Windows: A Book About Stained & Painted Glass - Lewis F. Day

INDEX.

[A]

[B]

[C]

[D]

[E]

[F]

[G]

[H]

[I]

[J]

[K]

[L]

[M]

[N]

[O]

[P]

[Q]

[R]

[S]

[T]

[V]

[W]

[Y]

(The ordinary figures refer to the numbers of the illustrations, and those in black type to the pages of the book.)

Abrasion, [60], [62]
Aix-la-Chapelle, [14]
Alabaster windows, [380], [381]
Alençon, [366]
Angels, [375]
Angers, [61], [62], [63], [256]
museum, [168]
(S. Serge), [17], [85], [86]
Annealing, [63]
Antwerp, [80], [82], [226], [227], [258]
Arab glass, [19], [15], [16], [18], [19], [20], [21], [22], [23]
Architecture (due consideration of), [356]
Arezzo, [248], [41], [43], [181], [254]
Assisi, [262], [53], [177], [187]
Auch, [233], [280], [393], [410]
Augsburg, [118]
Auxerre, [55], [75], [220]
Background, [251]
(architectural), [209], [211]
(landscape), [209], [211]
Bars, [101], [113], [114], [122], [158], [267], [275]
(shaped), [68], [69]
Beauvais, [374], [394], [247]
Beverley minster, [74]
Black paint (used for local colour), [89]
Bologna, [264], [180]
Bonlieu, [11]
Borders (Early), [114], [327]
(Decorated), [174-7], [335]
(Perpendicular), [190], [344]
Bourges, [392], [70], [72], [234]
(S. Bonnet), [208], [157]
Brabourne church, [16]
Bristol (S. Mary’s), [407]
British Museum, [1]
Brou, [393]
Brussels (S. Gudule), [69], [79], [80], [233], [395], [42]
Bull’s-eye windows, [267]
Cambridge (King’s College), [216], [257], [396]
Canopies (Early), [135], [313], [334]
(Decorated), [155], [197], [313]
(Italian), [264], [265]
(Perpendicular), [184] et seq., [340]
(Renaissance), [205], [221], [224], [225], [347]
Canopy (the beginning of the), [135]
Canterbury, [385], [23], [73], [79], [81], [214]
Carcassonne, [362], [369]
Cartouches, [229]
Châlons, [393], [12], [13], [98], [121], [122], [227]
Chantilly, [303], [160]
Chartres, [144], [387], [27], [71], [76], [103], [117], [216], [219]
(S. Pierre), [96], [115]
Chetwode church, [201]
Choice of glass, [60], [101]
Clerestory windows, [283]
Clok (Cornelius), [399]
Coated glass, [49]
Cologne, [392], [147]
(S. Kunibert), [25], [28], [77], [222], [223]
(S. Peter), [240]
Colour (Early),[122], [328], [330]
(Decorated), [338]
in quarry windows, [287]
(Italian), [268], [270]
(Perpendicular), [346]
Conches, [394]
Confused effect, [42], [134], [217]
Costa (Lorenzo), [264]
Coutances, [101]
Crabeths (the), [247], [399]
Cutting, [8]
(economy of), [25]
Da Udine (Giovanni), [300]
Decay, [219]
Decline of glass painting, [86]
Decorated borders, [176], [335]
canopies, [155], [313], [334]
colour, [338]
composition, [334]
figure design, [157], [337]
grisaille, [163], [337]
Jesse windows, [363]
medallion windows, [152]
quarries, [290]
style, [333-338]
tracery, [278]
Design (banded), [160]
(Early), [36], [111], [112]
(effect of window-shape upon), [113]
(essential conditions of), [96]
(Perpendicular), [187], [340]
Detail (ornamental), [328]
Devils, [374]
Diaper (geometric), [133]
(German), [171]
(painted or picked out), [35], [32], [33], [36], [49], [56]
Donors, [221]
“Doom” windows, [372]
Dramatic effect, [378]
Drawing, [346]
Early canopies, [313]
colour, [328], [330]
design, [36], [111], [112]
English, [327]
figures, their crudity, [41]
glass (confusion in effect of), [42]
glazing, [330]
grisaille, [137] et seq., [408]
Jesse windows, [362]
mosaic windows, [32] et seq.
ornament, [40], [115], [130]
rose windows, [273]
tracery, [274]
Ecouen, [394]
Enamel, [12] et seq., [77] et seq., [99], [232]
(influence of Byzantine), [17]
(objections to), [84]
(use of in ornament), [78]
Enamel plus [POT-METAL], [79]
English (Early), [327]
(Perpendicular), [190]
Evreux, [176], [177], [113], [118], [190], [191]
Fairford, [374], [391], [34], [143], [144], [150], [173], [236], [237], [248], [249], [250], [253]
Fifteenth century glass, [322], [340]
Figure-and-canopy windows, [326]
Figure design, [157], [337]
Figures (Early), [41], [42]
Figures and ornament, [126], [319]
Five Sisters (the), [146], [147]
Flashed glass, [49], [50]
Flesh tints, [77], [106]
Florence, [264], [270], [300], [179], [182], [183]
(Certosa in Val d’Ema), [202], [203], [204], [242]
(S. Maria Novella), [178], [199]
Fourteenth century glass, [322], [333]
painting, [47]
Freiburg, [105], [126], [127], [244]
French glass painting, [75]
medallion windows, [125]
Geometric diaper (German), [171]
(mosaic), [133]
German foliated pattern windows, [174]
geometric diaper, [171]
Glazing, [6], [15] et seq., [80], [82], [101], [229], [282], [168]
(Early), [330]
(economy in), [144]
(ingenuity in), [56]
Glazing plus [painting], [43], [44], [53], [54]
in rectangular panes, [80], [225]
shadows in pot-metal, [72], [224]
Gontier (Linard), [80], [81], [229], [230]
Gothic influence, [203]
(Italian), [263]
landscape, [253]
pattern windows, [291]
tracery, [280]
Gouda, [223], [256], [258], [398], [401], [46], [161], [162], [165], [172], [176]
Grisaille (Early), [137] et seq., [331], [408]
Grisaille (Decorated), [163], [337]
(Perpendicular), [192], [343]
and colour, [106], [120], [157]
Heraldry, [198]
Hitchin church, [21]
Interlacing, [167]
Italian canopies, [265]
Gothic, [263]
glass, [248], [260] et seq., [299]
Jesse windows, [360] et seq.
(Early), [362]
(Decorated), [363]
(Renaissance), [367]
Jewellery (glass related to), [21]
Johnson (N.), [399]
Kaleidoscopic effect, [42]
King’s College, Cambridge, [216], [257], [396]
Landscape, [209], [251], [256]
Last Judgment windows, [372]
Late Gothic pattern windows, [291]
style, [343]
technique, [346]
tracery, [280]
windows, [178] et seq.
Late Renaissance canopies, [225]
Lead lines, [38]
outlines, [23]
Leading (its influence on colour), [39]
Leads (contrivances for avoiding), [61], [62], [63], [97]
(scheming of), [27], [28]
Le Mans, [20], [218]
Lichfield, [214], [395]
Liège, [214], [395]
Lincoln, [67], [93], [95], [185], [189], [192]
Lisieux, [167]
Local schools, [261]
London (S. George’s, Hanover Square), [214], [159]
Lucerne, [403]
Lyons, [26], [83], [84], [153], [188], [239]
Malvern, [55], [37]
Many lights (windows of), [151] et seq.
Map of a window, [8]
Marseilles (William of), [248]
Material and design, [107]
Medallion windows, [123] et seq., [324], [325]
(Decorated), [152]
(French), [125]
of many lights, [153]
Mediæval artlessness, [376]
Mending (judicious), [407]
Middle Gothic glass, [162] et seq.
Milan, [263]
Misuse of shading, [68]
Montmorency, [394], [40], [158]
Mosaic, [5], [6]
(marble and glass), [29]
diaper, [133]
Mullions, [151], [195], [197], [198], [240], [272]
Munich museum, [124], [128], [129], [131]
Naturalism, [337]
Needle-point work, [87] et seq.
Netherlandish glass, [73], [302]
New departures, [109]
Nimbus (the), [208]
Norbury, [114]
Nuremberg, [224], [125]
(S. Lorenz), [164]
(S. Sebald), [163]
Obscuration, [68], [79], [82]
Old work (the spirit of), [358]
Ornament (a plea for), [317] et seq.
(Early), [40], [115], [130]
(Decorated), [160]
(Perpendicular), [343]
(possibilities in), [321]
(Renaissance), [349]
Orvieto, [380], [19]
Oxford (All Souls’ College), [35], [141]
(New College), [179], [401], [48], [109], [137]
Paint (brushing out), [64]
(early use of), [33]
(first use of), [11]
Paint as local colour, [57]
Painted mosaic glass, [43] et seq.
Painter as glass designer (the), [69]
Painting, [6], [44], [45], [47], [53], [59] et seq., [64], [68], [85], [89], [103], [105], [190], [211], [247], [263], [331], [338], [346]
Painting out, [11], [34], [35], [44], [45], [278]
Palette (the early), [328]
Paris (Louvre), [208]
(Musée des Arts Décoratifs), [243]
Paris (S. Eustache), [223]
(S. Gervais), [166]
Pattern windows (German), [174]
(Late Gothic), [291]
Peckitt, [233]
Perpendicular, [340]
(English), [188], [190]
(German), [188]
Perpendicular borders, [344]
canopies, [184], [340]
colour, [346]
design, [187], [340]
detail, [343]
drawing, [346]
grisaille, [343]
ornament, [343]
style, [340]
tracery, [278], [279], [343]
Picking out, [35], [103]
Pictorial versus Decorative, [238]
Picture (achievement in), [250]
(the ideal glass), [246]
Pictures (a medley of), [195]
Picture-windows, [236] et seq.
Pisa, [263]
Plain glazing, [226], [166], [167]
and painted grisaille, [139]
Poictiers, [388], [24], [58], [59], [60]
Possibilities in the way of ornament, [321]
Pot-metal, [5]
Prato, [184]
Quarries, [146], [168], [192], [283] et seq.
Quarry-like patterns, [169]
Quarry windows (colour in), [287]
Regensburg, [389], [123], [128], [131], [252]
Reims, [92], [99]
(S. Remi), [118], [22], [65], [66], [213]
Renaissance canopies, [205], [347]
(Late), [225]
Renaissance Jesse windows, [367]
landscape, [255]
ornament, [349]
tracery, [280-282], [349]
Resources of the glass painter, [95] et seq.
Restoration, [404] et seq.
Reynolds (Sir Joshua), [401], [402]
Rose windows, [272] et seq., [326]
(Early), [273]
Ross (S. Mary), [55], [145], [232]
Rouen, [392], [394], [45], [119], [238]
(S. Godard), [154]
(S. Ouen), [29], [229]
(S. Patrice), [377], [378], [155]
(S. Vincent), [375], [377], [44], [156], [175]
Roundels, [293], [199]
S. Denis, [404]
S. Jean-aux-Bois, [87], [88], [100], [224], [257]
S. Miniato, [381]
Salisbury, [385], [15], [30], [64], [97], [102], [221], [225], [251]
Scraps, [409]
Sens, [90]
Seventeenth century glass, [233], [323]
style, [352]
Shading (misuse of), [68], [70], [73], [79], [80], [247]
(the beginning of), [13], [45]
Shrewsbury, [38], [39], [57], [139], [142], [152], [171], [174]
Silver stain, [52]
Single-figure windows, [118], [197]
Sixteenth century glass, [323], [347]
style, [348]
technique, [350]
windows, [201] et seq.
Soissons, [89], [91]
South Kensington Museum, [205]
Stain, [50], [52], [60], [61], [62], [105], [182], [336], [344]
Stanton S. John, [120]
Storied windows, [195], [209], [371] et seq.
Strassburg, [388], [134]
Style, [111], [112], [156], [177], [178], [323]
(Early), [324]
(Decorated), [335], [338]
(Late Gothic), [343]
(Perpendicular), [340]
(16th century), [348]
(17th century), [352]
(the characteristics of), [322] et seq.
in modern glass, [354] et seq.
Subjects not within mullions, [198]
Subject-windows, [197]
Swiss glass, [87], [94], [308]
Thirteenth century glass, [322]
ornament, [130]
Tibaldi (Pellegrino), [264]
Tibault (Wilhelmus), [399]
Time of day to see windows (the), [382]
Tours, [362], [389]
Tracery (Early), [274]
(Decorated), [278]
(Gothic), [280]
(Perpendicular), [343]
(Renaissance), [280-2], [349]
Tracery lights, [272] et seq.
Transition, [165], [178], [181], [333]
from Gothic to Renaissance, [65], [202], [204]
from plain glazing to painted grisaille, [139]
Tree of Life (the), [370]
Triforium windows, [284]
Troyes, [32], [366], [401], [112], [148], [149], [151], [228], [246]
(museum), [211]
(private collection), [207]
(S. Jean), [241]
(S. Martin ès Vignes), [230], [47], [169], [170], [255]
(S. Urbain), [31], [108], [114], [226]
Van Linge, [233]
Van Orley (Bernard), [69], [222], [245]
Van Ort (Lambrecht), [399]
Van Thulden, [233]
Verona (S. Anastasia), [199]
Warwick Castle, [54], [206], [209]
Water Perry, [94]
Wells, [390], [136], [231], [245]
White and colour (combination of), [193]
White as a frame for colour, [192], [315]
White-line work, [91]
Winchester, [407]
Window plane (the), [242]
Window shape (effect of, upon design), [113], [211], [212], [240]
Windows (how to see), [380] et seq.
Wine press (the), [368]
Workmanlikeness, [244]
Workmanship (Early), [330]
Yellow stain, [52]
York, [147], [192], [277], [387], [146]
(All Saints), [371], [36]

Note—The name of a town without mention of a church may be taken to mean
that the glass is in the cathedral or principal church.

THE END.

BRADBURY, AGNEW, & CO. LD., PRINTERS, LONDON AND TONBRIDGE.