Early in their acquaintance, the two young men, Beau and Lanky, as Johnson called them, had sat up one night at a tavern till three in the morning. The courageous thought struck them that they would knock up the old philosopher. He came to the door of his chambers, poker in hand, with an old wig for a nightcap. On hearing their errand, the sage exclaimed, "What! is it you, you dogs? I'll have a frisk with you." And so Johnson with the two youths, his juniors by about thirty years, proceeded to make a night of it. They amazed the fruiterers in Covent Garden; they brewed a bowl of bishop in a tavern, while Johnson quoted the poet's address to Sleep,—
"Short, O short, be then thy reign,
And give us to the world again!"
They took a boat to Billingsgate, and Johnson, with Beauclerk, kept up their amusement for the following day, when Langton deserted them to go to breakfast with some young ladies, and Johnson scolded him for leaving his friends "to go and sit with a parcel of wretched unidea'd girls." "I shall have my old friend to bail out of the round-house," said Garrick when he heard of this queer alliance; and he told Johnson that he would be in the Chronicle for his frolic. "He durst not do such a thing. His wife would not let him," was the moralist's retort.
Some friends, known to fame by other titles than their connexion with Johnson, had by this time gathered round them. Among them was one, whose art he was unable to appreciate, but whose fine social qualities and dignified equability of temper made him a valued and respected companion. Reynolds had settled in London at the end of 1752. Johnson met him at the house of Miss Cotterell. Reynolds had specially admired Johnson's Life of Savage, and, on their first meeting, happened to make a remark which delighted Johnson. The ladies were regretting the loss of a friend to whom they were under obligations. "You have, however," said Reynolds, "the comfort of being relieved from a burden of gratitude." The saying is a little too much like Rochefoucauld, and too true to be pleasant; but it was one of those keen remarks which Johnson appreciated because they prick a bubble of commonplace moralizing without demanding too literal an acceptation. He went home to sup with Reynolds and became his intimate friend. On another occasion, Johnson was offended by two ladies of rank at the same house, and by way of taking down their pride, asked Reynolds in a loud voice, "How much do you think you and I could get in a week, if we both worked as hard as we could?" "His appearance," says Sir Joshua's sister, Miss Reynolds, "might suggest the poor author: as he was not likely in that place to be a blacksmith or a porter." Poor Miss Reynolds, who tells this story, was another attraction to Reynolds' house. She was a shy, retiring maiden lady, who vexed her famous brother by following in his steps without his talents, and was deeply hurt by his annoyance at the unintentional mockery. Johnson was through life a kind and judicious friend to her; and had attracted her on their first meeting by a significant indication of his character. He said that when going home to his lodgings at one or two in the morning, he often saw poor children asleep on thresholds and stalls—the wretched "street Arabs" of the day—and that he used to put pennies into their hands that they might buy a breakfast.
Two friends, who deserve to be placed beside Reynolds, came from Ireland to seek their fortunes in London. Edmund Burke, incomparably the greatest writer upon political philosophy in English literature, the master of a style unrivalled for richness, flexibility, and vigour, was radically opposed to Johnson on party questions, though his language upon the French Revolution, after Johnson's death, would have satisfied even the strongest prejudices of his old friend. But he had qualities which commended him even to the man who called him a "bottomless Whig," and who generally spoke of Whigs as rascals, and maintained that the first Whig was the devil. If his intellect was wider, his heart was as warm as Johnson's, and in conversation he merited the generous applause and warm emulation of his friends. Johnson was never tired of praising the extraordinary readiness and spontaneity of Burke's conversation. "If a man," he said, "went under a shed at the same time with Burke to avoid a shower, he would say, 'This is an extraordinary man.' Or if Burke went into a stable to see his horse dressed, the ostler would say, 'We have had an extraordinary man here.'" When Burke was first going into Parliament, Johnson said in answer to Hawkins, who wondered that such a man should get a seat, "We who know Mr. Burke, know that he will be one of the first men in the country." Speaking of certain other members of Parliament, more after the heart of Sir John Hawkins, he said that he grudged success to a man who made a figure by a knowledge of a few forms, though his mind was "as narrow as the neck of a vinegar cruet;" but then he did not grudge Burke's being the first man in the House of Commons, for he would be the first man everywhere. And Burke equally admitted Johnson's supremacy in conversation. "It is enough for me," he said to some one who regretted Johnson's monopoly of the talk on a particular occasion, "to have rung the bell for him."
The other Irish adventurer, whose career was more nearly moulded upon that of Johnson, came to London in 1756, and made Johnson's acquaintance. Some time afterwards (in or before 1761) Goldsmith, like Johnson, had tasted the bitterness of an usher's life, and escaped into the scarcely more tolerable regions of Grub Street. After some years of trial, he was becoming known to the booksellers as a serviceable hand, and had two works in his desk destined to lasting celebrity. His landlady (apparently 1764) one day arrested him for debt. Johnson, summoned to his assistance, sent him a guinea and speedily followed. The guinea had already been changed, and Goldsmith was consoling himself with a bottle of Madeira. Johnson corked the bottle, and a discussion of ways and means brought out the manuscript of the Vicar of Wakefield. Johnson looked into it, took it to a bookseller, got sixty pounds for it, and returned to Goldsmith, who paid his rent and administered a sound rating to his landlady.
The relation thus indicated is characteristic; Johnson was as a rough but helpful elder brother to poor Goldsmith, gave him advice, sympathy, and applause, and at times criticised him pretty sharply, or brought down his conversational bludgeon upon his sensitive friend. "He has nothing of the bear but his skin," was Goldsmith's comment upon his clumsy friend, and the two men appreciated each other at bottom. Some of their readers may be inclined to resent Johnson's attitude of superiority. The admirably pure and tender heart, and the exquisite intellectual refinement implied in the Vicar and the Traveller, force us to love Goldsmith in spite of superficial foibles, and when Johnson prunes or interpolates lines in the Traveller, we feel as though a woodman's axe was hacking at a most delicate piece of carving. The evidence of contemporary observers, however, must force impartial readers to admit that poor Goldsmith's foibles were real, however amply compensated by rare and admirable qualities. Garrick's assertion, that he "wrote like an angel but talked like poor Poll," expresses the unanimous opinion of all who had actually seen him. Undoubtedly some of the stories of his childlike vanity, his frankly expressed envy, and his general capacity for blundering, owe something to Boswell's feeling that he was a rival near the throne, and sometimes poor Goldsmith's humorous self-assertion may have been taken too seriously by blunt English wits. One may doubt, for example, whether he was really jealous of a puppet tossing a pike, and unconscious of his absurdity in saying "Pshaw! I could do it better myself!" Boswell, however, was too good an observer to misrepresent at random, and he has, in fact, explained very well the true meaning of his remarks. Goldsmith was an excitable Irishman of genius, who tumbled out whatever came uppermost, and revealed the feelings of the moment with utter want of reserve. His self-controlled companions wondered, ridiculed, misinterpreted, and made fewer hits as well as fewer misses. His anxiety to "get in and share," made him, according to Johnson, an "unsocial" companion. "Goldsmith," he said, "had not temper enough for the game he played. He staked too much. A man might always get a fall from his inferior in the chances of talk, and Goldsmith felt his falls too keenly." He had certainly some trials of temper in Johnson's company. "Stay, stay," said a German, stopping him in the full flow of his eloquence, "Toctor Johnson is going to say something." An Eton Master called Graham, who was supping with the two doctors, and had got to the pitch of looking at one person, and talking to another, said, "Doctor, I shall be glad to see you at Eton." "I shall be glad to wait on you," said Goldsmith. "No," replied Graham, "'tis not you I mean, Doctor Minor; 'tis Doctor Major there." Poor Goldsmith said afterwards, "Graham is a fellow to make one commit suicide."
Boswell who attributes some of Goldsmith's sayings about Johnson to envy, said with probable truth that Goldsmith had not more envy than others, but only spoke of it more freely. Johnson argued that we must be angry with a man who had so much of an odious quality that he could not keep it to himself, but let it "boil over." The feeling, at any rate, was momentary and totally free from malice; and Goldsmith's criticisms upon Johnson and his idolators seem to have been fair enough. His objection to Boswell's substituting a monarchy for a republic has already been mentioned. At another time he checked Boswell's flow of panegyric by asking, "Is he like Burke, who winds into a subject like a serpent?" To which Boswell replied with charming irrelevance, "Johnson is the Hercules who strangled serpents in his cradle." The last of Goldsmith's hits was suggested by Johnson's shaking his sides with laughter because Goldsmith admired the skill with which the little fishes in the fable were made to talk in character. "Why, Dr. Johnson, this is not so easy as you seem to think," was the retort, "for if you were to make little fishes talk, they would talk like whales."
In spite of sundry little sparrings, Johnson fully appreciated Goldsmith's genius. Possibly his authority hastened the spread of public appreciation, as he seemed to claim, whilst repudiating Boswell's too flattering theory that it had materially raised Goldsmith's position. When Reynolds quoted the authority of Fox in favour of the Traveller, saying that his friends might suspect that they had been too partial, Johnson replied very truly that the Traveller was beyond the need of Fox's praise, and that the partiality of Goldsmith's friends had always been against him. They would hardly give him a hearing. "Goldsmith," he added, "was a man who, whatever he wrote, always did it better than any other man could do." Johnson's settled opinion in fact was that embodied in the famous epitaph with its "nihil tetigit quod non ornavit," and, though dedications are perhaps the only literary product more generally insincere than epitaphs, we may believe that Goldsmith too meant what he said in the dedication of She Stoops to Conquer. "It may do me some honour to inform the public that I have lived many years in intimacy with you. It may serve the interests of mankind also to inform them that the greatest wit may be found in a character, without impairing the most unaffected piety."
Though Johnson was thus rich in friendship, two connexions have still to be noticed which had an exceptional bearing upon his fame and happiness. In January, 1765, he made the acquaintance of the Thrales. Mr. Thrale was the proprietor of the brewery which afterwards became that of Barclay and Perkins. He was married in 1763 to a Miss Hester Lynch Salisbury, who has become celebrated from her friendship with Johnson.[1] She was a woman of great vivacity and independence of character. She had a sensitive and passionate, if not a very tender nature, and enough literary culture to appreciate Johnson's intellectual power, and on occasion to play a very respectable part in conversation. She had far more Latin and English scholarship than fell to the lot of most ladies of her day, and wit enough to preserve her from degenerating like some of the "blues," into that most offensive of beings—a feminine prig. Her marriage had been one of convenience, and her husband's want of sympathy, and jealousy of any interference in business matters, forced her, she says, to take to literature as her sole resource. "No wonder," she adds, "if I loved my books and children." It is, perhaps, more to be wondered at that her children seem to have had a rather subordinate place in her affections. The marriage, however, though not of the happiest, was perfectly decorous. Mrs. Thrale discharged her domestic duties irreproachably, even when she seems to have had some real cause of complaint. To the world she eclipsed her husband, a solid respectable man, whose mind, according to Johnson, struck the hours very regularly, though it did not mark the minutes.