A single touch remains. Pope was buried, by his own directions, in a vault in Twickenham church, near the monument erected to his parents. It contained a simple inscription ending with the words "Parentibus bene merentibus filius fecit." To this, as he directed in his will, was to be added simply "et sibi." This was done; but seventeen years afterwards the clumsy Warburton erected in the same church another monument to Pope himself, with this stupid inscription. Poeta loquitur.

For one who would not lie buried in Westminster Abbey.

Heroes and kings, your distance keep!
In peace let one poor poet sleep
Who never flatter'd folks like you;
Let Horace blush and Virgil too.

Most of us can tell from experience how grievously our posthumous ceremonials often jar upon the tenderest feelings of survivors. Pope's valued friends seem to have done their best to surround the last scene of his life with painful associations; and Pope, alas! was an unconscious accomplice. To us of a later generation it is impossible to close this strange history without a singular mixture of feelings. Admiration for the extraordinary literary talents, respect for the energy which, under all disadvantages of health and position, turned these talents to the best account; love of the real tender-heartedness which formed the basis of the man's character; pity for the many sufferings to which his morbid sensitiveness exposed him; contempt for the meannesses into which he was hurried; ridicule for the insatiable vanity which prompted his most degrading subterfuges; horror for the bitter animosities which must have tortured the man who cherished them even more than his victims—are suggested simultaneously by the name of Pope. As we look at him in one or other aspect, each feeling may come uppermost in turn. The most abiding sentiment—when we think of him as a literary phenomenon—is admiration for the exquisite skill which enabled him to discharge a function, not of the highest kind, with a perfection rare in any department of literature. It is more difficult to say what will be the final element in our feeling about the man. Let us hope that it may be the pity which, after a certain lapse of years, we may be excused for conceding to the victim of moral as well as physical diseases.

THE END.

LONDON:
GILBERT AND RIVINGTON, PRINTERS,
ST. JOHN'S SQUARE.

Now publishing, in crown 8vo, price 2s. 6d. each.

ENGLISH MEN OF LETTERS

Edited by JOHN MORLEY.