By far the most celebrated of Johnson's Lichfield friends was David Garrick, in regard to whom his relations were somewhat peculiar. Reynolds said that Johnson considered Garrick to be his own property, and would never allow him to be praised or blamed by any one else without contradiction. Reynolds composed a pair of imaginary dialogues to illustrate the proposition, in one of which Johnson attacks Garrick in answer to Reynolds, and in the other defends him in answer to Gibbon. The dialogues seem to be very good reproductions of the Johnsonian manner, though perhaps the courteous Reynolds was a little too much impressed by its roughness; and they probably include many genuine remarks of Johnson's. It is remarkable that the praise is far more pointed and elaborate than the blame, which turns chiefly upon the general inferiority of an actor's position. And, in fact, this seems to have corresponded to Johnson's opinion about Garrick as gathered from Boswell.
The two men had at bottom a considerable regard for each other, founded upon old association, mutual services, and reciprocal respect for talents of very different orders. But they were so widely separated by circumstances, as well as by a radical opposition of temperament, that any close intimacy could hardly be expected. The bear and the monkey are not likely to be intimate friends. Garrick's rapid elevation in fame and fortune seems to have produced a certain degree of envy in his old schoolmaster. A grave moral philosopher has, of course, no right to look askance at the rewards which fashion lavishes upon men of lighter and less lasting merit, and which he professes to despise. Johnson, however, was troubled with a rather excessive allowance of human nature. Moreover he had the good old-fashioned contempt for players, characteristic both of the Tory and the inartistic mind. He asserted roundly that he looked upon players as no better than dancing-dogs. "But, sir, you will allow that some players are better than others?" "Yes, sir, as some dogs dance better than others." So when Goldsmith accused Garrick of grossly flattering the queen, Johnson exclaimed, "And as to meanness—how is it mean in a player, a showman, a fellow who exhibits himself for a shilling, to flatter his queen?" At another time Boswell suggested that we might respect a great player. "What! sir," exclaimed Johnson, "a fellow who claps a hump upon his back and a lump on his leg and cries, 'I am Richard III.'? Nay, sir, a ballad-singer is a higher man, for he does two things: he repeats and he sings; there is both recitation and music in his performance—the player only recites."
Such sentiments were not very likely to remain unknown to Garrick nor to put him at ease with Johnson, whom, indeed, he always suspected of laughing at him. They had a little tiff on account of Johnson's Edition of Shakspeare. From some misunderstanding, Johnson did not make use of Garrick's collection of old plays. Johnson, it seems, thought that Garrick should have courted him more, and perhaps sent the plays to his house; whereas Garrick, knowing that Johnson treated books with a roughness ill-suited to their constitution, thought that he had done quite enough by asking Johnson to come to his library. The revenge—if it was revenge—taken by Johnson was to say nothing of Garrick in his Preface, and to glance obliquely at his non-communication of his rarities. He seems to have thought that it would be a lowering of Shakspeare to admit that his fame owed anything to Garrick's exertions.
Boswell innocently communicated to Garrick a criticism of Johnson's upon one of his poems—
I'd smile with the simple and feed with the poor.
"Let me smile with the wise, and feed with the rich," was Johnson's tolerably harmless remark. Garrick, however, did not like it, and when Boswell tried to console him by saying that Johnson gored everybody in turn, and added, "foenum habet in cornu." "Ay," said Garrick vehemently, "he has a whole mow of it." The most unpleasant incident was when Garrick proposed rather too freely to be a member of the Club. Johnson said that the first duke in England had no right to use such language, and said, according to Mrs. Thrale, "If Garrick does apply, I'll blackball him. Surely we ought to be able to sit in a society like ours—
'Unelbowed by a gamester, pimp, or player!'"
Nearly ten years afterwards, however, Johnson favoured his election, and when he died, declared that the Club should have a year's widowhood. No successor to Garrick was elected during that time.
Johnson sometimes ventured to criticise Garrick's acting, but here Garrick could take his full revenge. The purblind Johnson was not, we may imagine, much of a critic in such matters. Garrick reports him to have said of an actor at Lichfield, "There is a courtly vivacity about the fellow;" when, in fact, said Garrick, "he was the most vulgar ruffian that ever went upon boards."
In spite of such collisions of opinion and mutual criticism, Johnson seems to have spoken in the highest terms of Garrick's good qualities, and they had many pleasant meetings. Garrick takes a prominent part in two or three of the best conversations in Boswell, and seems to have put his interlocutors in specially good temper. Johnson declared him to be "the first man in the world for sprightly conversation." He said that Dryden had written much better prologues than any of Garrick's, but that Garrick had written more good prologues than Dryden. He declared that it was wonderful how little Garrick had been spoilt by all the flattery that he had received. No wonder if he was a little vain: "a man who is perpetually flattered in every mode that can be conceived: so many bellows have blown the fuel, that one wonders he is not by this time become a cinder!" "If all this had happened to me," he said on another occasion, "I should have had a couple of fellows with long poles walking before me, to knock down everybody that stood in the way. Consider, if all this had happened to Cibber and Quin, they'd have jumped over the moon. Yet Garrick speaks to us," smiling. He admitted at the same time that Garrick had raised the profession of a player. He defended Garrick, too, against the common charge of avarice. Garrick, as he pointed out, had been brought up in a family whose study it was to make fourpence go as far as fourpence-halfpenny. Johnson remembered in early days drinking tea with Garrick when Peg Woffington made it, and made it, as Garrick grumbled, "as red as blood." But when Garrick became rich he became liberal. He had, so Johnson declared, given away more money than any man in England.