By his questionable tactics Sir Charles had amassed great wealth, which covered all moral turpitude with silken mantle.
Gradually the habitual secrecy of Pierre Lanier loses its restraining discretion. These cronies become inseparable. Under influence of insidious drinks, they vie in recitals of villainous craft. Sir Charles enjoins strict secrecy.
"Never let Paul and Agnes know what their father and uncle have done for them!"
Sir Charles seems to revel in such reminiscences. He has his friend repeat parts of narratives at different times, and never tires of these villainous recitals.
Sir Charles promises to decide concerning Paul's proposal within three months. This is most exasperating, but there is no help. He will take a trip to Calcutta, and postpone decision until his return.
It is evident to both Laniers that Sir Charles intends to test their statements of property interests at that point. The elder Lanier has business there, and will be pleased to accompany Sir Charles. Paul prefers to remain in Bombay, and is delighted that Agnes has no thought of going on this trip. Sir Charles is glad to visit Calcutta with his dear friend Pierre Lanier. They sail together.
Paul's calls upon Agnes are frequent. These seem indifferent to Bombay society, finding ample diversion in each other's presence. There is about Agnes such bewitching air of refinement, coupled with suggestive, romantic interest, that Paul yields completely to the charm. Her conduct varies, and there are capricious feminine moods. Paul sees in these, hints of possible estrangement, and suits his manners to every change.
Agnes discreetly limits Paul's calls to proper times. The intervals between these visits he endures under protest. Paul becomes still more hopelessly infatuated, and is ready to applaud any suggestion of this charming girl. Loyal to her unspoken whims, he would not hesitate at any act she might seem to approve. Agnes' caprices multiply with Paul's increasing acquiescence. There are many blanks in her narratives, and Paul feels these must be properly filled.
Agnes seems bored at commonplace talk, never appearing really happy except when listening to Paul's telling of questionable exploits wherein he was the central figure. Hints at successful craft, vindictive temper, swift retribution, and bootless pursuit are sure of thrilling appreciation. But those bewitching smiles subsiding, Paul is obliged to regain favor by more explicit recitals, seconded by her pertinent questioning.
By slow processes the story is told. Names, dates, and places have been misstated, but such inadvertences are not misleading.