7. CANVAS-STITCH.
There is literally no end to the variety of stitches, as they are called, belonging to this group, and their names are a babel of confusion. Florentine, Parisian, Hungarian, Spanish, Moorish, Cashmere, Milanese, Gobelin, are only a few of them; but they stand, as a rule, rather for stitch arrangements than for stitches. A small selection of them is given in Illustration [8].
tent-stitch A.
What is known as tent-stitch (A in the sampler opposite) is a sort of half cross-stitch; its peculiarity is that it covers only one thread of the canvas at a stroke, and is therefore on a more minute scale than stitches which are two or three threads wide, as cross-stitch may, and cushion-stitch must, be. It derives its name from the old word tenture, or tenter (tendere, to stretch), the frame on which the embroidress distended her canvas. The word has gone out of use, but we still speak of tenter-hooks. The stitch is serviceable enough in its way, but is discredited by the monstrous abuse of it referred to already. A picture in tent-stitch is even more foolish than a picture in mosaic. It cannot come anywhere near to pictorial effect; the tesseræ will pronounce themselves, and spoil it.
8. CANVAS-STITCH SAMPLER.