A few stone steps the full length of the court led up to five great doors of bronze standing wide open; and as the train took one of the latter and began to disappear, he chose another, and walked fast in order to witness the entry. Brought thus into the immense vestibule, he stopped, and at once forgot the gray brethren. Look where he might, at the walls, and now up to the ceiling, every inch of space wore the mellowed brightness of mosaic wrought in cubes of glass exquisitely graduated in color. What could he do but stand and gaze at the Christ in the act of judging the world? Such a cartoon had never entered his imagination. The train was gone when he awoke ready to proceed.
There were then nine doors also of bronze conducting from the vestibule. The central and larger one was nearest him. Pushed lightly, it swung open on noiseless hinges; a step or two, and he stood in the nave or auditorium of the Holy House.
The reader will doubtless remember how Duke Vlodomir, the grandson of Olga, the Russian, coming to Constantinople to receive a bride, entered Sancta Sophia the first time, and from being transfixed by what he saw and heard, fell down a convert to Christianity. Not unlike was the effect upon Corti. In a sense he, too, was an unbeliever semi-barbaric in education. Many were the hours he had spent with Mahommed while the latter, indulging his taste, built palaces and mosques on paper, striving for vastness and original splendor. But what was the Prince's utmost achievement in comparison with this interior? Had it been an ocean grotto, another Caprian cave, bursting with all imaginable revelations of light and color, he could not have been more deeply impressed. Without architectural knowledge; acquainted with few of the devices employed in edificial construction, and still less with the mysterious power of combination peculiar to genius groping for effects in form, dimensions, and arrangement of stone on stone with beautiful and sublime intent; yet he had a soul to be intensely moved by such effects when actually set before his eyes. He walked forward slowly four or five steps from the door, looking with excited vision—not at details or to detect the composition of any of the world of objects constituting the view, or with a thought of height, breadth, depth, or value—the marbles of the floor rich in multiformity and hues, and reflective as motionless water, the historic pillars, the varied arches, the extending galleries, the cornices, friezes, balustrades, crosses of gold, mosaics, the windows and interlacing rays of light, brilliance here, shadows yonder—the apse in the east, and the altar built up in it starry with burning candles and glittering with prismatic gleams shot from precious stones and metals in every conceivable form of grace—lamps, cups, vases, candlesticks, cloths, banners, crucifixes, canopies, chairs, Madonnas, Child Christs and Christs Crucified—and over all, over lesser domes, over arches apparently swinging in the air, broad, high, near yet far away, the dome of Sancta Sophia, defiant of imitation, like unto itself alone, a younger sky within the elder—these, while he took those few steps, merged and ran together in a unity which set his senses to reeling, and made question and thought alike impossible.
How long the Count stood thus lost to himself in the glory and greatness of the place, he never knew. The awakening was brought about by a strain of choral music, which, pouring from the vicinity of the altar somewhere, flooded the nave, vast as it was, from floor to dome. No voice more fitting could be imagined; and it seemed addressing itself to him especially. He trembled, and began to think.
First there came to him a comparison in which the Kaaba was a relative. He recalled the day he fell dying at the corner under the Black Stone. He saw the draped heap funereally dismal in the midst of the cloisters. How bare and poor it seemed to him now! He remembered the visages and howling of the demoniac wretches struggling to kiss the stone, though with his own kiss he had just planted it with death. How different the worship here! ... This, he thought next, was his mother's religion. And what more natural than that he should see that mother descending to the chapel in her widow's weeds to pray for him? Tears filled his eyes. His heart arose chokingly in his throat. Why should not her religion be his? It was the first time he had put the question to himself directly; and he went further with it. What though Allah of the Islamite and Jehovah of the Hebrew were the same?—What though the Koran and the Bible proceeded from the same inspiration?—What though Mahomet and Christ were alike Sons of God? There were differences in the worship, differences in the personality of the worshippers. Why, except to allow every man a choice according to his ideas of the proper and best in form and companionship? And the spirit swelled within him as he asked, Who are my brethren? They who stole me from my father's house, who slew my father, who robbed my mother of the lights of life, and left her to the darkness of mourning and the bitterness of ungratified hope—were not they the brethren of my brethren?
At that moment an old man appeared before the altar with assistants in rich canonicals. One placed on the elder's head what seemed a crown all a mass of flaming jewels; another laid upon him a cloak of cloth of gold; a third slipped a ring over one of his fingers; whereupon the venerable celebrant drew nearer the altar, and, after a prayer, took up a chalice and raised it as if in honor to an image of Christ on a cross in the agonies of crucifixion. Then suddenly the choir poured its triumphal thunder abroad until the floor, and galleries, and pendant lamps seemed to vibrate. The assistants and worshippers sank upon their knees, and ere he was aware the Count was in the same attitude of devotion.
The posture consisted perfectly with policy, his mission considered. Soon or late he would have to adopt every form and observance of Christian worship. In this performance, however, there was no premeditation, no calculation. In his exaltation of soul he fancied he heard a voice passing with the tempestuous jubilation of the singers: "On thy knees, O apostate! On thy knees! God is here!"
But his was a combative nature; and coming to himself, and not understanding clearly the cause of his prostration, he presently arose. Of the worshippers in sight, he alone was then standing, and the sonorous music ringing on, he was beginning to doubt the propriety of his action, when a number of women, unobserved before, issued from a shaded corner at the right of the apse, fell into processional order, and advanced slowly toward him.
One moved by herself in front. A reflection of her form upon the polished floor lent uncertainty to her stature, and gave her an appearance of walking on water. Those following were plainly her attendants. They were all veiled; while a white mantle fell from her left shoulder, its ends lost in the folds of the train of her gown, leaving the head, face, and neck bare. Her manner, noticeable in the distance even, was dignified without hauteur, simple, serious, free of affectation. She was not thinking of herself.... Nearer—he heard no foot-fall. Now and then she glided through slanting rays of soft, white light cast from upper windows, and they seemed to derive ethereality from her.... Nearer—and he could see the marvellous pose of the head, and the action of the figure, never incarnation more graceful.... Yet nearer—he beheld her face, in complexion a child's, in expression a woman's. The eyes were downcast, the lips moved. She might have been the theme of the music sweeping around her in acclamatory waves, drowning the part she was carrying in suppressed murmur. He gazed steadfastly at the countenance. The light upon the forehead was an increasing radiance, like a star's refined by passage through the atmospheres of infinite space. A man insensitive to beauty in woman never was, never will be. Vows cannot alter nature; neither can monkish garbs nor years; and it is knowledge of this which makes every woman willing to last sacrifices for the gift; it is power to her, vulgarizing accessories like wealth, coronets and thrones. With this confession in mind, words are not needed to inform the reader of the thrills which assailed the Count while the marvel approached.
The service was over as to her, and she was evidently seeking to retire by the main door; but as he stood in front of it, she came within two or three steps before noticing him. Then she stopped suddenly, astonished by the figure in shining armor. A flush overspread her face; smiling at her alarm, she spoke: "I pray pardon, Sir Knight, for disturbing thy devotions."