secession was necessary or even honourable. He called himself a true Catholic, though rather as respectfully sympathizing with the spirit of Fénelon than as holding to any dogmatic system. The most dignified letter that he ever wrote was in answer to a suggestion from Atterbury (1717), that he might change his religion upon the death of his father. Pope replies that his worldly interests would be promoted by such a step; and, in fact, it cannot be doubted that Pope might have had a share in the good things then obtainable by successful writers, if he had qualified by taking the oaths. But he adds, that such a change would hurt his mother's feelings, and that he was more certain of his duty to promote her happiness than of any speculative tenet whatever. He was sure that he could mean as well in the religion he now professed as in any other; and that being so, he thought that a change even to an equally good religion could not be justified. A similar statement appears in a letter to Swift, in 1729. "I am of the religion of Erasmus, a Catholic. So I live, so shall I die, and hope one day to meet you, Bishop Atterbury, the younger Craggs, Dr. Garth, Dean Berkeley, and Mr. Hutchison in that place to which God of his infinite mercy bring us and everybody." To these Protestants he would doubtless have joined the freethinking Bolingbroke. At a later period he told Warburton, in less elevated language, that the change of his creed would bring him many enemies and do no good to any one.
Pope could feel nobly and act honourably when his morbid vanity did not expose him to some temptation; and I think that in this matter his attitude was in every way creditable. He showed, indeed, the prejudice entertained by many of the rationalist divines for the freethinkers who were a little more outspoken than himself. The deist whose creed was varnished with Christian phrases, was often bitter against the deist who rejected the varnish; and Pope put Toland and Tindal into the Dunciad as scandalous assailants of all religion. From his point of view it was as wicked to attack any creed as to regard any creed as exclusively true; and certainly Pope was not disposed to join any party which was hated and maligned by the mass of the respectable world. For it must be remembered that, in spite of much that has been said to the contrary, and in spite of the true tendency of much so-called orthodoxy, the profession of open dissent from Christian doctrine was then regarded with extreme disapproval. It might be a fashion, as Butler and others declare, to talk infidelity in cultivated circles; but a public promulgation of unbelief was condemned as criminal, and worthy only of the Grub-street faction. Pope, therefore, was terribly shocked when he found himself accused of heterodoxy. His poem was at once translated, and, we are told, spread rapidly in France, where Voltaire and many inferior writers were introducing the contagion of English freethinking. A solid Swiss pastor and professor of philosophy, Jean Pierre Crousaz (1663-1750), undertook the task of refutation, and published an examination of Pope's philosophy in 1737 and 1738. A serious examination of this bundle of half-digested opinions was in itself absurd. Some years afterwards (1751) Pope came under a more powerful critic. The Berlin Academy of Sciences offered a prize for a similar essay, and Lessing published a short tract called Pope ein Metaphysiker! If any one cares to see a demonstration that Pope did not understand the system of Leibnitz, and that the bubble blown by a great philosopher has more apparent cohesion than that of a half-read poet, he may find a sufficient statement of the case in Lessing. But Lessing sensibly protests from the start against the intrusion of such a work into serious discussion; and that is the only ground which is worth taking in the matter.
The most remarkable result of the Essay on Man, it may be parenthetically noticed, was its effect upon Voltaire. In 1751 Voltaire wrote a poem on Natural Law, which is a comparatively feeble application of Pope's principles. It is addressed to Frederick instead of Bolingbroke, and contains a warm eulogy of Pope's philosophy. But a few years later the earthquake at Lisbon suggested certain doubts to Voltaire as to the completeness of the optimist theory; and, in some of the most impressive verses of the century, he issued an energetic protest against the platitudes applied by Pope and his followers to deaden our sense of the miseries under which the race suffers. Verbally, indeed, Voltaire still makes his bow to the optimist theory, and the two poems appeared together in 1756; but his noble outcry against the empty and complacent deductions which it covers, led to his famous controversy with Rousseau. The history of this conflict falls beyond my subject, and I must be content with this brief reference, which proves, amongst other things, the interest created by Pope's advocacy of the most characteristic doctrines of his time on the minds of the greatest leaders of the revolutionary movement.
Meanwhile, however, Crousaz was translated into English, and Pope was terribly alarmed. His "guide, philosopher, and friend" had returned to the Continent (in 1735), disgusted with his political failure, but was again in England from June, 1738, to May, 1739. We know not what comfort he may have given to his unlucky disciple, but an unexpected champion suddenly arose. William Warburton (born 1698) was gradually pushing his way to success. He had been an attorney's clerk, and had not received a university education; but his multifarious reading was making him conspicuous, helped by great energy, and by a quality which gave some plausibility to the title bestowed on him by Mallet, "The most impudent man living." In his humble days he had been intimate with Pope's enemies, Concanen and Theobald, and had spoken scornfully of Pope, saying, amongst other things, that he "borrowed for want of genius," as Addison borrowed from modesty and Milton from pride. In 1736 he had published his first important work, the Alliance between Church and State, and in 1738 followed the first instalment of his principal performance, the Divine Legation. During the following years he was the most conspicuous theologian of the day, dreaded and hated by his opponents, whom he unsparingly bullied, and dominating a small clique of abject admirers. He is said to have condemned the Essay on Man when it first appeared. He called it a collection of the worst passages of the worst authors, and declared that it taught rank atheism. The appearance of Crousaz's book suddenly induced him to make a complete change of front. He declared that Pope spoke "truth uniformly throughout," and complimented him on his strong and delicate reasoning.
It is idle to seek motives for this proceeding. Warburton loved paradoxes, and delighted in brandishing them in the most offensive terms. He enjoyed the exercise of his own ingenuity, and therefore his ponderous writings, though amusing by their audacity and width of reading, are absolutely valueless for their ostensible purpose. The exposition of Pope (the first part of which appeared in December, 1738) is one of his most tiresome performances; nor need any human being at the present day study the painful wire-drawings and sophistries by which he tries to give logical cohesion and orthodox intention to the Essay on Man.
If Warburton was simply practising his dialectical skill, the result was a failure. But if he had an eye to certain lower ends, his success surpassed his expectations. Pope was in ecstasies. He fell upon Warburton's neck—or rather at his feet—and overwhelmed him with professions of gratitude. He invited him to Twickenham; met him with compliments which astonished a bystander, and wrote to him in terms of surprising humility. "You understand me," he exclaims in his first letter, "as well as I do myself; but you express me much better than I could express myself." For the rest of his life Pope adopted the same tone. He sheltered himself behind this burly defender, and could never praise him enough. He declared Mr. Warburton to be the greatest general critic he ever knew, and was glad to instal him in the position of champion in ordinary. Warburton was consulted about new editions; annotated Pope's poems; stood sponsor to the last Dunciad, and was assured by his admiring friend that the comment would prolong the life of the poetry. Pope left all his copyrights to this friend, whilst his MSS. were given to Bolingbroke.