This offering to thee bring,

''Tis he, my Lord' (he'd smiling say),

'Who taught your Gay to sing.'"

These lines suggest that an intimacy between Gay and Luck existed long after their relations as pupil and master had ceased, but it is doubtful if this was the case. It is certainly improbable that the lad saw much of the pedagogue when he returned to Barnstaple for a while as the guest of the Rev. John Hanmer, since Luck was a bitter opponent of the Dissenters and in open antagonism to John Hanmer.

How long Gay remained at the Grammar School is not known. There are, indeed, no records upon which to base a narrative of his early years. It is, however, generally accepted that, on leaving school, he was apprenticed to a silk-mercer in London. This was not so unaccountable a proceeding then as appears to-day, for we know from Gibbon's "Memoirs" that "our most respectable families have not disdained the counting-house, or even the shop;... and in England, as well as in the Italian commonwealths, heralds have been compelled to declare that gentility is not degraded by the exercise of trade": for example, the historian's great grandfather, son of a [pg 4]country gentleman, became a linen-draper in Leadenhall Street.

Gay had no taste for trade, and did not long remain in this employment. According to one authority, "he grew so fond of reading and study that he frequently neglected to exert himself in putting oft silks and velvets to the ladies";[[8]] while his nephew, the Rev. Joseph Bailer, says: "Young Gay, not being able to bear the confinement of a shop, soon felt a remarkable depression of spirits, and consequent decline of health; he was, therefore, obliged to quit that situation, and retire to Barnstaple, in the hope of receiving benefit from his native air."[[9]] No doubt the mercer was willing enough to cancel the indentures of an apprentice so unsatisfactory as Gay probably was. Anyhow, Gay returned to Barnstaple, and stayed awhile with his maternal uncle, the Rev. John Hanmer.

It has been said that it was during this visit to Barnstaple that Gay began to write verses; and as most men who take to poetry began to dabble in ink in their youth, this statement may well be accepted. Only, so far no bibliographer has traced any of these early writings. Some poems, said to have been written by him in these days have been printed in the volume to which reference has already been made, "Gay's Chair: Poems never before printed, written by John Gay.... With a Sketch of his Life from the MSS. of the Rev. Joseph Bailer, his nephew. Edited by Henry Lee ... 1820," but the authenticity of these cannot definitely be accepted. A chair, said to have been the property of Gay at Barnstaple, was sold early in the nineteenth century to Henry Lee, who sent it to be repaired. "On taking out the drawer in front, which was somewhat broken," so runs the story, "I found at the back part of the chair a concealed drawer, ingeniously fastened with a small wooden bolt;... it was full of manuscript papers, some of which appeared to have [pg 5]slipped over, as I found them stuck to the bottom or seat of the chair."[[10]] The poems in question are: "The Ladies' Petition to the Honorable the House of Commons," the longest and most ambitious of the pieces; "To Miss Jane Scott," "Prediction," "Comparisons," "Absence," "Fable," "Congratulation to a Newly-married Pair," "A Devonshire Hill," "Letter to a Young Lady," and "To My Chair." Of this small collection, Mr. John Underhill, who includes it in his admirable edition of Gay's poems in the "Muses' Library," writes: "The evidence in support of their authenticity is (1) the fact that they were found in a chair which was always spoken of by Gay's 'immediate descendants' as 'having been the property of the poet, and which, as his favourite easy chair, he highly valued'; and (2) that 'The Ladies' Petition' was printed nearly verbatim from a manuscript in the handwriting of the poet ... If really Gay's, they [the verses] may, we think, a great many of them, be safely regarded as the production of his youth, written, perhaps, during the somewhat extended visit to Devonshire which preceded his introduction to the literary world of Pope. The least doubtful piece, 'The Ladies' Petition' was probably 'thrown off' upon the occasion of his visit to Exeter in 1715."

If the verses are genuine, they have such biographical interest as is afforded by an allusion to a youthful love-affair. There are lines "To Miss Jane Scott":—

The Welsh girl is pretty.

The English girl fair,