In St. Joseph Miss Nielsen was fortunate enough to secure an engagement to sing in a condensed version of the opera "Penelope" at the Eden Musée. She received seventy-five dollars for her services, and this money paid the railroad fares of herself and some of the members of the defunct concert company to Denver, Colorado. There her singing attracted the attention of the manager of the Pike Opera Company, which she joined and accompanied to Oakland, California.
Her first part with a professional opera company was that of Yum Yum in "The Mikado." The Pike Opera Company later played in San Francisco, and in that city she was heard in "La Perichole" by George E. Lask, the stage manager of the Tivoli Theatre, which was, and is still, I believe, given over to opera after the style of Henry W. Savage's various Castle Square Theatre enterprises in the East. Miss Nielsen was engaged for the Tivoli Company. She sang any small parts at first, but gradually arose until she became the prima donna of the organization. In all, she is said to have sung one hundred and fifty parts at the Tivoli, where she remained for two years.
While she was singing Lucia, H. C. Barnabee of The Bostonians, which organization was then playing in San Francisco, read of her in the newspapers and went to hear her. The result was the offer of an engagement, which she accepted. Her first part with The Bostonians was Anita in "The War Time Wedding." Then she was given the small part of Annabelle in "Robin Hood." She also sang in "The Bohemian Girl" and was Ninette in "Prince Ananias." The next season she created Yvonne in "The Serenade," and was the hit of the opera,—so much of a hit, indeed, that nothing remained for her but to go starring in "The Fortune Teller."
CHAPTER II
VIRGINIA EARLE
VIRGINIA EARLE
As Winnifred Grey in "A Runaway Girl."
An accomplished and versatile artist is Virginia Earle, who, because of the variety of her attainments and the grace and finish of her art, is entitled to rank with the foremost soubrettes on the American stage. Miss Earle's ability has been tested in many forms of the drama. She has appeared in light opera, in extravaganza, in musical comedy, and in the Shakespearian drama. I question if there is another in her line now before the public who can claim any such extensive experience.