The nave of Sancta Sophia was in possession of a multitude composed of all the Brotherhoods of the city, interspersed with visiting delegations from the monasteries of the Islands and many of the hermitic colonies settled in the mountains along the Asiatic shore of the Marmora. In the galleries were many women; amongst them, on the right-hand side, the Princess Irene. Her chair rested on a carpeted box a little removed from the immense pilaster, and raised thus nearly to a level with the top of the balustrade directly before her, she could easily overlook the floor below, including the apse. From her position everybody appeared dwarfed; yet she could see each figure quite well in the light of the forty arched windows above the galleries.

On the floor the chancel, or space devoted to the altar, was separated from the body of the nave by a railing of Corinthian brass, inside which, at the left, she beheld the Emperor, in Basilean regalia, seated on a throne—a very stately and imposing figure. Opposite him was the chair of the Patriarch. Between the altar and the railing arose a baldacchino, the canopy of white silk, the four supporting columns of shining silver. Under the canopy, suspended by a cord, hung the vessel of gold containing the Blessed Sacraments; and to the initiated it was a sufficient publication of the object of the assemblage.

Outside the railing, facing the altar, stood the multitude. To get an idea of its appearance, the reader has merely to remember the description of the bands marching into the garden of Blacherne the night of the Pannychides. There were the same gowns black and gray; the same tonsured heads, and heads shock-haired; the same hoods and glistening rosaries; the same gloomy, bearded faces; the same banners, oriflammes, and ecclesiastical gonfalons, each with its community under it in a distinctive group. Back further towards the entrances from the vestibule was a promiscuous host of soldiers and civilians; having no part in the service, they were there as spectators.

The ceremony was under the personal conduct of the Patriarch. Silence being complete, the choir, invisible from the body of the nave, began its magnificent rendition of the Sanctus—"Holy, holy, holy, Lord God of Sabaoth. Blessed is He who cometh in the name of the Lord. Hosanna in the highest"—and during the singing, His Serenity was clothed for the rite. Over his cassock, the deacons placed the surplice of white linen, and over that again a stole stiff with gold embroidery. He then walked slowly to the altar, and prayed; and when he had himself communicated, he was led to the baldacchino, where he blessed the Body and the Blood, and mixed them together in chalices, ready for delivery to the company of servers kneeling about him. The Emperor, who, in common with the communicants within and without the railing, had been on his knees, arose now and took position before the altar in a prayerful attitude; whereupon the Patriarch brought him a chalice on a small paten, and he put it to his lips, while the choir rang the dome with triumphal symphony.

His Serenity next returned to the baldacchino, and commenced giving the cups to the servers; at the same time the gate leading from the chancel to the nave was thrown open. Nor rustle of garment, nor stir of foot was heard.

Then a black-gowned figure arose amidst a group not far from the gate, and said, in a hoarse voice, muffled by the flaps of the hood covering his head and face:

"We are here, O Serenity, by thy invitation—here to partake of the Holy Eucharist—and I see thou art about sending it to us. Now not a few present believe there is no grace in leavened bread, and others hold it impiety to partake thereof. Wherefore tell us"—

The Patriarch looked once at the speaker; then, delivering the chalice, signed the servers to follow him; next instant, he stood in the open gateway, and with raised hands, cried out:

"Holy things to the holy!"

Repeating the ancient formula, he stepped aside to allow the cup-bearers to pass into the nave; but they stood still, for there came a skurry of sound not possible of location, so did it at the same moment seem to be from the dome descending and from the floor going up to the dome. It was the multitude rising from their knees.