Forward from the bridge he beheld a landscape of wide valleys and irregular heights, with groves and lakes and fanciful houses linked together by white paths and shining streams. The valleys were spread below, that the river might be poured upon them for refreshment in days of drought, and they were as green carpets figured with beds and fields of flowers, and flecked with flocks of sheep white as balls of snow; and the voices of shepherds following the flocks were heard afar. As if to tell him of the pious inscription of all he beheld, the altars out under the open sky seemed countless, each with a white-gowned figure attending it, while processions in white went slowly hither and thither between them; and the smoke of the altars half-risen hung collected in pale clouds over the devoted places.
Here, there, happy in flight, intoxicated in pause, from object to object, point to point, now in the meadow, now on the heights, now lingering to penetrate the groves and observe the processions, then lost in efforts to pursue the paths and streams which trended mazily into dim perspectives to end finally in— Ah, what might be a fitting end to scene so beautiful! What adequate mysteries were hidden behind an introduction so marvellous! Here and there, the speech was beginning, his gaze wandered, so he could not help the conviction, forced by the view, and as the sum of it all, that there was peace in the air and on the earth, and invitation everywhere to come and lie down here and be at rest.
Suddenly a revelation dawned upon him—the Grove was, in fact, a temple—one far-reaching, wall-less temple!
Never anything like it!
The architect had not stopped to pother about columns and porticos, proportions or interiors, or any limitation upon the epic he sought to materialize; he had simply made a servant of Nature—art can go no further. So the cunning son of Jupiter and Callisto built the old Arcadia; and in this, as in that, the genius was Greek.
From the bridge Ben-Hur went forward into the nearest valley.
He came to a flock of sheep. The shepherd was a girl, and she beckoned him, “Come!”
Farther on, the path was divided by an altar—a pedestal of black gneiss, capped with a slab of white marble deftly foliated, and on that a brazier of bronze holding a fire. Close by it, a woman, seeing him, waved a wand of willow, and as he passed called him, “Stay!” And the temptation in her smile was that of passionate youth.
On yet further, he met one of the processions; at its head a troop of little girls, nude except as they were covered with garlands, piped their shrill voices into a song; then a troop of boys, also nude, their bodies deeply sun-browned, came dancing to the song of the girls; behind them the procession, all women, bearing baskets of spices and sweets to the altars—women clad in simple robes, careless of exposure. As he went by they held their hands to him, and said, “Stay, and go with us.” One, a Greek, sang a verse from Anacreon:
“For to-day I take or give;
For to-day I drink and live;
For to-day I beg or borrow;
Who knows about the silent morrow?”