For comments on the translator, John M. Neale, see [Hymn 67].
MUSIC. EWING, composed for “For thee, O dear, dear country” (see above), was originally in triple time and named, “St. Bedes.” In Hymns Ancient and Modern, 1861, it was set to the present words and the tune changed to common time without the consent of the composer. Ewing disliked the change and expressed himself thus: “In my opinion the alteration of the rhythm has very much vulgarized my little tune. It now seems to be a good deal like a polka. I hate to hear it.” In spite of the composer’s opinion, the tune is generally accepted in its revised form and considered preferable to the original.
Alexander Ewing, 1830-95, of Aberdeen, Scotland, was a skilled musician. One evening after choir practice, he modestly introduced what he called his first effort at writing a hymn tune, offering copies of the voice parts, and asking the choir to sing it over. This was done, the choir liked it, and the tune EWING was launched on its long and popular career.
263. Jerusalem the golden
Bernard of Cluny, 12th century
Tr. John M. Neale, 1818-66
For comments on this hymn see [No. 262].
MUSIC. URBS BEATA (The City Beautiful) was composed in 1887 for these words. The composer found words for the refrain by repeating lines 1, 6, 7, and 8 of the first stanza. It makes a first-rate choir number. To keep up the proper tempo it should be sung with two beats to the measure. When the tune is used for congregational singing, the high notes in the refrain are intended to be sung by the sopranos in the choir.
The composer, George LeJeune, 1842-1904, was the son of a well-known musical family in London. He began his musical career in Canada; later he studied with Joseph Barnby. His great work was done as church organist and organ recitalist at St. John’s Chapel of Trinity Parish, New York City, where he served 28 years.