Down the Columbia

by Lewis R. Freeman

The next shot was a quarter of a mile farther up the trail. Here Roos found a natural sylvan frame through which to shoot the whole outfit as it came stringing along. Unfortunately, the “Director” failed to tell the actors not to look at the camera—that, once and for all, the clicking box must be reckoned as a thing non-existent—and it all had to be done over again. The next time it was better, but the actors still had a wooden expression on their faces. They didn’t look at the camera, but the expression on their faces showed that they were conscious of it. Roos then instructed me to talk to my companions, or sing, or do anything that would take their minds off the camera and make them appear relaxed and natural. That time we did it famously. As each, in turn, cantered by the sylvan bower with its clicking camera he was up to his neck “doing something.” Nixon was declaiming Lincoln’s Gettysburg speech as he had learned it from his phonograph, Gordon was calling his dog, Jim was larruping a straggling pinto and cursing it in fluent local idiom, and I was singing “Onward, Christian Soldiers!” We never had any trouble about “being natural” after that; but I hope no lip reader ever sees the pictures.

After picking up Roos and his camera we made our real start. One pack-horse was reserved for the camera and tripod, and to prevent him from ranging from the trail and bumping the valuable apparatus against trees or rocks, his halter was tied to the tail of Nixon’s saddle animal. Except that the latter’s spinal column must have suffered some pretty severe snakings when the camera-carrier went through corduroy bridges or lost his footings in fords, the arrangement worked most successfully. The delicate instrument was not in the least injured in all of the many miles it was jogged over some of the roughest trails I have ever travelled.

The sunshine by which the last of the trail shots was made proved the parting glimmer of what had been a month or more of practically unbroken fair weather. Indeed, the weather had been rather too fine, for, toward the end of the summer, lack of rain in western Canada invariably means forest fires. As these had been raging intermittently for several weeks all over British Columbia, the air had become thick with smoke, and at many places it was impossible to see for more than a mile or two in any direction. Both Roos and Harmon had been greatly hampered in their work about Banff and Lake Louise by the smoke, and both were, therefore, exceedingly anxious for early and copious rains to clear the air. Otherwise, they said, there was no hope of a picture of the Lake of the Hanging Glaciers that would be worth the film it was printed on. They must have rain. Their prayer was about to be answered, in full measure, pressed down and running over—and then some.

We had been encountering contending currents of hot and cold air all the way up the wagon-road from Invermere and the lower valley. Now, as we entered the mountains, these became more pronounced, taking the form of scurrying “dust-devils” that attacked from flank and van without method or premonitory signal. The narrowing gorge ahead was packed solid with a sullen phalanx of augmenting clouds, sombre-hued and sagging with moisture, and frequently illumined with forked lightning flashes discharged from their murky depths. Nixon, anxious to make camp before the storm broke, jogged the horses steadily all through the darkening afternoon. It was a point called “Sixteen-mile” he was driving for, the first place we would reach where there was room for the tent and feed for the horses. We were still four miles short of our destination when the first spatter of ranging drops opened up, and from there on the batteries of the storm concentrated on us all the way.

We made camp in a rain driving solidly enough to deflect the stroke of an axe. I shall not enlarge upon the acute discomfort of it. Those who have done it will understand; those who have not would never be able to. It was especially trying on the first day out, before the outfit had become shaken down and one had learned where to look for things. Nixon’s consummate woodcraftsmanship was put to a severe test, but emerged triumphant. So, too, Jim, who proved himself as impervious to rain as to ill-temper. The fir boughs for the tent floor came in dripping, of course, but there were enough dry tarpaulins and blankets to blot up the heaviest of the moisture, and the glowing little sheet-iron stove licked up the rest. A piping hot dinner drove out the last of the chill, and we spent a snug, comfy evening listening to Nixon yarn about his mountaineering exploits and of the queer birds from New York and London whom he had nursed through strange and various intervals of moose and sheep-hunting in the Kootenays and Rockies. We slept dry but rather cold, especially Roos, who ended up by curling round the stove and stoking between shivers. Nixon and Jim drew generously on their own blanket rolls to help the both of us confine our ebbing animal heat, and yet appeared to find not the least difficulty in sleeping comfortably under half the weight of cover that left us shaking. It was all a matter of what one was used to, of course, and in a few days we began to harden.

It was September tenth that we had started from Invermere, hoping at the time to be able to accomplish what we had set out to do in from four to six days. The rain which had come to break the long dry spell put a very different face on things, however. The eleventh, twelfth and thirteenth we were held in our first camp by an almost continuous downpour, which turned the mountain streams into torrents and raised Horse Thief till it lapped over the rim of the flat upon which our tent was pitched. The night of the thirteenth, with a sharp drop of the temperature, the rain turned to snow, and we crawled out on the fourteenth to find the valley under a light blanket of white. Then the clouds broke away and the sunshine and shadows began playing tag over the scarps and buttresses of the encompassing amphitheatre of mountains. For the first time there was a chance for a glimpse of the new world into which we had come. The transition from the cultivation and the gentle wooded slopes of Windermere was startling. Under the mask of the storm clouds we had penetrated from a smooth, rounded, pleasant country to one that was cliffy and pinnacled and bare—a country that was all on end, a land whose bones showed through. A towering Matterhorn reared its head six or eight thousand feet above us, and so near that slabs of rock cracked away from its scarred summit were lying just across the trail from the tent. The peaks walling in Horse Thief to the north were not so high but no less precipitous and barren, while to the west a jumble of splintered pinnacles whose bases barred the way were still lost in the witch-dance of the clouds. A tourist folder would have called it a “Land of Titans,” but Jim, leaning on his axe after nicking off a fresh back-log for the camp fire, merely opined it was “some skookum goat country. But not a patch,” he added, “to what we’ll be hittin’ to-night if we get them geesly hawsses rounded up in time fer a start ’fore noon.”

It appeared that the horses, with their grazing spoiled by the snow, had become restless, broken through the barrier Nixon had erected at a bridge just below camp, and started on the back trail for Invermere. As their tracks showed that they had broken into a trot immediately beyond the bridge, it looked like a long stern-chase, and Nixon did not reckon on being able to hit the trail for several hours. Roos grasped the occasion to make a couple of “camp life” shots his fertile brain had conceived the idea of during the long storm-bound days of enforced inaction. In one of these the “sportsman” was to go to bed in silhouette by candlelight. Ostensibly this was to be the shadow of a man crawling into his blankets inside of the tent, and taken from the outside. In reality, however, Roos set up his camera inside of the tent and shot the antics of the shadow the sunlight threw on the canvas when I went through the motions of turning in close against the outside of the wall. This went off smartly and snappily; but I would have given much for a translation of the voluble comments of a passing Indian who pulled up to watch the agile action of the retiring “sportsman.”

It was while Roos was rehearsing me for this shot that Gordon must have heard him iterating his invariable injunction that I should not be a “foot-hog,” meaning, I shall hardly need to explain, that I should be quick in my movements so as not to force him to use an undue footage of film. A little later I overheard the boy asking Jim what a “foot-hog” was. “I don’t quite kumtrux myself,” the sturdy blacksmith-packer replied, scratching his head. “It sounds as if it might be suthin like pig’s feet, but they want actin’ as if they wuz ready to eat anythin’, ’less it was each other.” Now that I think of it, I can see how the clash of the artistic temperaments of “Director” and “Star” over just about every one of the shots they made might have given Jim that impression.