The water was cold, and his teeth chattered; for it will be recollected he was astride the poles of the sedan, lashed together. That his body was half submerged was a circumstance he little heeded, since it was rather helpful than otherwise to the hand strokes with which he propelled himself. Nor need it be supposed he moved slowly. The speed attainable by such primitive means in still water is wonderful.

Going straight from the lower platform of the stair, he was presently in total darkness. With a row of columns on either hand, he managed to keep direction; and how constantly and eagerly he employed the one available sense left him may be imagined. His project was to push on until stayed by a boundary wall—then he would take another course, and so on to the end. The enemy, by his theory, was in a boat or floating house. Hopeful, determined, inspirited by the prospect of combat, he made haste as best he could. At last, looking over his left shoulder, he beheld a ruddy illumination, and changed direction thither. Presently he swept into the radius of a stationary light, broken, of course, by intervening pillars and the shadows they cast; then, at his right, a hand lamp in front of what had the appearance of a house rising out of the water, startled him.

Was it a signal?

The King approached warily, until satisfied no ambush was intended—until, in short, the palace of the Greek was before him.

It was his then to surprise; so he drove the ends of the poles against the landing with force sufficient, as we have seen, to interrupt Demedes explaining how he meant to compel the love of Lael.

With all his nicety of contrivance, the Greek had at the last moment forgotten to extinguish the lamp or take it into the house with him. The King recognized it and the boat, yet circumspectly drew his humble craft up out of the water. He next tried the lock, and then the door; finally he used the poles as a ram.

Taking stand under the circlet, there was scant room between it and the blue handkerchief on his head; while the figure he presented, nude to the waist, his black skin glistening with water, his trousers clinging to his limbs, his nostrils dilating, his eyes jets of flame, his cruel white teeth exposed—this figure the dullest fancy can evoke—and it must have appeared to the guilty Greek a very genius of vengeance.

Withal, however, the armor and the dagger brought Demedes up to a certain equality; and, as he showed no flinching, the promise of combat was excellent. It happened, however, that while the two silently regarded each other, Lael recognized the King, and unable to control herself, gave a cry of joy, and started to him. Instinctively Demedes extended a hand to hold her back; the giant saw the opening; two steps so nearly simultaneous the movement was like a leap—and he had the wrist of the other's armed hand in his grip. Words can convey no idea of the outburst attending the assault—it was the hoarse inarticulate falsetto of a dumb man signalizing a triumph. If the reader can think of a tiger standing over him, its breath on his cheek, its roar in his ears, something approximate to the effect is possible.

The Greek's cap fell off, and the dagger rattled to the floor. His countenance knit with sudden pain—the terrible grip was crushing the bones—yet he did not submit. With the free hand, he snatched the key from his belt, and swung it to strike—the blow was intercepted—the key wrenched away. Then Demedes' spirit forsook him—mortal terror showed in his face turned gray as ashes, and in his eyes, enlarged yet ready to burst from their sockets. He had not the gladiator's resignation under judgment of death.

"Save me, O Princess, save me!... He is killing me.... My God—see—hear—he is crushing my bones!... Save me!"