The interior was cut into rooms, and long, winding halls, and countless cellular dens.
Such was the Cû of Quetzal’,—stern, sombre, and massive as in its first days; unchanged in all save the prosperity of its priesthood and the popularity of its shrine. Time was when every cell contained its votaries, and kings, returning from battle, bowed before the altar. But Montezuma had built a new edifice, and set up there a new idol; and as if a king could better make a god than custom, the people abandoned the old ones to desuetude. Up in the ancient cupola, however, sat the image said to have been carved by Quetzal’s own hand. Still the fair face looked out benignly on its realm of air; carelessly the winds waved “the plumes of fire” that decked its awful head; and one stony hand yet grasped a golden sceptre, while the other held aloft the painted shield,—symbols of its dominion.[16] But the servitors and surpliced mystics were gone; the cells were very solitudes; the last paba lingered to protect the image and its mansion, all unwitting how, in his faithfulness of love, he himself had assumed the highest prerogative of a god.
The fire from the urn on the tower flashed a red glow down over the azoteas, near a corner of which Mualox stood, his beard white and flowing as his surplice. Thought of days palmier for himself and more glorious for his temple and god struggled to his lips.
“Children of Azatlan, ye have strayed from his shrine, and dust is on his shield. The temple is of his handiwork, but its chambers are voiceless; the morning comes and falls asleep on its steps, and no foot disturbs it, no one seeks its blessings. Where is the hymn of the choir? Where the prayer? Where the holiness that rested, like a spell, around the altar? Is the valley fruitless, and are the gardens without flowers, that he should be without offering or sacrifice?... Ah! well ye know that the day is not distant when he will glister again in the valley; when he will come, not as of old he departed, the full harvest quick ripening in his footsteps, but with the power of Mictlan,[17] the owl on his skirt, and death in his hand. Return, O children, and Tenochtitlan may yet live!”
In the midst of his pleadings there was a clang of sandalled feet on the pavement, and two men came near him, and stopped. One of them wore the hood and long black gown of a priest; the other the full military garb,—burnished casque crested with plumes, a fur-trimmed tilmatli, escaupil, and maxtlatl, and sandals the thongs of which were embossed with silver. He also carried a javelin, and a shield with an owl painted on its face. Indeed, one will travel far before finding, among Christians or unbelievers, his peer. He was then not more than twenty-five years old, tall and nobly proportioned, and with a bearing truly royal. In Spain I have seen eyes as large and lustrous, but none of such power and variety of expression. His complexion was merely the brown of the sun. Though very masculine, his features, especially when the spirit was in repose, were softened by an expression unusually gentle and attractive. Such was the ’tzin Guatamo’, or, as he is more commonly known in history, Guatamozin,—the highest, noblest type of his race, blending in one its genius and heroism, with but few of its debasements.
“Mualox,” said the priestly stranger.
The paba turned, and knelt, and kissed the pavement.
“O king, pardon your slave! He was dreaming of his country.”
“No slave of mine, but Quetzal’s. Up, Mualox!” said Montezuma, throwing back the hood that covered his head. “Holy should be the dust that mingles in your beard!”
And the light from the tower shone full on the face of him,—the priest of lore profound, and monarch wise of thought, for whom Heaven was preparing a destiny most memorable among the melancholy episodes of history.