HORACE WALPOLE
The history of England, throughout a very large segment of the eighteenth century, is simply a synonym for the works of Horace Walpole. There are, indeed, some other books upon the subject. Some good stories are scattered up and down the 'Annual Register,' the 'Gentleman's Magazine,' and Nichols' 'Anecdotes.' There is a speech or two of Burke's not without merit, and a readable letter may be disinterred every now and then from beneath the piles of contemporary correspondence. When the history of the times comes to be finally written in the fashion now prevalent, in which some six portly octavos are allotted to a year, and an event takes longer to describe than to occur, the industrious will find ample mines of waste paper in which they may quarry to their heart's content. Though Hansard was not, and newspapers were in their infancy, the shelves of the British Museum and other repositories groan beneath mountains of State papers, law reports, pamphlets, and chaotic raw materials, from which some precious ore may be smelted down. But these amorphous masses are attractive chiefly to the philosophers who are too profound to care for individual character, or to those praiseworthy students who would think the labour of a year well rewarded by the discovery of a single fact tending to throw a shade of additional perplexity upon the secret of Junius. Walpole's writings belong to the good old-fashioned type of history, which aspires to be nothing more than the quintessence of contemporary gossip. If the opinion be pardonable in these days, history of that kind has not only its charm, but its serious value. If not very profound or comprehensive, it impresses upon us the fact—so often forgotten—that our grandfathers were human beings. The ordinary historian reduces them to mere mechanical mummies; in Walpole's pages they are still living flesh and blood. Turn over any of the proper decorous history books, mark every passage where, for a moment, we seem to be transported to the past—to the thunders of Chatham, the drivellings of Newcastle, or the prosings of George Grenville, as they sounded in contemporary ears—and it will be safe to say that, on counting them up, a good half will turn out to be reflections from the illuminating flashes of Walpole. Excise all that comes from him, and the history sinks towards the level of the solid Archdeacon Coxe; add his keen touches, and, as in the 'Castle of Otranto,' the portraits of our respectable old ancestors, which have been hanging in gloomy repose upon the wall, suddenly step from their frames, and, for some brief space, assume a spectral vitality.
It is only according to rule that a writer who has been so useful should have been a good deal abused. No one is so amusing and so generally unpopular as a clever retailer of gossip. Yet it does seem rather hard that Walpole should have received such hard measure from Macaulay, through whose pages so much of his light has been transfused. The explanation, perhaps, is easy. Macaulay dearly loved the paradox that a man wrote admirably precisely because he was a fool, and applied it to the two greatest portrait painters of the times—Walpole and Boswell. There is something which hurts our best feelings in the success of a man whom we heartily despise. It seems to imply, which is intolerable, that our penetration has been at fault, or that merit—that is to say, our own conspicuous quality—is liable to be out-stripped in this world by imposture. It is consoling if we can wrap ourselves in the belief that good work can be extracted from bad brains, and that shallowness, affectation, and levity can, by some strange chemistry, be transmuted into a substitute for genius. Do we not all, if we have reached middle age, remember some idiot (of course he was an idiot!) at school or college who has somehow managed to slip past us in the race of life, and revenge ourselves by swearing that he is an idiot still, and that idiocy is a qualification for good fortune? Swift somewhere says that a paper-cutter does its work all the better when it is blunt, and converts the fact into an allegory of human affairs showing that decorous dulness is an over-match for genius. Macaulay was incapable, both in a good and bad sense, of Swift's trenchant misanthropy. His dislike to Walpole was founded not so such upon posthumous jealousy—though that passion is not so rare as absurd—as on the singular contrast between the character and intellect of the two men. The typical Englishman, with his rough, strong sense, passing at times into the narrowest insular prejudice, detested the Frenchified fine gentleman who minced his mother tongue and piqued himself on cosmopolitan indifference to patriotic sentiment: the ambitious historian was irritated by the contempt which the dilettante dabbler in literature affected for their common art; and the thoroughgoing Whig was scandalised by the man who, whilst claiming that sacred name, and living face to face with Chatham and Burke and the great Revolution families in all their glory, ventured to intimate his opinion that they, like other idols, had a fair share of clay and rubbish in their composition, and who, after professing a kind of sham republicanism, was frightened by the French Revolution into a paroxysm of ultra-Toryism. 'You wretched fribble!' exclaims Macaulay; 'you shallow scorner of all that is noble! You are nothing but a heap of silly whims and conceited airs! Strip off one mask of affectation from your mind, and we are still as far as ever from the real man. The very highest faculty that can be conceded to you is a keen eye for oddities, whether in old curiosity shops or in Parliament; and to that you owe whatever just reputation you have acquired.' Macaulay's fervour of rebuke is amusing, though, by righteous Nemesis, it includes a species of blindness as gross as any that he attributes to Walpole. The summary decision that the chief use of France is to interpret England to Europe, is a typical example of that insular arrogance for which Matthew Arnold popularised the name of Philistinism.
Yet criticism of this one-sided kind has its value. At least it suggests a problem. What is the element left out of account? Folly is never the real secret of a literary reputation, or what noble harvests of genius we should produce! If we patiently take off all the masks we must come at last to the animating principle beneath. Even the great clothes philosophers did not hold that a mere Chinese puzzle of mask within mask could enclose sheer vacancy; there must be some kernel within, which may be discovered by sufficient patience. And in the first place, it may be asked, why did poor Walpole wear a mask at all? The answer seems to be obvious. The men of that age may be divided by a line which, to the philosophic eye, is of far more importance than that which separated Jacobites from loyal Whigs or Dissenters from High Churchmen. It separated the men who could drink two bottles of port after dinner from the men who could not. To men of delicate digestions the test imposed by the jovial party in ascendency must have been severer than those due to political or ecclesiastical bigotry. They had to choose between social disabilities on the one side, and on the other indigestion for themselves and gout for their descendants. Thackeray, in a truly pathetic passage, partly draws the veil from their sufferings. Almost all the wits of Queen Anne's reign, he observes, were fat: 'Swift was fat; Addison was fat; Gay and Thomson were preposterously fat; all that fuddling and punch-drinking, that club and coffee-house boosing, shortened the lives and enlarged the waistcoats of men of that age.' Think of the dinner described, though with intentional exaggeration, in Swift's 'Polite Conversation,' and compare the bill of fare with the menu of a modern London dinner. The very report of such conviviality—before which Christopher North's performances in the 'Noctes Ambrosianæ' sink into insignificance—is enough to produce nightmares in the men of our degenerate times, and may help us to understand the peevishness of feeble invalids such as Pope and Lord Hervey in the elder generation, or Walpole in that which was rising. Amongst these Gargantuan consumers, who combined in one the attributes of 'gorging Jack and guzzling Jemmy,' Sir Robert Walpole was celebrated for his powers, and seems to have owed to them no small share of his popularity. Horace writes piteously from the paternal mansion, to which he had returned in 1743, not long after his tour in Italy, to one of his artistic friends: 'Only imagine,' he exclaims, 'that I here every day see men who are mountains of roast beef, and only seem just roughly hewn out into outlines of human form, like the giant rock at Pratolino! I shudder when I see them brandish their knives in act to carve, and look on them as savages that devour one another. I should not stare at all more than I do if yonder alderman at the lower end of the table were to stick his fork into his neighbour's jolly cheek, and cut a brave slice of brown and fat. Why, I'll swear I see no difference between a country gentleman and a sirloin; whenever the first laughs or the second is cut, there run out just the same streams of gravy! Indeed, the sirloin does not ask quite so many questions.' What was the style of conversation at these tremendous entertainments had better be left to the imagination. Sir R. Walpole's theory on that subject is upon record; and we can dimly guess at the feelings of a delicate young gentleman who had just learnt to talk about Domenichinos and Guidos, and to buy ancient bronzes, when plunged into the coarse society of these mountains of roast beef. As he grew up manners became a trifle more refined, and the customs described so faithfully by Fielding and Smollett belonged to a lower social stratum. Yet we can fancy Walpole's occasional visit to his constituents, and imagine him forced to preside at one of those election feasts which still survive on Hogarth's canvas. Substitute him for the luckless fine gentleman in a laced coat, who represents the successful candidate in the first picture of the series. A drunken voter is dropping lighted pipe ashes upon his wig; a hideous old hag is picking his pockets; a boy is brewing oceans of punch in a mash-tub; a man is blowing bagpipes in his ear; a fat parson close by is gorging the remains of a haunch of venison; a butcher is pouring gin on his neighbour's broken head; an alderman—a very mountain of roast beef—is sinking back in a fit, whilst a barber is trying to bleed him; brickbats are flying in at the windows; the room reeks with the stale smell of heavy viands and the fresh vapours of punch and gin, whilst the very air is laden with discordant howls and thick with oaths and ribald songs. Only think of the smart young candidate's headache next morning in the days when soda-water was not invented! And remember too that the representatives were not entirely free from sympathy with the coarseness of their constituents. Just at the period of Hogarth's painting, Walpole, when speaking of the feeling excited by a Westminster election, has occasion to use this pleasing 'new fashionable proverb'—'We spit in his hat on Thursday, and wiped it off on Friday.' It owed its origin to a feat performed by Lord Cobham at an assembly given at his own house. For a bet of a guinea he came behind Lord Hervey, who was talking to some ladies, and made use of his hat as a spittoon. The point of the joke was that Lord Hervey—son of Pope's 'mere white curd of asses' milk,' and related, as the scandal went, rather too closely to Horace Walpole himself—was a person of effeminate appearance, and therefore considered unlikely—wrongly, as it turned out—to resent the insult. We may charitably hope that the assailants, who thus practically exemplified the proper mode of treating milksops, were drunk. The two-bottle men who lingered till our day were surviving relics of the type which then gave the tone to society. Within a short period there was a prime minister who always consoled himself under defeats and celebrated triumphs with his bottle; a chancellor who abolished evening sittings on the ground that he was always drunk in the evening; and even an archbishop—an Irish archbishop, it is true—whose jovial habits broke down his constitution. Scratch those jovial toping aristocrats, and you everywhere find the Squire Western. A man of squeamish tastes and excessive sensibility jostled amongst that thick-skinned, iron-nerved generation, was in a position with which anyone may sympathise who knows the sufferings of a delicate lad at a public school in the old (and not so very old) brutal days. The victim of that tyranny slunk away from the rough horseplay of his companions to muse, like Dobbin, over the 'Arabian Nights' in a corner, or find some amusement which his tormentors held to be only fit for girls. So Horace Walpole retired to Strawberry Hill and made toys of Gothic architecture, or heraldry, or dilettante antiquarianism. The great discovery had not then been made, we must remember, that excellence in field-sports deserved to be placed on a level with the Christian virtues. The fine gentlemen of the Chesterfield era speak of fox-hunting pretty much as we speak of prize-fighting and bull-baiting. When all manly exercises had an inseparable taint of coarseness, delicate people naturally mistook effeminacy for refinement. When you can only join in male society on pain of drinking yourself under the table, the safest plan is to retire to tea-tables and small talk. For many years, Walpole's greatest pleasure seems to have been drinking tea with Lady Suffolk, and carefully piecing together bits of scandal about the Courts of the first two Georges. He tells us, with all the triumph of a philosopher describing a brilliant scientific induction, how he was sometimes able, by adding his bits of gossip to hers, to unravel the secret of some wretched intrigue which had puzzled two generations of quidnuncs. The social triumphs on which he most piqued himself were of a congenial order. He sits down to write elaborate letters to Sir Horace Mann, at Florence, brimming over with irrepressible triumph when he has persuaded some titled ladies to visit his pet toy, the printing-press, at Strawberry Hill, and there, of course to their unspeakable surprise, his printer draws off a copy of verses composed in their honour in the most faded style of old-fashioned gallantry. He is intoxicated by his appointment to act as poet-laureate on the occasion of a visit of the Princess Amelia to Stowe. She is solemnly conducted to a temple of the Muses and Apollo, and there finds one of his admirable effusions,—
T'other day with a beautiful frown on her brow,
To the rest of the gods said the Venus of Stowe:
and so on. 'She was really in Elysium,' he declares, and visited the arch erected in her honour three or four times a day.
It is not wonderful, we must confess, that burly ministers and jovial squires laughed horse-laughs at this mincing dandy, and tried in their clumsy fashion to avenge themselves for the sarcasms which, as they instinctively felt, lay hid beneath this mask of affectation. The enmity between the lapdog and the mastiff is an old story. Nor, as we must confess again, were these tastes redeemed by very amiable qualities beneath the smooth external surface. There was plenty of feminine spite as well as feminine delicacy. To the marked fear of ridicule natural to a sensitive man Walpole joined a very happy knack of quarrelling. He could protrude a feline set of claws from his velvet glove. He was a touchy companion and an intolerable superior. He set out by quarrelling with Gray, who, as it seems, could not stand his dandified airs of social impertinence, though it must be added in fairness that the bond which unites fellow travellers is, perhaps, the most trying known to humanity. He quarrelled with Mason after twelve years of intimate correspondence; he quarrelled with Montagu after a friendship of some forty years; he always thought that his dependants, such as Bentley, were angels for six months, and made their lives a burden to them afterwards; he had a long and complex series of quarrels with all his near relations. Sir Horace Mann escaped any quarrel during forty-five years of correspondence; but Sir Horace never left Florence and Walpole never reached it. Conway alone remained intimate and immaculate to the end, though there is a bitter remark or two in the Memoirs against the perfect Conway. With ladies, indeed, Walpole succeeded better; and perhaps we may accept, with due allowance for the artist's point of view, his own portrait of himself. He pronounces himself to be a 'boundless friend, a bitter but placable enemy.' Making the necessary corrections, we should translate this into 'a bitter enemy, a warm but irritable friend.' Tread on his toes, and he would let you feel his claws, though you were his oldest friend; but so long as you avoided his numerous tender points, he showed a genuine capacity for kindliness and even affection; and in his later years he mellowed down into an amiable purring old gentleman, responding with eager gratitude to the caresses of the charming Miss Berrys. Such a man, skinless and bilious, was ill qualified to join in the rough game of politics. He kept out of the arena where the hardest blows were given and taken, and confined his activity to lobbies and backstairs, where scandal was to be gathered and the hidden wires of intrigue to be delicately manipulated. He chuckles irrepressibly when he has confided a secret to a friend, who has let it out to a minister, who communicates it to a great personage, who explodes into inextinguishable wrath, and blows a whole elaborate plot into a thousand fragments. To expect deep and settled political principle from such a man would be to look for grapes from thorns and figs from thistles; but to do Walpole justice, we must add that it would be equally absurd to exact settled principle from any politician of that age. We are beginning to regard our ancestors with a strange mixture of contempt and envy. We despise them because they cared nothing for the thoughts which for the last century have been upheaving society into strange convulsions; we envy them because they enjoyed the delicious calm which was the product of that indifference. Wearied by the incessant tossing and boiling of the torrent which carries us away, we look back with fond regret to the little backwater so far above Niagara, where scarcely a ripple marks the approaching rapids. There is a charm in the great solid old eighteenth-century mansions, which London is so rapidly engulfing, and even about the old red brick churches with 'sleep-compelling' pews. We take imaginary naps amongst our grandfathers with no railways, no telegraphs, no mobs in Trafalgar Square, no discussions about ritualism or Dr. Colenso, and no reports of parliamentary debates. It is to our fancies an 'island valley of Avilion,' or, less magniloquently, a pleasant land of Cockaine, where we may sleep away the disturbance of battle, and even read through 'Clarissa Harlow.' We could put up with an occasional highwayman in Hyde Park, and perhaps do not think that our comfort would be seriously disturbed by a dozen executions in a morning at Tyburn. In such visionary glances through the centuries we have always the advantage of selecting our own position in life, and perhaps there are few that for such purposes we should prefer to Walpole's. We should lap ourselves against eating cares in the warm folds of a sinecure of 6,000l. a year bestowed because our father was a Prime Minister. There are many immaculate persons at the present day to whom truth would be truth even when seen through such a medium. There are—we have their own authority for believing it—men who would be republicans, though their niece was married to a royal duke. Walpole, we must admit, was not of the number. He was an aristocrat to the backbone. He was a gossip by nature and education, and had lived from infancy in the sacred atmosphere of court intrigue; every friend he possessed in his own rank either had a place, or had lost a place, or was in want of a place, and generally combined all three characters; professed indifference to place was only a cunning mode of angling for a place, and politics was a series of ingeniously-contrived manœuvres in which the moving power of the machinery was the desire of sharing the spoils. Walpole's talk about Magna Charta and the execution of Charles I. could, it is plain, imply but a skin-deep republicanism. He could not be seriously displeased with a state of things of which his own position was the natural out-growth. His republicanism was about as genuine as his boasted indifference to money—a virtue which is not rare in bachelors who have more than they can spend. So long as he could buy as much bric-a-brac, as many knicknacks, and old books and bronzes and curious portraits and odd gloves of celebrated characters as he pleased; add a new tower and a set of battlements to Strawberry Hill every few years; keep a comfortable house in London, and have a sufficiency of carriages and horses; treat himself to an occasional tour, and keep his press steadily at work; he was not the man to complain of poverty. He was a republican, too, as long as that word implied that he and his father and uncles and cousins and connections by marriage and their intimate friends were to have everything precisely their own way; but if a vision could have shown him the reformers of a coming generation who would inquire into civil lists and object to sinecures—to say nothing of cutting off the heads of the first families—he would have prayed to be removed before the evil day. Republicanism in his sense was a word exclusive of revolution. Was it, then, a mere meaningless mask intended only to conceal the real man? Before passing such a judgment we should remember that the names by which people classify their opinions are generally little more than arbitrary badges; and even in these days, when practice treads so closely on the heels of theory, some persons profess to know extreme radicals who could be converted very speedily by a bit of riband. Walpole has explained himself with unmistakable frankness, and his opinion was at least intelligible. He was not a republican after the fashion of Robespierre, or Jefferson, or M. Gambetta; but he had some meaning. When a duke in those days proposed annual parliaments and universal suffrage, we may assume that he did not realise the probable effect of those institutions upon dukes; and when Walpole applauded the regicides, he was not anxious to send George III. to the block. He meant, however, that he considered George III. to be a narrow-minded and obstinate fool. He meant, too, that the great Revolution families ought to distribute the plunder and the power without interference from the Elector of Hanover. He meant, again, that as a quick and cynical observer, he found the names of Brutus and Algernon Sidney very convenient covers for attacking the Duke of Newcastle and the Earl of Bute. But beyond all this, he meant something more, which gives the real spice to his writings. It was something not quite easy to put into formulas; but characteristic of the vague discomfort of the holders of sinecures in those halcyon days arising from the perception that the ground was hollow under their feet. To understand him we must remember that the period of his activity marks precisely the lowest ebb of political principle. Old issues had been settled, and the new ones were only just coming to the surface. He saw the end of the Jacobites and the rise of the demagogues. His early letters describe the advance of the Pretender to Derby; they tell us how the British public was on the whole inclined to look on and cry, 'Fight dog, fight bear;' how the Jacobites who had anything to lose left their battle to be fought by half-starved cattle-stealers, and contented themselves with drinking to the success of the cause; and how the Whig magnates, with admirable presence of mind, raised regiments, appointed officers, and got the expenses paid by the Crown. His later letters describe the amazing series of blunders by which we lost America in spite of the clearest warnings from almost every man of sense in the kingdom. The interval between these disgraceful epochs is filled—if we except the brief episode of Chatham—by a series of struggles between different connections—one cannot call them parties—which separate and combine, and fight and make peace, till the plot of the drama becomes too complicated for human ingenuity to unravel. Lads just crammed for a civil service examination might possibly bear in mind all the shifting combinations which resulted from the endless intrigues of Pelhams and Grenvilles and Bedfords and Rockinghams; yet even those omniscient persons could hardly give a plausible account of the principles which each party conceived itself to be maintaining. What, for example, were the politics of a Rigby, or a Bubb Dodington? The diary in which the last of these eminent persons reveals his inmost soul is perhaps the most curious specimen of unconscious self-analysis extant. His utter baseness and venality, his disgust at the 'low venal wretches' to whom he had to give bribes; his creeping and crawling before those from whom he sought to extract bribes; his utter incapacity to explain a great man except on the hypothesis of insanity; or to understand that there is such a thing as political morality, derive double piquancy from the profound conviction that he is an ornament to society, and from the pious aspirations which he utters with the utmost simplicity. Bubb wriggled himself into a peerage, and differed from innumerable competitors only by superior frankness. He is the fitting representative of an era from which political faith has disappeared, as Walpole is its fitting satirist. All political virtue, it is said, was confined, in Walpole's opinion, to Conway and the Marquis of Hertford. Was he wrong? or, if he was wrong, was it not rather in the exception than the rule? The dialect in which his sarcasms are expressed is affected, but the substance is hard to dispute. The world, he is fond of saying, is a tragedy to those who feel, a comedy to those who think. He preferred the comedy view. 'I have never yet seen or heard,' he says, 'anything serious that was not ridiculous. Jesuits, Methodists, philosophers, politicians, the hypocrite Rousseau, the scoffer Voltaire, the encyclopædists, the Humes, the Lytteltons, the Grenvilles, the atheist tyrant of Prussia, and the mountebank of history, Mr. Pitt, are all to me but impostors in their various ways. Fame or interest is their object, and after all their parade, I think a ploughman who sows, reads his almanack, and believes that the stars are so many farthing candles created to prevent his falling into a ditch as he goes home at night, a wiser and more rational being, and I am sure an honester, than any of them. Oh! I am sick of visions and systems that shove one another aside, and come again like figures in a moving picture.' Probably Walpole's belief in the ploughman lasted till he saw the next smock-frock; but the bitterness clothed in the old-fashioned cant is serious and is justifiable enough. Here is a picture of English politics in the time of Wilkes. 'No government, no police, London and Middlesex distracted, the colonies in rebellion, Ireland ready to be so, and France arrogant and on the point of being hostile! Lord Bute accused of all, and dying in a panic; George Grenville wanting to make rage desperate; Lord Rockingham and the Cavendishes thinking we have no enemies but Lord Bute, and that five mutes and an epigram can set everything to rights; the Duke of Grafton (then Prime Minister) like an apprentice, thinking the world should be postponed to a horse-race; and the Bedfords not caring what disgraces we undergo while each of them has 3,000l. a year and three thousand bottles of claret and champagne!' And every word of this is true—at least, so far as epigrams need be true. It is difficult to put into more graphic language the symptoms of an era just ripe for revolution. If frivolous himself, Walpole can condemn the frivolity of others. 'Can one repeat common news with indifference,' he asks, just after the surrender of Yorktown, 'while our shame is writing for future history by the pens of all our numerous enemies? When did England see two whole armies lay down their arms and surrender themselves prisoners?... These are thoughts I cannot stifle at the moment that expresses them; and, though I do not doubt that the same dissipation that has swallowed up all our principles will reign again in ten days with its wonted sovereignty, I had rather be silent than vent my indignation. Yet I cannot talk, for I cannot think, on any other subject. It was not six days ago that, in the height of four raging wars (with America, France, Spain, and Holland), I saw in the papers an account of the opera and of the dresses of the company, and hence the town, and thence, of course, the whole nation, were informed that Mr. Fitzpatrick had very little powder in his hair.' Walpole sheltered himself behind the corner of a pension to sneer at the tragi-comedy of life; but if his feelings were not profound, they were quick and genuine, and, affectation for affectation, his cynical coxcombry seems preferable to the solemn coxcombry of the men who shamelessly wrangled for plunder, while they talked solemn platitudes about sacred Whig principles and the thrice blessed British Constitution.
Walpole, in fact, represents a common creed amongst comfortable but clear-headed men of his time. It was the strange mixture of scepticism and conservatism which is exemplified in such men as Hume and Gibbon. He was at heart a Voltairian, and, like his teacher, confounded all religions and political beliefs under the name of superstition. Voltaire himself did not anticipate the Revolution to which he, more than any man, had contributed. Walpole, with stronger personal reasons than Voltaire for disliking a catastrophe, was as furious as Burke when the volcano burst forth. He was a republican so far as he disbelieved in the divine right of kings, and hated enthusiasm and loyalty generally. He wished the form to survive and the spirit to disappear. Things were rotten, and he wished them to stay rotten. The ideal to which he is constantly recurring was the pleasant reign of his father, when nobody made a fuss or went to war, or kept principles except for sale. He foresaw, however, far better than most men, the coming crash. If political sagacity be fairly tested by a prophetic vision of the French Revolution, Walpole's name should stand high. He visited Paris in 1765, and remarks that laughing is out of fashion. 'Good folks, they have no time to laugh. There is God and the King to be pulled down first, and men and women, one and all, are devoutly employed in the demolition. They think me quite profane for having any belief left.' Do you know, he asks presently, who are the philosophers? 'In the first place, it comprehends almost everybody, and in the next it means men who, avowing war against Papacy, aim, many of them, at the destruction of regal power. The philosophers,' he goes on, 'are insupportable, superficial, overbearing, and fanatic. They preach incessantly, and their avowed doctrine is atheism—you could not believe how openly. Don't wonder, therefore, if I should return a Jesuit. Voltaire himself does not satisfy them. One of their lady devotees said of him, "Il est bigot, c'est un déiste!"' French politics, he professes a few years afterwards, must end in 'despotism, a civil war, or assassination,' and he remarks that the age will not, as he had always thought, be an age of abortion, but rather 'the age of seeds that are to produce strange crops hereafter.' The next century, he says at a later period, 'will probably exhibit a very new era, which the close of this has been, and is, preparing.' If these sentences had been uttered by Burke, they would have been quoted as proofs of remarkable sagacity. As it is, we may surely call them shrewd glances for a frivolous coxcomb.