Philip, Duke of Wharton
In the history of every country a few figures stand out conspicuous, not necessarily for ability or virtue, or even vice, but through the power of a dominating personality or the strangeness of their career. In the Georgian annals of England in the forefront of these heroes of romance stands, head and shoulders above the rest, Charles James Fox, whose genius and fascinations, indeed, whose very faults, seize the imagination, and hold it captive, a willing prisoner; but there are others, minor lights to this great star, yet still shining so brightly as to dazzle the sober senses of twentieth-century social historians, a body not given unduly to hero-worship. Such a one was Brummell, another was “Beau” Nash, both arbiters of fashion, veritable kings in the eyes of their contemporaries; a third was Elizabeth Chudleigh, Countess of Bristol, Duchess of Kingston, greater still as Beatrix, queen of hearts, in “Esmond”; and to a place in this gallery of adventurous spirits none can deny the right of Philip, Duke of Wharton, Richardson’s Lovelace, gallant, wit, statesman, satirist, poet and pamphleteer, like Dryden’s Zimri, “everything by starts and nothing long,” a man who threw away great gifts, honour, loyalty and love, as freely, and with as little regard for consequences, as Fox squandered his gold.
Philip, born on Christmas Eve, 1698, was the only son of Thomas, fourth Baron Wharton, by his second wife, Lucy, daughter of Lord Lisburne, who in that year was a toast at the Kit-Cat Club:
“When Jove to Ida did the gods invite,
And in immortal toastings pass’d the night,
With more than bowls of nectar were they blest,
For Venus was the Wharton of the feast!”