VIII
Heinrich Heine
More than a hundred years have passed since the birth, and fifty years since the death, of this remarkable man, but the history of literature has not yet finally settled accounts with him. Even the Germans, perhaps the Germans above all, find it impossible to agree upon the valuation of his gift. Some consider him a genius, others a man devoid of talent and insipid. Moreover, his enemies still bring as much passion to their attacks upon him as they did before, as though they were waging war upon a live opponent in place of a dead one. They hate him for the same things which made his contemporaries hate him. We know that it was principally for his insincerity that they did not forgive him. No one could tell when he was speaking seriously and when in jest, what he loved and what he hated, and finally it was quite impossible to determine whether or not he believed in God. It must be confessed that the Germans were right in many of their accusations. I value Heine extremely highly; in my opinion he is one of the greatest German poets; and yet I cannot undertake to say with certainty what he loved, what he believed, and often I cannot tell how serious he is in uttering one or another of his opinions. Nevertheless I find it impossible to detect any insincerity in his works. On the contrary, those peculiarities of his, which so irritated the Germans, are in my eyes so many proofs of his wonderful and unique sincerity. I think that if the Germans were mistaken and misunderstood Heine, hypertrophied self-love and the power of prejudice is the cause. Heine's usual method is to begin to speak with perfect seriousness, and to end with biting raillery and sarcasm. Critics and readers, who generally do not guess at the outset what awaits them in the event, have taken the unexpected laughter to their own account, and have been deeply offended. Wounded self-love never forgives; and the Germans could not forgive Heine for his jests. And yet Heine but rarely attacked others: most of his mockery is directed against himself, and above all in the work of his last creative period, of the years when he lived in the Matrazengrab.
With us in Russia many were offended with Gogol, believing that he was jeering at them. Later, he confessed that he had been describing himself. Nor does the inconstancy of Heine's opinions in any way prove him insincere. His intention was by no means always to fling at the Philistines. Indeed, he did not know what to believe; he changed his tastes and attachments, and did not even always know for certain what he preferred at the moment. Of course, had he wished, he might have pretended to be consequent and consistent. Or, had he been less eagle-eyed, he might with the vast majority of men have adopted a ceremonial dress once for all, he might have professed and invariably preached ideas which had no relation to his real emotions and moods. Many people think that one ought to act thus, that (particularly in literature) one must speak only officially and exhibit lofty ideas that have been proclaimed by wise men since time immemorial, without their having made the least inquiry whether they correspond to their own natures or not. Often cruel, vindictive, spiteful, selfish, mean people sincerely praise goodness, forgiveness, love to one's enemy, generosity and magnanimity in their books, while of their tastes and passions they speak not a single word. They are confident that passions exist only to be suppressed, and that convictions only are to be exhibited or displayed. A man rarely succeeds in suppressing his passions, but it is extremely easy to hide them, especially in books. And such dissimulation is not only not condemned, but recognised and even encouraged. The common and familiar programme is accepted: in life 'passions' judge 'convictions,' in books 'convictions,' or 'ideals,' as they are called, pass sentence upon 'passions.' I would emphasise the fact that most writers are convinced that their business is not to tell of themselves, but to praise ideals. Heine's sincerity was really of a different order. He told everything, or nearly everything, of himself. And this was thought so shocking that the sworn custodians of convention and good morals considered themselves wounded in their best and loftiest feelings. It seemed to them that it would be disastrous if Heine were to succeed in acquiring a great literary influence, and in getting a hold upon the minds of his contemporaries. Then would crumble the foundations, constructed through centuries of arduous labour by the united efforts of the most distinguished representatives of the nation. This is perhaps true: the lofty magnificence of life can be preserved only upon the indispensable condition of hypocrisy. In order that it should be beautiful, much must be hidden and thrust away as far and deep as possible. The sick and the mad must be herded into hospitals; poverty into cellars; disobedient passions into the depths of the soul. Truth and freedom are only allowed to obtrude upon the attention as far as is compatible with the interests of a life well arranged within and without. The Protestant Church understood this as well as the Catholic, perhaps better. Strict puritanism elevated spiritual discipline to the highest moral law, which ruled life with unrelenting and inexorable despotism. Marriage and the family, not love, must be the aim of man; and poor Gretchen, who gave herself to Faust without observing the established ceremonial, was forced to consider herself eternally damned. The inward discipline still more than the outward guarded the foundations and gave strength and force to the State as well as to the people. Men and women were not spared; they were not even taken into account. Hundreds and thousands of Gretchens, men and women, were sacrificed, and are being sacrificed still, without pity to 'the highest spiritual interests.'
Acknowledgment and respect for the prescribed order had become so deeply rooted in the German soul—I speak of Germany, because no other nation upon earth is so highly disciplined—that even the most independent characters yielded to it. The most dreadful sin is not the breaking of the law—a violation which like Gretchen's can be explained by weakness and weakness alone, though it was not forgiven, was less severely condemned—but rebellion against the law, the open and daring refusal to obey, even though it be expressed in the most insignificant act. Therefore every one tends to show his loyalty from that side first of all. In a greater or less degree all have transgressed the law, but the more one has violated it in act, the more imperative he considers its glorification in words. And this order of things aroused neither suspicion nor discontent. Therein could be seen acknowledged the superiority of spirit over body, of mind over passion. Nobody ever asked the question: 'Is it really true that the spirit must have the mastery over the body, and the mind over the passions?' And when Heine allowed himself to put the question and to answer it in his own way, the whole force of German indignation burst upon him. First of all they suspected his sincerity and truthfulness. 'It is impossible,' said the pious, 'that he really should not acknowledge the law. He is only pretending.' Such a supposition was the more natural because the ring of conviction was not always to be heard in Heine's tone: one of his poems ends with the following words: 'I seek the body, the body, the young and tender body. The soul you may bury deep in the ground—I myself have soul enough.' The poem is daring and provocative in the extreme, but in it, as in all Heine's daring and provocative poems, may be heard a sharp and nervous laugh, which must be understood as the expression of the divided soul, as a mockery of himself. It is he who tells of his meeting with two women, mother and daughter. Both please him: the mother by her much knowledge, the daughter by her innocence. And the poet stands between them, in his own words, like Buridan's ass between two bundles of hay. Again, daring, again, the laugh; and again the well-balanced German is irritated. He would prefer that no one should ever speak of such emotions, and if they are to be spoken of, then it must be at least in a penitent tone, with self-accusation. But Heine's misplaced laughter is indecent and quite uselessly disconcerting. I repeat that Heine himself was not always sure that his 'sincerity' was lawful. While he was still a youth he told how there suddenly ran through his soul, as through the whole earth, a rent which split asunder the unity of his former emotions. King David when he praised God and good did not remember his dark deeds—of which there were not a few—or, if he did remember them, it was only to repent. His soul was also divided, but he was able to preserve a sequence. When he wept, he could not and did not want to rejoice; when he repented, he was already far from sin; when he prayed, he did not scoff; when he believed, he did not doubt. The Germans, brought up on the great king's psalms, had come to think that these things were impossible and ought never to be possible. They admitted the succession of different, and even contradictory spiritual conditions, but their simultaneous existence appeared to them unintelligible and disgusting, in contradiction with divine commandments and the laws of logic. It seemed to them that everything which formerly existed as separate, had become confused, that the place of stringent harmony had been usurped by absurdity and chaos. They thought that such a state of things threatened innumerable miseries. They did not admit the idea that Heine himself might not understand it; in his creation they saw the manifestation of a false and evil will, and they invoked divine and human judgment upon it. The Philistine irritation reached the extreme when it became clear that Heine had not humbled himself even before the face of death. Stricken by paralysis, he lay in his Matrazengrab, unable to stir a limb; he suffered the most intense bodily pains, with no hope of cure, or even of relief, yet he still continued to blaspheme as before. Worse still, his sarcasms every day became more ruthless, more poisonous, more refined. It might have been thought that it was left to him, crushed and destroyed, only to acknowledge his defeat and to commit himself utterly to the magnanimity of the victor. But in the weak flesh a strong spirit lived. All his thoughts were turned to God, the power of whose right hand, like every dying man, he could not but feel upon him. But his thoughts of God, his attitude to God, were so original that the serious people of the outer world could only shrug their shoulders. No one ever spoke thus to God, either aloud or to himself. The thought of death usually inspires mortals with fear or admiration; therefore they either kneel before him and implore forgiveness or sing his praises. Heine has neither prayer nor praise. His poems are permeated with a charming and gracious cynicism, peculiar and proper to himself alone. He does not want to confess his sins, and even now on the threshold of another life he remains as he was in youth. He desires neither paradise, nor bliss, nor heaven; he asks God to give him back his health, and to put his money affairs in order. 'I know there is much evil and many vices on earth. But I have grown used to all that now, and besides I seldom leave my room. O God, leave me here, but heal my infirmities, and spare me from want,' he writes in one of his last poems. He derides the legends of the blissful life of sinless souls in paradise. 'Sitting on the clouds and singing psalms is a pastime quite unsuited to me.' He remembers the beautiful Venus of the Louvre and praises her as in the days of youth. His poem, Das Hohelied, is a mixture of extreme cynicism, nobility, despair, and incredible sarcasm. I do not know whether dying men have had such thoughts as those which are expressed in this poem, but I am confident that no one has expressed anything like them in literature. In Goethe's Prometheus there is nothing of the provocative, unshakable, calm pride and the consciousness of his rights which inspired the author of Das Hohelied. God, who created heaven and earth and man upon the earth, is free to torment my body and soul to his fill, but I myself know what I need and desire, I myself decide what is good and what is bad. That is the meaning of this poem, and of all that Heine wrote in the last years of his life. He knew as well as any one that according to the doctrines of philosophy, ethics, and religion, repentance and humility are the condition of the soul's salvation, the readiness even with the last breath of life to renounce sinful desires. Nevertheless, with his last breath he does not want to own the power over himself of the age-old authorities of the world. He laughs at morality, at philosophy, and at existing religions. The wise men think so, the wise men want to live in their own way; let them think, let them live. But who gave them the right to demand obedience from me? Can they have the power to compel me to obedience? Listening to the words of the dying man, shall we not repeat his question? Shall we not take one step further? Heine is crushed, and if we may believe, as we have every reason to believe what he tells us in his 'Song of Songs,' his painful and terrible illness was the direct effect and consequence of his manner of life. Does it mean that in the future, too (if future there is), new persecutions await him, until the day when of his own accord he will subscribe to the proclaimed and established morality? Have we the right to suppose that there are powers somewhere in the universe preoccupied with the business of cutting out all men, even down to the last, after the same pattern? Perhaps Heine's contumacy points to quite a different intention of the arbiters of destiny. Perhaps the illness and torture prepared for those who fight against collars and blinkers—experience demonstrates with sufficient certainty that any declination from the high road and the norm inevitably brings suffering and ruin in its train—are only the trial of the human spirit. Who will endure them, who will stand up for himself, afraid neither of God nor of the devil and his ministers, he will enter victoriously into another world. Sometimes I even think, in opposition to existing opinion, that there the stubborn and inflexible are valued above all others, and that the secret is hidden from mortals lest the weak and compliant should take it into their heads to pretend to be stubborn, in order to deserve the favour of the gods. But he who will not endure, but will deny himself, may expect the fate of which philosophers and metaphysicians generally dream. He will be united with the primum mobile, he will be dissolved in the essence of being together with the mass of individuals like himself. I am tempted to think that the metaphysical theories which preach self-renunciation for the sake of love, and love for the sake of self-renunciation, are by no means empty and idle, as the positivists affirm. In them lies a deep, mysterious, and mystical meaning: in them is hidden a great truth. Their only mistake is that they pretend to be absolute. For some reason or other men have decided that empirical truths are many, but that metaphysical truth is one. Metaphysical truths are also many, but that does not in the least prevent them from living in harmony one with another. Empirical truths like all earthly beings are continually quarrelling, and cannot get on without superior authority. But metaphysical truths are differently arranged and know nothing whatsoever of our rivalry. There is no doubt that people who feel the burden of their individuality and thirst for self-renunciation are absolutely right. Every probability points to their at last attaining their purpose and being united to that to which they should be united, whether neighbour or remote, or perhaps, as the pantheists desire, even to inanimate nature. But it is just as probable that those who value their individuality and do not consent to renounce it either for the sake of their neighbours or of a lofty idea, will preserve themselves and will remain themselves, if not for ever and ever, at least for a sufficiently long while, until they are weary. Therefore the Germans must not be cross with Heine, at least those Germans who have judged him not from the utilitarian point of view—from this point of view I too utterly condemn him, and find for him no justification at all—but from the lofty, religious or metaphysical point of view, as it is called nowadays. He cannot possibly disturb them in any way. They will be united, down to the last they probably will be united in the Idea, the thing in itself, in Substance, or any other alluring unity; and not Heine with his sarcasms will keep them from their lofty aspirations. While if he and those like him continue to live in their own way in a place apart and even laugh at ideas—can that really be the occasion of serious annoyance?
IX
What is Truth?
The sceptics assert that truth does not and cannot exist, and the assertion has eaten so deep into the modern mind, that the only philosophy which has spread in our day is that of Kant, which takes scepticism for its point of departure. But read the preface to the first edition of The Critique of Pure Reason attentively, and you will be convinced that he had absolutely no concern with the question: 'What is truth?' He only set himself to solve the problem, what should a man do who had been convinced of the impossibility of finding the objective truth. The old metaphysic with its arbitrary and unproven assertions, which could not bear criticism, irritated Kant, and he decided to get rid, even though by accepting the relative legitimacy of scepticism, of the unscientific discipline which he, as a teacher of philosophy, had to represent. But the confidence of the sceptics and Kant's deference are not in the least binding upon us. And after all Kant himself did not fulfil the obligations which he undertook. For if we do not know what is truth, what value have the postulates of the existence of God and the immortality of the soul? How can we justify or explain any one of the existing religions, Christianity included? Although the Gospel does not at all agree with our scientific notions of the laws of nature, yet it does not in itself contain anything contrary to reason. We do not disbelieve in miracles because they are impossible. On the contrary, it is as clear as day to the most ordinary common sense that life itself, the foundation of the world, is the miracle of miracles. And if the task of philosophy had reduced to the mere demonstration of the possibility of a miracle, her business would have been splendidly accomplished long ago. The whole trouble is that visible miracles are not enough for people, and that it is impossible to deduce from the fact that many miracles have already taken place that other miracles, without which mere existence is often impossible, will also happen in due course. Men are being born—without doubt a great miracle; there exists a beautiful world—also a miracle of miracles. But does it follow that men will rise from the grave, and that paradise is made ready for them? The raising of Lazarus is not much believed nowadays even by those who revere the Gospel, not because they will not admit the possibility of miracles in general, but because they cannot decide a priori which miracles are possible and which are not, and therefore they are obliged to judge a posteriori. They readily accept a miracle that has happened, but they doubt the miracle that has not happened, and the more they doubt, the more passionately do they desire it. It costs nothing to believe in the final triumph of good upon the earth (though it would be an absolute miracle), in progress or the infallibility of the Pope (these too are miracles and by no means inconsiderable), for after all men are quite sufficiently indifferent to good, to progress, and to the virtues of the Pope. It is much harder, nay quite impossible, standing before the dead body of one who is near and dear, to believe that an angel will fly down from heaven and bring the dead to life again, although the world is full of happenings no less miraculous than the raising of the dead.
Therefore the sceptics are wrong when they assert that there is no truth. Truth exists, but we do not know it in all its volume, nor can we formulate that which we do know: we cannot imagine why it happened thus and not otherwise, or whether that which happened had to happen thus, or whether something else quite different might have happened. Once it was held that reality obeys the laws of necessity, but Hume explained that the notion of necessity is subjective, and therefore must be discarded as illusory. His idea was caught up (without the deduction) by Kant. All those of our judgments which have the character of universality and necessity, acquire it only by virtue of our psychological organisation. In those cases where we are particularly convinced of the objective value of our judgment, we have merely to do with a purely subjective certainty, though it is immutable and secure in the visible world. It is well known that Kant did not accept Hume's deduction: not only did he make no attempt to banish the false premisses from our intellectual economy, as Hume did with the conception of necessity, but, on the contrary, he declared that such an attempt was quite impracticable. The practical reason suggested to Kant that though the foundations of our judgments are vitiated by their source, yet their invariability may be of great assistance in the world of phenomena, that is in the space between the birth and death of man. If a man has lived before birth (as Plato held), and will live after death, then his 'truths' were not, and will not be necessary there, in the other world. What truths are there, and whether there are any truths at all, Kant only guesses, and he succeeds in his guesses only because of his readiness to ignore logic in his conclusions. He suddenly gives faith an immense right to judge of the real world, a right of which faith would never dream had it not been taken under his special patronage by the philosopher himself. But why can faith do that which reason cannot? And a yet more insidious question: Are not all postulates invented by the same mind which was deprived of its rights in the first Critique, but which subsequently obtained a verdict of restitutio in integrum, by changing the name of the firm? The last hypothesis is the most probable. And if so, then does it not follow that in the real world so carefully divided by Kant from the world of phenomena we will find much that is new, but not a little that is old.